Cyberpunk is a subgenre of science fiction in a dystopian futuristic setting that tends to focus on a "combination of lowlife and high tech", featuring futuristic technological and scientific achievements, such as artificial intelligence and cyberware, juxtaposed with societal collapse, dystopia or decay. Much of cyberpunk is rooted in the New Wave science fiction movement of the 1960s and 1970s, when writers like Philip K. Dick, Michael Moorcock, Roger Zelazny, John Brunner, J. G. Ballard, Philip José Farmer and Harlan Ellison examined the impact of drug culture, technology, and the sexual revolution while avoiding the utopian tendencies of earlier science fiction.
Neuromancer is a 1984 science fiction novel by American-Canadian writer William Gibson. Considered one of the earliest and best-known works in the cyberpunk genre, it is the only novel to win the Nebula Award, the Philip K. Dick Award, and the Hugo Award. It was Gibson's debut novel and the beginning of the Sprawl trilogy. Set in the future, the novel follows Henry Case, a washed-up hacker hired for one last job, which brings him in contact with a powerful artificial intelligence.
William Ford Gibson is an American-Canadian speculative fiction writer and essayist widely credited with pioneering the science fiction subgenre known as cyberpunk. Beginning his writing career in the late 1970s, his early works were noir, near-future stories that explored the effects of technology, cybernetics, and computer networks on humans—a "combination of lowlife and high tech"—and helped to create an iconography for the information age before the ubiquity of the Internet in the 1990s. Gibson coined the term "cyberspace" for "widespread, interconnected digital technology" in his short story "Burning Chrome" (1982), and later popularized the concept in his acclaimed debut novel Neuromancer (1984). These early works of Gibson's have been credited with "renovating" science fiction literature in the 1980s.
Johnny Mnemonic is a 1995 cyberpunk action film directed by Robert Longo in his feature directorial debut. William Gibson, who wrote the 1981 short story, wrote the screenplay. The film, set in 2021, portrays a dystopian future racked by a tech-induced plague, awash with conspiracies, and dominated by megacorporations and organized crime. Keanu Reeves plays Johnny, a data courier with an overloaded brain implant designed to securely store confidential information. Takeshi Kitano portrays a yakuza affiliated with a megacorporation attempting to suppress the data; he hires a psychopathic assassin played by Dolph Lundgren to do so. Ice-T and Dina Meyer co-star as Johnny's allies, a freedom fighter and a bodyguard, respectively.
Cyberpunk is a tabletop role-playing game in the dystopian science fiction genre, written by Mike Pondsmith and first published by R. Talsorian Games in 1988. It is typically referred to by its second or fourth edition names, Cyberpunk 2020 and Cyberpunk Red, in order to distinguish it from the cyberpunk genre after which it is named.
Nash Bridges is an American police procedural television series created by Carlton Cuse. The show stars Don Johnson and Cheech Marin as two Inspectors with the San Francisco Police Department's Special Investigations Unit (SIU).
Hell: A Cyberpunk Thriller is a point-and-click adventure game released in 1994, developed by Take-Two Interactive Software and published by GameTek for the DOS. It was ported to 3DO, Macintosh and Microsoft Windows. The game was notable for being one of the first CD-ROM-only games to use speech with hi-res graphics, and was designed by the same team as BloodNet, the story of which is referenced to during one of Hell's subplots. Dennis Hopper, Grace Jones, Stephanie Seymour, and Geoffrey Holder are among the actors in the game. Seymour and Holder appear in live action footage, while the rest of the cast, including Hopper and Jones, lend their voices to computer-animated representations.
Idoru is the second book in William Gibson's Bridge trilogy. Idoru is a science-fiction novel set in a postmodern, dystopian, cyberpunk future. One of the main characters, Colin Laney, has a talent for identifying nodal points, analogous to Gibson's own:
Laney’s node-spotter function is some sort of metaphor for whatever it is that I actually do. There are bits of the literal future right here, right now, if you know how to look for them. Although I can’t tell you how; it’s a non-rational process.
The Bridge trilogy is a series of novels by William Gibson, his second after the successful Sprawl trilogy. The trilogy comprises the novels Virtual Light (1993), Idoru, (1996) and All Tomorrow's Parties (1999). A short story, "Skinner's Room", was originally composed for Visionary San Francisco, a 1990 museum exhibition exploring the future of San Francisco.
"The Belonging Kind" is a science fiction short story by cyberpunk authors William Gibson and John Shirley. It was first published in the horror anthology Shadows 4 edited by Charles L. Grant in 1981, later to be included along with several other stories in Gibson's collection Burning Chrome.
"Skinner's Room" is a science fiction short story by American-Canadian author William Gibson, originally composed for Visionary San Francisco, a 1990 museum exhibition exploring the future of San Francisco. It features the first appearance in Gibson's fiction of "the Bridge", which Gibson revisited as the setting of his acclaimed Bridge trilogy of novels. In the story, the Bridge is overrun by squatters, among them Skinner, who occupies a shack atop a bridgetower. An altered version of the story was published in Omni magazine and subsequently anthologized. "Skinner's Room" was nominated for the 1992 Locus Award for Best Short Story.
All Tomorrow's Parties is a science fiction novel by American-Canadian writer William Gibson, the third and final book in his Bridge trilogy. Like its predecessors, All Tomorrow's Parties is a speculative fiction novel set in a postmodern, dystopian, postcyberpunk future. The novel borrows its title from a song by Velvet Underground. It is written in the third person and deals with Gibsonian themes of emergent technology. The novel was initially published by Viking Press on October 7, 1999.
The Killer Elite is a 1975 American action thriller film directed by Sam Peckinpah and written by Marc Norman and Stirling Silliphant, adapted from the Robert Syd Hopkins novel Monkey in the Middle. It stars James Caan and Robert Duvall as a pair of elite mercenaries who become bitter rivals and are caught on opposite sides of a proxy war over a foreign dignitary in the streets of San Francisco.
The Eclipse Trilogy is a series of three English language cyberpunk science fiction novels by John Shirley consisting of Eclipse (1985), Eclipse Penumbra (1988), and Eclipse Corona (1990).
Cyberpunk is the fifth studio album by English rock musician Billy Idol, released on 29 June 1993 by Chrysalis Records. A concept album, it was inspired by his personal interest in technology and his first attempts to use computers in the creation of his music. Idol based the album on the cyberdelic subculture of the late 1980s and early 1990s. Heavily experimental in its style, the album was an attempt to take control of the creative process in the production of his albums, while simultaneously introducing Idol's fans and other musicians to the opportunities presented by digital media.
"The Gernsback Continuum" is a 1981 science fiction short story by American-Canadian author William Gibson, originally published in the anthology Universe 11 edited by Terry Carr. It was later reprinted in Gibson's collection Burning Chrome, and in Mirrorshades, edited by Bruce Sterling. With some similarity to Gibson's later appraisal of Singapore for Wired magazine in Disneyland with the Death Penalty, as much essay as fiction, it depicts the encounters of an American photographer with the period futuristic architecture of the American 1930s when he is assigned to document it for fictional London publishers Barris-Watford, and the gradual incursion of its cinematic future visions into his world. The "Gernsback" of the title alludes to Hugo Gernsback, the pioneer of early 20th century American pulp magazine science fiction.
The works of William Gibson encompass literature, journalism, acting, recitation, and performance art. Primarily renowned as a novelist and short fiction writer in the cyberpunk milieu, Gibson invented the metaphor of cyberspace in "Burning Chrome" (1982) and emerged from obscurity in 1984 with the publication of his debut novel Neuromancer. Gibson's early short fiction is recognized as cyberpunk's finest work, effectively renovating the science fiction genre which had been hitherto considered widely insignificant.
"Kill Switch" is the eleventh episode of the fifth season of the science fiction television series The X-Files. It premiered in the United States on the Fox network on February 15, 1998. It was written by William Gibson and Tom Maddox and directed by Rob Bowman. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "Kill Switch" earned a Nielsen household rating of 11.1, being watched by 18.04 million people in its initial broadcast. The episode received mostly positive reviews from television critics, with several complimenting Fox Mulder's virtual experience. The episode's name has also been said to inspire the name for the American metalcore band Killswitch Engage.
Japanese cyberpunk refers to cyberpunk fiction produced in Japan. There are two distinct subgenres of Japanese cyberpunk: live-action Japanese cyberpunk films, and cyberpunk manga and anime works.
The Peripheral is a 2014 science fiction mystery-thriller novel by William Gibson set in near- and post-apocalyptic versions of the future. The story focuses on a young rural-town American woman who lives in the near future, and on a London publicist who lives 70 years thereafter.
