Author | William Gibson |
---|---|
Language | English |
Series | Bridge trilogy |
Genre | Science fiction, post-cyberpunk |
Publisher | Viking Press |
Publication date | September 4, 1996 |
Media type | print (hardback and paperback), audiobook |
Pages | 304 |
ISBN | 978-0-14-024107-5 |
OCLC | 39158749 |
Preceded by | Virtual Light |
Followed by | All Tomorrow's Parties |
Idoru is the second book in William Gibson's Bridge trilogy. Idoru is a science-fiction novel set in a postmodern, dystopian, cyberpunk future. One of the main characters, Colin Laney, has a talent for identifying nodal points, analogous to Gibson's own:
Laney’s node-spotter function is some sort of metaphor for whatever it is that I actually do. There are bits of the literal future right here, right now, if you know how to look for them. Although I can’t tell you how; it’s a non-rational process.
— William Gibson, August 1999. [1]
In the post Tokyo/San Francisco earthquake world of the early 21st century, Colin Laney is referred to agents of rock and roll megastar Rez (of the musical group Lo/Rez) for a job using his peculiar talent of sifting through vast amounts of mundane data to find "nodal points" of particular relevance. Rez has claimed to want to marry a synthetic personality named Rei Toei, the Idoru (a Japanese virtual idol) of the title, a claim stranger than usual and therefore questioned by his loyal staff, particularly by his head of security, Keith Blackwell. Blackwell believes that someone is manipulating Rez, and wants Laney to find out who. Simultaneously, the Seattle chapter of the Lo/Rez fan club is discussing exactly the same topic of the unbelievable marriage of human and AI construct. Fourteen-year-old Chia Pet McKenzie is chosen by the group to go to Tokyo and meet with the Tokyo chapter to find out what is really happening. On the flight she meets a woman named Maryalice, who dupes her into unwittingly carrying a contraband item through customs in Tokyo.
Laney accepts his new position warily, but is conflicted throughout much of the novel by his past involvement with a powerful infotainment organization, "SlitScan", which thrives on destroying media personalities by exposing their secrets. In the course of this earlier job he feels responsible for the death of an innocent party. His talent had allowed him a foreshadowing of a probable suicide, but SlitScan had tried to limit Laney's role to passive observer. However, Laney's conscience snapped -- he attempted at the last moment to stop the suicide, but instead became mired in a scandal. Yet another organization claiming to be a media watchdog steps in and tries to pull Laney away from SlitScan to use his story to expose SlitScan’s involvement in illegal spying. This goes awry and Laney is left alone, high and dry. Further complicating Laney’s life is that Kathy Torrance, his controller from SlitScan, is attempting to blackmail him with false evidence into betraying his current employers, Lo/Rez, by exposing whatever secret she thinks they are hiding.
Chia, after being brought to the club run by Maryalice’s boyfriend Eddie, is helped to escape by one of the club’s employees who perceives that she is in danger. She takes with her the contraband which was slipped into her luggage. When she meets with the local Tokyo chapter of the Lo/Rez fan club, she is disappointed by their seeming indifference to the impending “wedding," and they inform her this is merely an unfounded rumor. Disbelieving, Chia decides to investigate on her own and seeks the help of her host Mitsuko’s brother Masahiko, an otaku who is a member of the hacker community the "Walled City" (a virtual community based on Kowloon Walled City). Masahiko and Chia embark on a search for the truth to the marriage of Rez and Rei by going to the club where Rez announced the event, though the club no longer exists in the rapidly changing Tokyo scene. Masahiko is informed by other denizens of Walled City that he is being watched, both on the net and physically at the home of himself and his sister. Chia admits to Masahiko that she has found something in her luggage and that might be what the unknown men are seeking. The contraband turns out to be a highly illegal nanotech assembler -- a device used for high-speed material fabrication -- which Eddie smuggled in on behalf of the Kombinat. Chia and Masahiko go to a love hotel to try to hide from the searchers. It is there that all the parties converge. When Chia and Masahiko link into the net, the Idoru (Rei) manifests herself in Chia's Venice simulation once she realizes Chia is playing a part in her evolution. Maryalice finds the hotel through their taxi record, letting herself into their room. Lamenting her recent breakup with Eddie over the botched smuggling operation, she tells them that giving back the device won’t stop them from being killed as witnesses.
Masahiko and Chia go onto the Net to get the help of Chia’s friend Zona Rosa (Spanish for “pink zone") who claims to be the leader of a Mexico City "girl gang", and from the denizens of the distributed system, Walled City. In short order, Maryalice’s boyfriend Eddie shows up with a member of the Kombinat to reclaim the nanotech device. This prompts Zona Rosa (who has been viewing events over the net) into making a terrible personal sacrifice to save Chia. Events rapidly come to a head when Rez and Blackwell arrive. Laney sees events occurring (and about to occur) in the datastreams and rushes with Lo/Rez’s support crew to the love hotel. A deal is struck, and most of the parties are accommodated. The ultimate resolution is left open as to whether the Rez/Rei union has become possible with the nanotechnology they have now obtained.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
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