| "Bye Bye Blackbird" | |
|---|---|
 Sheet music cover featuring the Angelus Sisters, 1926 | |
| Song | |
| Published | 1926 [1] |
| Genre | Jazz |
| Composer(s) | Ray Henderson |
| Lyricist(s) | Mort Dixon |
"Bye Bye Blackbird" is a song published in 1926 [1] by Jerome H. Remick and written by composer Ray Henderson and lyricist Mort Dixon. It is considered a popular standard and was first recorded by Sam Lanin's Dance Orchestra in March 1926. [2]
Popular recordings in 1926 were by Nick Lucas, Gene Austin, Benny Krueger, and by Leo Reisman. [3] It was the number 16 song of 1926 according to Pop Culture Madness. [4]
The song was featured in the 1955 movie musical Pete Kelly's Blues , sung by Peggy Lee in the role of alcoholic jazz singer Rose Hopkins. [5] [6]
In "Goodbye Nkrumah" (1966) Beat poet Diane Di Prima asks:
And yet, where would we be without the American culture
Bye bye blackbird, as Miles plays it, in the ’50s [7]
In 1982, the Recording Industry Association of America (RIAA) posthumously awarded John Coltrane a "Best Jazz Solo Performance" Grammy for the work on his album Bye Bye Blackbird. [8]
Recordings of the song often include only the chorus; the verses are far less known. [9]
Segregationists opposed to the American Civil Rights Movement, notably at the Selma to Montgomery marches, played the song over loudspeakers as a taunt. [10]
In 1968, Joe Cocker recorded a cover of "Bye Bye Blackbird" that was included on his 1969 album With A Little Help From My Friends. Allmusic reviewer Matthew Greenwald described it as a "Classic Pop Gospel Ballad". [11] Ringo Starr also included a version on his first solo album, Sentimental Journey , arranged by Maurice Gibb, released in 1970.
In 1987, Sharon, Lois & Bram performed the song on their television series, Sharon, Lois & Bram's Elephant Show on the "Mother Goose" episode, and again in 1988 on the "Curio Shoppe" episode.
Tiny Tim recorded the song with Brave Combo on what would be his final recording, [12] the 1996 album Girl. [13]
In 2011, Paul McCartney recorded a cover of "Bye Bye Blackbird" that was included on his 2012 album Kisses on the Bottom . [14]
In 2017, the song was also featured in the season 4 episode 3 of the series Peaky Blinders.
When My Baby Smiles at Me is a popular song with music by Bill Munro and words by Andrew B. Sterling and Ted Lewis, that was published by Harry Von Tilzer Music Publishing in 1920. It was interpolated into the Broadway show The Greenwich Village Follies (1919) and was the first big hit for clarinettist, vocalist and comedian Ted Lewis (1892–1971). Ted Lewis's jazz band recording in 1920 for Columbia Records, became his signature tune, and spent 18 weeks on the charts. Ted Lewis re-recorded it several times over the years and his 1938 version for Decca also charted briefly. The tune was also covered by other artists of the time.
"Stardust" is a 1927 song composed by Hoagy Carmichael, with lyrics later added by Mitchell Parish. It has been recorded as an instrumental or vocal track over 1,500 times. Carmichael developed a taste for jazz while attending Indiana University. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the song for Gennett Records.
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. The opening notes of the song's melody resemble Gershwin's 1926 "Someone To Watch Over Me".
"My Dreams Are Getting Better All the Time" is a 1945 popular song.
"A Hundred Years from Today" is a popular song published in 1933 with music by Victor Young and lyrics by Ned Washington and Joe Young. The song was included in the London production of Lew Leslie's Blackbirds of 1934.
"Just a Gigolo" is a popular song, adapted by Irving Caesar into English in 1929 from the Austrian tango "Schöner Gigolo, armer Gigolo", composed in 1928 in Vienna by Leonello Casucci to lyrics written in 1924 by Julius Brammer.
"September in the Rain" is a popular song about nostalgia by Harry Warren and Al Dubin, published in 1937. The song was introduced by James Melton in the film Melody for Two. It has become a standard, having been recorded by many artists since, and featured in a variety of movies, including the 1937 film of the same name.
"Five Foot Two, Eyes of Blue " is an American popular song that achieved its greatest popularity in the 1920s. As of January 1, 2021, the song has fallen into the public domain.
Bye Bye Blackbird is a live album by jazz musician John Coltrane recorded on November 19, 1962 at the Konserthuset in Stockholm and released in 1981 by Pablo Records.
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"What Can I Say After I Say I'm Sorry?" is a popular song by Walter Donaldson and Abe Lyman, published in 1926.
"You're Blasé" is a jazz standard composed in 1931 by Ord Hamilton (1900–1955) with lyrics by Bruce Sievier (1894–1953) and introduced by Binnie Hale in John Murray Anderson's production of the London musical revue Bow Bells (1932).
"Wabash Blues", with words by Dave Ringle and music by Fred Meinken, was the first major success for pianist, saxophonist and song composer Isham Jones (1894–1956). Recorded in 1921 by Isham Jones and his Orchestra, this million-seller stayed twelve weeks in the U.S. charts, six at No. 1. Other popular recordings were by Benson Orchestra of Chicago, Dolly Kay, Ted Lewis (1930) and Russ Morgan (1939).
At Newport 1958 is a live album by the jazz musician Miles Davis featuring the Miles Davis Quintet's complete performance recorded at the Newport Jazz Festival in 1958. The album was first released as a single CD in 2001 though four tracks had previously been released in part as one side of the LP Miles & Monk at Newport. The entire concert was given its first complete release as part of The Complete Columbia Recordings of Miles Davis with John Coltrane box set in 1999, and all tracks were included on the 2015 compilation Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4.
"Baby Face" is a popular Tin Pan Alley jazz song. The music was written by Harry Akst, with lyrics by Benny Davis, and the song was published in 1926.
"When the Red, Red Robin " is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth, who performed it often during the height of her musical career from the late 1920s to the late 1930s.
"Bye Bye Blackbird" is a song published in 1926 by the American composer Ray Henderson and lyricist Mort Dixon.
"Wang Wang Blues" is a 1920 jazz composition written by Henry Busse, Gussie Mueller, and Theron E. "Buster" Johnson, with lyrics by Leo Wood. The song was released as a 78 single by Paul Whiteman and his Orchestra featuring Henry Busse on trumpet. The song is a pop and jazz standard.
"Coquette" is a 1928 fox trot jazz standard. It was composed by Johnny Green and Carmen Lombardo, with lyrics by Gus Kahn. Guy Lombardo had great success with the song in 1928.
I See Your Face Before Me is a popular song composed by Arthur Schwartz, with lyrics by Howard Dietz. It was introduced by Evelyn Laye and Adele Dixon in the 1937 Broadway musical Between the Devil. Two recordings of the song made the charts shortly after the show's debut: Guy Lombardo & His Royal Canadians reached number 12, and Glen Gray & The Casa Loma Orchestra made it to number 13.
