Pretzel Logic | ||||
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Studio album by | ||||
Released | February 20, 1974 | |||
Recorded | October 1973 –January 1974 | |||
Studio | Village Recorder, Los Angeles, California | |||
Genre | ||||
Length | 34:02 | |||
Label | ABC | |||
Producer | Gary Katz | |||
Steely Dan chronology | ||||
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Singles from Pretzel Logic | ||||
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Pretzel Logic is the third studio album by American rock band Steely Dan, released on February 20, 1974, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, with producer Gary Katz. The album was Steely Dan's last to be made and released while the group was still an active touring band, as well as the final album to feature the band's full quintet-lineup of Becker, Fagen, Denny Dias, Jim Hodder, and Jeff "Skunk" Baxter (who subsequently left to join The Doobie Brothers), though it also features significant contributions from many prominent Los Angeles-based studio musicians.
A commercial and critical success, the album's hit single, "Rikki Don't Lose That Number", helped restore Steely Dan's radio presence after the disappointing performance of their previous album. Pretzel Logic was reissued on CD in 1987, and remastered in 1999, to retrospective critical acclaim.
Like Steely Dan's previous albums, Pretzel Logic was recorded at the Village Recorder in West Los Angeles, [3] produced by Gary Katz, and written primarily by Walter Becker and bandleader Donald Fagen, who also sang and played keyboard. [4] The album marked the beginning of Becker and Fagen's roles as the principal members of Steely Dan, and the pair enlisted prominent Los Angeles-based studio musicians to record numerous overdubs. [5] Jim Hodder, Steely Dan's founding drummer, was reduced to a background singer on the album, which instead features Jim Gordon and Jeff Porcaro on the drums. In addition to playing guitar, Jeff "Skunk" Baxter can be heard playing pedal steel guitar and some hand drums. [4]
Pretzel Logic contains shorter songs and fewer instrumental jams than Steely Dan's previous album, Countdown to Ecstasy (1973), [6] as the group had decided to attempt to produce complete musical statements within the three-minute pop-song format. [4] Music critic Robert Christgau wrote that the album's solos are "functional rather than personal or expressive, locked into the workings of the music". [7]
The music on the album is characterized by harmonies, counter-melodies, and bop phrasing, [6] and often relies on straightforward pop influences. [8] The syncopated piano line that opens "Rikki Don't Lose That Number" develops into a pop melody, and the title track transitions from a blues song to a jazzy chorus. [6]
Steely Dan often incorporated jazz into their music during the 1970s. [9] For example, on this album, "Rikki Don't Lose That Number" appropriates the bass pattern from Horace Silver's 1965 song "Song for My Father", [9] and "Parker's Band" features riffs influenced by Charlie Parker and a lyric that invites listeners to "take a piece of Mr. Parker's band." [7] Baxter's guitar playing drew on jazz and rock and roll influences, and on the instrumental cover of Duke Ellington's "East St. Louis Toodle-Oo", he recreates a classic Tricky Sam Nanton trombone solo on pedal steel. On that same track, Walter Becker uses talk box guitar to recreate James "Bubber" Miley's famous plunger-muted trumpet melody. Certain songs on the album incorporate additional instrumentation, including exotic percussion, violin sections, bells, and horns. [4]
"Charlie Freak" recounts the tale of a vagrant drug-addict who sells his only possession—a gold ring—to the narrator so he can buy a fix, which kills him. [10]
The album's cover photo featuring a New York pretzel vendor was taken by Raeanne Rubenstein, [11] a photographer of musicians and Hollywood celebrities. [12] She took the photo on the west side of Fifth Avenue and 79th Street, just above the 79th Street Transverse (the road through Central Park), at the park entrance called "Miners' Gate". [13]
Pretzel Logic was released by ABC Records on February 20, 1974, [14] and it sold well. [8] In the United States, it charted at number 8 on the Billboard 200 and became Steely Dan's third album to be certified Gold by the Recording Industry Association of America (RIAA). [15] After the disappointing performance of the singles from Countdown to Ecstasy, the album restored the group's radio presence with the single "Rikki Don't Lose That Number", [16] which became the biggest pop hit of their career, peaking at number four on the Billboard Hot 100. [17] On September 7, 1993, Pretzel Logic was certified Platinum by the RIAA, recognizing the shipment of one million copies in the U.S. [14]
Review scores | |
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Source | Rating |
AllMusic | [6] |
Chicago Tribune | [18] |
Christgau's Record Guide | A+ [7] |
Encyclopedia of Popular Music | [19] |
The Great Rock Discography | 9/10 [20] |
Music Story | [ citation needed ] |
MusicHound Rock | 4.5/5 [21] |
The Rolling Stone Album Guide | [22] |
Tom Hull – on the Web | A+ [23] |
Uncut | [24] |
The album received critical praise at the time of its release. [8] Bud Scoppa of Rolling Stone magazine called the album's "wonderfully fluid ensemble sound" unprecedented in popular music, and said the ambiguous lyrics "create an emotionally charged atmosphere, and the best are quite affecting." [4] Down Beat asserted that "there are no better rock recording groups in America, and damn few worldwide." [5] Robert Christgau found the album innovative, writing in Creem : "The music can be called jazzy without implying an insult, and Donald Fagen and Walter Becker are the real world's answer to Robert Hunter and Jerry Garcia." [25] In a mixed review, Noel Coppage of Stereo Review was impressed by the music on the album, but said that "the lyrics baffle me; maybe they know what they're talking about, but I can't get a clue." [26]
At the end of 1974, Pretzel Logic was named NME magazine's album of the year. [27] It was also voted the second-best album of 1974 in the Pazz & Jop, an annual poll of prominent critics published by The Village Voice . [28] Christgau, who created the Pazz & Jop, ranked Pretzel Logic number one on his own year-end list, [29] and later wrote that the album encapsulated Steely Dan's "chewy perversity as aptly as its title", with vocals by Fagen that "seem like the golden mean of pop ensemble singing, stripped of histrionics and displays of technique, almost [...] sincere, modest." [7]
In The All-Music Guide to Rock (1995), Rick Clark gave the album five stars out of five and wrote that, "On Pretzel Logic Steely Dan most successfully synthesized their love for jazz into their dense pop/rock sound." [2] Allmusic's Stephen Thomas Erlewine called the album Steely Dan's "richest", and wrote that Becker and Fagen's songwriting was "seamless while remaining idiosyncratic and thrillingly accessible." [6] Patrick McKay of Stylus Magazine called the album "superb", and noted that it found Becker and Fagen "relying instead on crack studio musicians that could realize their increasingly complex compositions". [30] Rob Sheffield, writing in The Rolling Stone Album Guide (2004), said that, when making Pretzel Logic, "Steely Dan's songwriting and Fagen's singing were at their peak of fluid power: The whole album is flawless". [22]
Pretzel Logic has appeared on retrospective "greatest albums" lists. In 1994, it was voted number 67 in Colin Larkin's book All Time Top 1000 Albums , with Larkin calling the album's mix of jazz, R&B, and pop styles "highly inventive" and "greater than the sum of its parts"; [31] it fell to number 292 in the update of the ranking from the year 2000. [32] In 2003, the album was ranked number 385 on Rolling Stone's list of the "500 Greatest Albums of All Time"; [33] it dropped one position, to number 386, on the 2012 update of the list. [34] The album was also included in the book 1001 Albums You Must Hear Before You Die . [35]
All tracks are written by Walter Becker and Donald Fagen, except where noted
No. | Title | Writer(s) | Length |
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1. | "Rikki Don't Lose That Number" | 4:30 | |
2. | "Night by Night" | 3:36 | |
3. | "Any Major Dude Will Tell You" | 3:05 | |
4. | "Barrytown" | 3:17 | |
5. | "East St. Louis Toodle-Oo" | Duke Ellington, Bubber Miley | 2:45 |
No. | Title | Length |
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6. | "Parker's Band" | 2:36 |
7. | "Through with Buzz" | 1:30 |
8. | "Pretzel Logic" | 4:28 |
9. | "With a Gun" | 2:15 |
10. | "Charlie Freak" | 2:41 |
11. | "Monkey in Your Soul" | 2:31 |
Total length: | 33:14 |
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Chart (1974) | Peak position |
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Australian Albums (Kent Music Report) [36] | 18 |
US Billboard Top LPs & Tape [37] | 8 |
Year | Single | Catalogue number | Peak position | Chart |
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1974 | "Rikki Don't Lose That Number" (B-side: "Any Major Dude Will Tell You") | ABC 11439 | 4 | US Billboard Hot 100 [38] |
1974 | "Pretzel Logic" (3:59 edit) (B-side: "Through with Buzz") | ABC 12033 | 57 |
Steely Dan is an American rock band formed in Annandale-on-Hudson, New York, in 1971 by Walter Becker and Donald Fagen. Originally having a full band lineup, Becker and Fagen chose to stop playing live by the end of 1974 and continued Steely Dan as a studio-only duo, utilizing a revolving cast of session musicians. Rolling Stone has called them "the perfect musical antiheroes for the seventies".
Walter Carl Becker was an American musician, songwriter, and record producer. He was the co-founder, guitarist, bassist, and co-songwriter of the jazz rock band Steely Dan.
Can't Buy a Thrill is the debut studio album by American rock band Steely Dan, released in November 1972, by ABC Records. It was written by band members Walter Becker and Donald Fagen, and recorded in August 1972 at the Village Recorder in Los Angeles with producer Gary Katz. The album is one of Steely Dan's most stylistically eclectic, encompassing the sounds of soft rock, folk rock, jazz-rock and pop, alongside philosophical, elliptical lyrics.
Aja is the sixth studio album by the American jazz rock band Steely Dan, released on September 23, 1977, by ABC Records. On the album, band leaders Donald Fagen and Walter Becker pushed Steely Dan further into experimenting with different combinations of session players, enlisting the services of nearly 40 musicians, while pursuing longer, more sophisticated compositions and arrangements.
Countdown to Ecstasy is the second studio album by American rock band Steely Dan, released in July 1973, by ABC Records. It was recorded at the Village Recorder in West Los Angeles, California, except for Rick Derringer's slide guitar part for "Show Biz Kids", which was recorded at Caribou Ranch in Nederland, Colorado. After the departure of vocalist David Palmer from Steely Dan, the group recorded the album with Donald Fagen singing lead on every track.
Katy Lied is the fourth studio album by American rock band Steely Dan, released in March 1975, by ABC Records; reissues have since been released by MCA Records due to ABC's acquisition by the former in 1979. It was the first album the group made after they stopped touring, as well as their first to feature backing vocals by Michael McDonald.
The Royal Scam is the fifth studio album by American rock band Steely Dan, released in May 1976, by ABC Records; reissues have since been released by MCA Records due ABC's acquisition by the former in 1979. It was produced by Gary Katz. In the United States, the album peaked at number 15 on the Billboard Top LPs & Tape chart, and it has been certified Platinum by the Recording Industry Association of America (RIAA).
Gaucho is the seventh studio album by the American rock band Steely Dan, released by MCA Records on November 21, 1980. The album marked a significant stylistic shift for the band, with more focus on rhythm and atmosphere than their earlier work, but the recording sessions demonstrated the group's typical obsessive nature and perfectionism, as they used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label. At the 24th Annual Grammy Awards, Gaucho won Best Engineered Recording – Non-Classical, and was nominated for Album of the Year and Best Pop Performance by a Duo or Group with Vocals.
Two Against Nature is the eighth studio album by American rock band Steely Dan. Their first studio album in 20 years, it was recorded from 1997 to 1999 and released on February 29, 2000, by Giant Records.
Alive in America is a live album by the American rock group Steely Dan, released in 1995. It is Steely Dan's first live album. The album comprises recordings from their 1993 and 1994 tours, which were the first live Steely Dan performances since 1974.
Kamakiriad is the second solo album by Steely Dan artist Donald Fagen, released in 1993. It was his first collaboration with Steely Dan partner Walter Becker since 1986, on Rosie Vela's album Zazu. Becker played guitar and bass and produced the album. The album is a futuristic, optimistic eight-song cycle about the journey of the narrator in his high-tech car, the Kamakiri. It was nominated for a Grammy Award for Album of the Year 1994.
"Deacon Blues" is a song written by Walter Becker and Donald Fagen in 1976 and recorded by their group Steely Dan on their 1977 album Aja. It peaked at number 19 on the Billboard charts and number 17 on the U.S. Cash Box Top 100 in June 1978. It also reached number 40 on the Easy Listening chart. In Canada, it peaked at number 14, a position it occupied for two weeks, and number 20 Adult Contemporary. In 2021, it was ranked No. 214 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".
Dennis Dias is an American guitarist, best known for being a founding member of Steely Dan.
"Reelin' In the Years" is a song by American rock band Steely Dan, released as the second single from their 1972 debut album, Can't Buy a Thrill. It peaked at No. 11 on the US Billboard Hot 100 chart and at No. 15 in Canada.
"Pretzel Logic" is a song written by Walter Becker and Donald Fagen, released as a single by Steely Dan from their album Pretzel Logic, originally in 1974 by ABC Records. It reached number 57 in the Billboard charts.
"Any Major Dude Will Tell You" is a song written by Donald Fagen and Walter Becker that was first released by Steely Dan on their 1974 album Pretzel Logic. It was also released as the B-side of the first single from that album "Rikki Don't Lose That Number". It was later released on several of the band's compilation albums.
"Rikki Don't Lose That Number" is a single released in 1974 by rock/jazz rock group Steely Dan and the opening track of their third album Pretzel Logic. It was the most successful single of the group's career, peaking at number 4 on the Billboard Hot 100 in the summer of 1974.
"Josie" is a song written by Walter Becker and Donald Fagen and first released by Steely Dan on their 1977 album Aja. It was also released as the third single from the album and performed modestly well, reaching number 26 on the Billboard Hot 100 and number 44 on the Easy Listening chart that year. It has appeared on several Steely Dan live and compilation albums.
"Dirty Work" is a song written by Donald Fagen and Walter Becker of Steely Dan, which appeared on the band's 1972 debut album Can't Buy a Thrill.
On Pretzel Logic Steely Dan most successfully synthesized their love for jazz into their dense pop/rock sound.