"Kid Charlemagne" | ||||
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Single by Steely Dan | ||||
from the album The Royal Scam | ||||
B-side | "Green Earrings" | |||
Released | June 1976 [1] | |||
Genre | ||||
Length | 4:38 (album version) 3:56 (single version) | |||
Label | ABC | |||
Songwriter(s) | ||||
Producer(s) | Gary Katz | |||
Steely Dan singles chronology | ||||
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Official audio | ||||
"Kid Charlemagne" on YouTube |
"Kid Charlemagne" is a song by American rock band Steely Dan, released in 1976 as the opening track on their album The Royal Scam . An edited version was released as a single, reaching number 82 on the Billboard Hot 100. [2] Larry Carlton's guitar solo on the song was ranked #80 in a 2008 list of the 100 greatest guitar solos by Rolling Stone . [3]
Writers Walter Becker and Donald Fagen have stated that the lyrics of "Kid Charlemagne" were loosely inspired by the rise and fall of the San Francisco-based LSD chemist Owsley Stanley, augmented with other images of the counterculture of the 1960s: [4]
On the hill the stuff was laced with kerosene
But yours was kitchen clean
Everyone stopped to stare at your Technicolor motor home
The first two lines draw on the fact that Owsley's LSD was famed for its purity. The "Technicolor motor home" of the third line is likely a reference to Furthur, the Merry Pranksters' modified school bus; Stanley supplied them with LSD. [5] [6]
The final verse describes Stanley’s 1967 arrest after his car reportedly ran out of gas: [7]
Clean this mess up else we’ll all end up in jail
Those test tubes and the scale
Just get it all out of here
Is there gas in the car?
Yes, there’s gas in the car
I think the people down the hall know who you are
Larry Carlton's guitar solo starts at 2:18 into the song and ends at 3:08. Pete Prown and HP Newquist described it as consisting of "twisted single-note phrases, bends, and vibrant melody lines"; they called it and Carlton's "joyous, off-the-cuff break" during the song's fade-out "breathtaking." [8] According to Rolling Stone , which ranked "Kid Charlemagne" at #80 in its list of the "100 Greatest Guitar Songs": "In the late seventies, Steely Dan made records by using a revolving crew of great session musicians through take after take, which yielded endless jaw-dropping guitar solos. Larry Carlton's multi-sectioned, cosmic-jazz lead in this cut may be the best of all: It's so complex it's a song in its own right." [9] In 2022, Far Out Magazine listed it as the fourth-greatest guitar solo on a Steely Dan song, calling Carlton's playing "intense, fluid, and frequently on the brink of spinning out of control". [10] Nick Hornby, in Songbook , spoke of the solo's "extraordinary and dexterous exuberance", though he questioned its relationship with the "dry ironies of the song's lyrics". [11]
“It’s my claim to fame,” Carlton told Guitar World in 1981. “I did maybe two hours worth of solos that we didn’t keep. Then I played the first half of the intro, which they loved, so they kept that. I punched in for the second half. So it was done in two parts and the solo that fades out in the end was done in one pass.” [12] [ unreliable source? ]
Carlton's use of tapping in the solo was cited by Adrian Belew as an early example of what he and Rob Fetters were trying to accomplish at the time when Eddie Van Halen was experimenting with the technique. [13]
Carlton called his solo on "Kid Charlemagne" the high point of his career at the time, saying, "I can't think of anything else that I still like to listen to as strongly as that."[ citation needed ]
In 2021 Vulfpeck guitarist Cory Wong described the solo as his "favorite guitar solo of all time". [14]
Cash Box said that "the melody and arrangement are complicated, but accessible" and "every note is necessary." [15]
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker and Donald Fagen. Originally having a full band lineup, Becker and Fagen chose to stop playing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".
Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter, though it also features significant contributions from many prominent Los Angeles-based studio musicians.
Walter Carl Becker was an American musician, songwriter, and record producer. He was the co-founder, guitarist, bassist, and co-songwriter of the jazz rock band Steely Dan.
Can't Buy a Thrill is the debut studio album by American rock band Steely Dan, released in November 1972, by ABC Records. It was written by band members Walter Becker and Donald Fagen, and recorded in August 1972 at the Village Recorder in Los Angeles with producer Gary Katz. The album is one of Steely Dan's most stylistically eclectic, encompassing the sounds of soft rock, folk rock, jazz rock and pop, alongside philosophical, elliptical lyrics.
Aja is the sixth studio album by the American rock band Steely Dan, released on September 23, 1977, by ABC Records. On the album, band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players, enlisting the services of nearly 40 musicians, while pursuing longer, more sophisticated compositions and arrangements.
Countdown to Ecstasy is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track.
Katy Lied is the fourth studio album by American rock band Steely Dan, released in March 1975, by ABC Records; reissues have since been released by MCA Records due to ABC's acquisition by the former in 1979. It was the first album the group made after they stopped touring, as well as their first to feature backing vocals by Michael McDonald.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have since been released by MCA Records due ABC's acquisition by the former in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
Alive in America is a live album by the American rock group Steely Dan, released in 1995. It is Steely Dan's first live album. The album comprises recordings from their 1993 and 1994 tours, which were the first live Steely Dan performances since 1974.
The Nightfly is the debut solo studio album by American singer-songwriter Donald Fagen. Produced by Gary Katz, it was released October 1, 1982, by Warner Bros. Records. Fagen is best known for his work in the group Steely Dan, with whom he enjoyed a successful career since the 1970s. The band separated in 1981, leading Fagen to pursue a solo career. Although The Nightfly includes a number of production staff and musicians who had played on Steely Dan records, it was Fagen's first release without longtime collaborator Walter Becker.
Larry Eugene Carlton is an American guitarist who built his career as a studio musician in the 1970s and 1980s for acts such as Steely Dan and Joni Mitchell. One of the most sought after guitarists of his era, Carlton has participated in thousands of recording sessions, recorded on hundreds of albums in many genres, including more than 100 gold records, as well as for television and movies. He has been a member of the jazz fusion group the Crusaders and the smooth jazz band Fourplay, and has maintained a long solo career.
11 Tracks of Whack is the first solo album by Steely Dan co-founder Walter Becker, released in 1994. It was his third collaboration since 1980 with Steely Dan partner Donald Fagen, who produced the album, after Becker produced Fagen's Kamakiriad (1993), and Becker and Fagen played on Rosie Vela's debut album Zazu (1986).
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached number 40 on the Easy Listening chart. In Canada, it peaked at number 14, a position it occupied for two weeks, and number 20 Adult Contemporary. In 2021, it was ranked No. 214 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".
A Decade of Steely Dan is a compilation album by Steely Dan, released in 1985. It was the band's first compilation specifically for the compact disc market, and was certified a gold record by the RIAA.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Pretzel Logic" is a song written by Walter Becker and Donald Fagen, released as a single by Steely Dan from their album Pretzel Logic, originally in 1974 by ABC Records. It reached number 57 in the Billboard charts.
"Any Major Dude Will Tell You" is a song written by Donald Fagen and Walter Becker that was first released by Steely Dan on their 1974 album Pretzel Logic. It was also released as the B-side of the first single from that album "Rikki Don't Lose That Number". It was later released on several of the band's compilation albums.
"Josie" is a song written by Walter Becker and Donald Fagen and first released by Steely Dan on their 1977 album Aja. It was also released as the third single from the album and performed modestly well, reaching number 26 on the Billboard Hot 100 and number 44 on the Easy Listening chart that year. It has appeared on several Steely Dan live and compilation albums.
"Aja" is a jazz rock song, with elements of jazz fusion and progressive rock, by the American rock band Steely Dan from the album of the same name, their sixth studio album, released in 1977. Composers Becker and Fagen play guitar and synthesizer, respectively, with studio musicians playing the other parts. Fagen sings lead vocals. Production duties were handled by Gary Katz; the album was released through ABC Records. Musically, it is tonally sophisticated and a structurally complex work that was praised upon release as the most ambitious track the duo had ever attempted. The song's lyrics voice the interior monologue of a man who runs to the title character to escape the stresses of his life "up on the hill." Fagen claimed that it was inspired by the relative of an acquaintance, who had married a Korean woman named Aja. He has described the song as being about the "tranquility that can come of a quiet relationship with a beautiful woman."