![]() Cover of first edition (hardcover) | |
Author | William Gibson |
---|---|
Series | Sprawl trilogy |
Genre | Science fiction, cyberpunk |
Publisher | Victor Gollancz Ltd |
Publication date | 1988 |
Media type | Print (hardcover and paperback) |
Pages | 251 |
ISBN | 0-553-05250-0 |
OCLC | 17876008 |
813/.54 19 | |
LC Class | PS3557.I2264 M65 1988 |
Preceded by | Count Zero |
Mona Lisa Overdrive is a science fiction novel by American-Canadian writer William Gibson, published in 1988. It is the final novel of the cyberpunk Sprawl trilogy, following Neuromancer and Count Zero , taking place eight years after the events of the latter. The novel was nominated for the Nebula Award for Best Novel, the Hugo Award for Best Novel, and the Locus Award for Best Science Fiction Novel in 1989. [1]
Taking place eight years after the events of Count Zero and fifteen years after Neuromancer , the story is formed from several interconnecting plot threads, and also features characters from Gibson's previous works (such as Molly Millions, the razor-fingered mercenary from Neuromancer).
Thread one: concerns Mona, a teen prostitute who has a more-than-passing resemblance to famed Simstim superstar Angie Mitchell. Mona is hired by shady individuals for a "gig" which later turns out to be part of a plot to abduct Angie.
Thread two: focuses on a young Japanese girl named Kumiko, daughter of a yakuza boss sent to London to keep her safe while her father engages in a gang war with other top yakuza leaders. In London, she is cared for by one of her father's retainers, who is also a powerful member of the London Mob. She meets Molly Millions (having altered her appearance and now calling herself "Sally Shears", in order to conceal her identity from hostile parties who are implied to be pursuing her), who takes the girl under her wing.
Thread three: follows a reclusive artist named Slick Henry, who lives in a place named Factory in the Dog Solitude; a large, poisoned expanse of deserted factories and dumps, probably in southern New Jersey. Slick Henry is a convicted car thief whose punishment consisted of having his short-term memory erased every five minutes, leading to continuous confusion and dissociation. Following the end of his sentence, he spends his days creating large robotic sculptures and periodically suffers episodes of time loss, returning to consciousness afterward with no memory of what he did during the blackout. He is hired by an acquaintance to look after the comatose "Count" (Bobby Newmark from the second novel, Count Zero, who has hooked himself into a super-capacity cyber-bio harddrive called an Aleph). A theoretical "Aleph" would have the RAM capacity to literally contain all of reality, enough that a memory construct of a person would contain the complete personality of the individual and allow it to learn, grow and act independently.
The final plotline follows Angela Mitchell, famous simstim star, and the girl from the second Sprawl novel Count Zero. Angie, thanks to brain manipulations by her father when she was a child, has always had the ability to access cyberspace directly (without a cyberspace deck), but drugs provided by her production company Sense/Net have severely impeded this ability.
The plot culminates when Angie and Bobby "upload" their consciousness into the Aleph, on the verge of visiting an alien artificial intelligence apparently found on a planet orbiting Centauri. Mona takes Angie's place as a simstim star following forced cosmetic surgery to make Mona look identical to Angie.
The story of the reclusive artist who makes cybernetic sculptures is a reference to Mark Pauline of Survival Research Labs. [2]
The name of the dense lump of cybernetic hardware that Bobby Newmark's consciousness is jacked into is a direct reference to the short story "The Aleph" by Argentinian author Jorge Luis Borges. The titular Aleph is a point in space which contains all other points, and if one were to gaze into the Aleph one would be able to see or experience the entirety of existence.
Thomas M. Disch reviewed the novel for the New York Times , giving it a mixed review: "Only in retrospect, however, is Mona Lisa Overdrive a disappointment. Zing by zing, its 45 chapters provide a sufficiency of non-nutritive fun." [3] It received positive reviews in Kirkus Reviews [4] and Publishers Weekly . [5]
A track of the score for the film The Matrix Reloaded by Juno Reactor and Don Davis was named "Mona Lisa Overdrive". The Matrix trilogy was heavily influenced by Gibson's writing. A different version of the song is on Juno Reactor's album Labyrinth . [6]
A track in the album Mista Thug Isolation by Lil Ugly Mane is titled "Mona Lisa Overdrive". [7]
Japanese rock band Buck-Tick's album of the same name was mistakenly named as such, since Hisashi Imai confused it with Robert Longo's Samurai Overdrive when naming the album. [8]
Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Neuromancer is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. It was Gibson's debut novel and the beginning of the Sprawl trilogy. Set in the future, the novel follows Henry Case, a washed-up hacker hired for one last job, which brings him in contact with a powerful artificial intelligence.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Aleph is the first letter of many Semitic abjads (alphabets).
A data haven, like a corporate haven or tax haven, is a refuge for uninterrupted or unregulated data. Data havens are locations with legal environments that are friendly to the concept of a computer network freely holding data and even protecting its content and associated information. They tend to fit into three categories: a physical locality with weak information-system enforcement and extradition laws, a physical locality with intentionally strong protections of data, and virtual domains designed to secure data via technical means regardless of any legal environment.
Count Zero is a science fiction novel by American-Canadian writer William Gibson, originally published in 1986. It is the second volume of the Sprawl trilogy, which begins with Neuromancer and concludes with Mona Lisa Overdrive, and is a well-regarded early example of the cyberpunk subgenre.
The Sprawl trilogy is William Gibson's first set of novels, composed of Neuromancer (1984), Count Zero (1986), and Mona Lisa Overdrive (1988).
Intrusion Countermeasures Electronics (ICE) is a term used in cyberpunk literature to refer to security programs which protect computerized data from being accessed by hackers.
Bobby Newmark is one of the main characters in the William Gibson novel Count Zero. His handle in the Matrix is "Count Zero", from which the novel derives its name. Newmark is one of several Gibson characters who live through information.
"Johnny Mnemonic" is a science fiction short story by American-Canadian writer William Gibson. It first appeared in Omni magazine in May 1981, and was subsequently included in Burning Chrome, a 1986 collection of Gibson's short fiction. It takes place in the world of Gibson's cyberpunk novels, predating them by some years, and introduces the character Molly Millions, who plays a prominent role in the Sprawl trilogy of novels.
Molly Millions is a recurring character in stories and novels written by William Gibson, particularly his Sprawl trilogy. She first appeared in "Johnny Mnemonic", to which she makes an oblique reference in Neuromancer. She later appeared in Mona Lisa Overdrive under the name "Sally Shears".
Many of the tropes of science fiction can be viewed as similar to the goals of transhumanism. Science fiction literature contains many positive depictions of technologically enhanced human life, occasionally set in utopian societies. However, science fiction's depictions of technologically enhanced humans or other posthuman beings frequently come with a cautionary twist. The more pessimistic scenarios include many dystopian tales of human bioengineering gone wrong.
Cayce Pollard is the fictional protagonist of William Gibson's 2003 novel Pattern Recognition.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer. Gibson's early short fiction is recognized as cyberpunk's finest work, effectively renovating the science fiction genre which had been hitherto considered widely insignificant.
"Kill Switch" is the eleventh episode of the fifth season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on February 15, 1998. It was written by William Gibson and Tom Maddox and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Kill Switch" earned a Nielsen household rating of 11.1, being watched by 18.04 million people in its initial broadcast. The episode received mostly positive reviews from television critics, with several complimenting Fox Mulder's virtual experience. The episode's name has also been said to inspire the name for the American metalcore band Killswitch Engage.
Mona is a female, and sometimes male, given name and a surname of multiple origins.
"Burning Chrome" is a science fiction short story by Canadian-American writer William Gibson, first published in Omni in July 1982. Gibson first read the story at a science fiction convention in Denver, Colorado in the autumn of 1981, to an audience of four people, among them Bruce Sterling. It was nominated for a Nebula Award in 1983 and collected with the rest of Gibson's early short fiction in a 1986 volume of the same name.
"Mona Lisa Overdrive" is a composition in B-flat minor, featured in the movie The Matrix Reloaded, during the highway chase scene. It is written by Don Davis in collaboration with the electronica act Juno Reactor, representing a blend of film score music and trance. The track is the fifth entry in the second CD in the film soundtrack, released on 15 May 2003. A different version of the song is featured in Juno Reactor's 2004 album, Labyrinth. A remix of the song was produced by Thomas P. Heckmann and was included on the group's remix album Inside the Reactor in 2011.