I Only Have Eyes for You | ||||
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Studio album by Eddie "Lockjaw" Davis with the Paul Weedon Trio | ||||
Released | 1962 | |||
Recorded | November 15, 1962 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 32:20 | |||
Label | Prestige PRLP 7261 | |||
Producer | Ozzie Cadena | |||
Eddie "Lockjaw" Davis chronology | ||||
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I Only Have Eyes for You is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label. [1]
Edward F. Davis, known professionally as Eddie "Lockjaw" Davis, was an American jazz tenor saxophonist.
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them under subsidiaries. In 1971, the company was sold to Fantasy, which was later absorbed by Concord.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
The AllMusic review states simply "A five piece with Don Patterson on the Hammond B-3 and Paul Weeden on guitar". [2]
AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.
Don Patterson was an American jazz organist.
The Hammond organ is an electric organ, invented by Laurens Hammond and John M. Hanert and first manufactured in 1935. Various models have been produced, most of which use sliding drawbars to specify a variety of sounds. Until 1975, Hammond organs generated sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup, and then strengthening the signal with an amplifier so it can drive a speaker cabinet. Around two million Hammond organs have been manufactured. The organ is commonly used with, and associated with, the Leslie speaker.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
The guitar is a fretted musical instrument that usually has six strings. It is typically played with both hands by strumming or plucking the strings with either a guitar pick or the finger(s)/fingernails of one hand, while simultaneously fretting with the fingers of the other hand. The sound of the vibrating strings is projected either acoustically, by means of the hollow chamber of the guitar, or through an electrical amplifier and a speaker.
George Duvivier was an American jazz double-bassist.
Edward Hammond Boatner Jr., known professionally as Sonny Stitt, was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern because of his relentless touring and devotion to jazz. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor sax.
Shirley Scott was an American jazz organist.
Stompin' is an album by organist Shirley Scott recorded in 1961 and released on the Prestige label in 1967.
The Eddie "Lockjaw" Davis Cookbook is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was later issued as Vol. 1 when two subsequent "Cookbook" volumes were released.
The Eddie "Lockjaw" Davis Cookbook, Vol. 2 is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott and flautist Jerome Richardson recorded in 1958 for the Prestige label. The album was the second of Davis' popular "Cookbook" volumes to be released.
Eddie "Lockjaw Davis with Shirley Scott is an album by saxophonist Eddie "Lockjaw" Davis with organist Shirley Scott recorded in 1960 and released on the Moodsville label.
Person to Person is the debut album by jazz vocalist Mildred Anderson featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1960 and released on the Bluesville label.
Griff & Lock is an album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded in 1960 and released on the Jazzland label.
The Tenor Scene is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label.
The First Set is a live album by saxophonists Eddie "Lockjaw" Davis and Johnny Griffin recorded at Minton's Playhouse in 1961 and released on the Prestige label. The album was the second release from the recordings at Minton's after The Tenor Scene.
Jawbreakers is an album by saxophonist Eddie "Lockjaw" Davis and trumpeter Harry "Sweets" Edison recorded in 1962 and released on the Riverside label.
Trackin' is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Love Calls is an album by saxophonist Eddie "Lockjaw" Davis with Paul Gonsalves recorded in 1968 for the RCA Victor label.
Afro-Jaws is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1960 and released on the Riverside label.
Low Flame is an album by saxophonist Sonny Stitt recorded in 1962 and released on the Jazzland label.
All of Me is an album by American jazz saxophonist Eddie "Lockjaw" Davis recorded in Copenhagen in 1983 and released on the Danish SteepleChase label.
Hear My Blues is the debut album by jazz/blues vocalist Al Smith featuring saxophonist Eddie "Lockjaw" Davis' working group with organist Shirley Scott recorded in 1959 and becoming the first release on the Bluesville label. The album was reissued as Blues Shout! under Eddie "Lockjaw" Davis's name on Prestige in 1964.
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