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"Corner Pocket" is a 1955 jazz standard. Versions with lyrics are titled "Until I Met You", or "Until I Met You (Corner Pocket)".
It was composed by Freddie Green, with lyrics by Donald E. Wolf. [1]
The song was first popularized in 1957 by Count Basie's instrumental recording for his album April in Paris . A vocalese cover of this performance was released by The Manhattan Transfer for their 1981 album Mecca for Moderns , which would eventually earn them a Grammy Award. (The vocalese lyrics are by Jon Hendricks, [2] although he is not credited on either Mecca for Moderns or Anthology: Down in Birdland .
Harry James recorded a version on his 1976 album The King James Version.
Vocalese is a style of jazz singing in which words are added to an instrumental soloist's improvisation.
The Manhattan Transfer is an American vocal group founded in 1969, performing a cappella, vocalese, swing, standards, Brazilian jazz, rhythm and blues, and pop music. The group has won eleven Grammy Awards.
Kurt Elling is an American jazz singer and songwriter.
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
"Take the 'A' Train" is a jazz standard by Billy Strayhorn that was the signature tune of the Duke Ellington orchestra.
John Carl Hendricks, known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while Time dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been".
Eddie Jefferson was an American jazz vocalist and lyricist. He is credited as an innovator of vocalese, a musical style in which lyrics are set to an instrumental composition or solo. Jefferson himself claims that his main influence was Leo Watson. Perhaps Jefferson's best-known song is "Moody's Mood for Love" which was recorded in 1952, though two years later a recording by King Pleasure catapulted the contrafact into wide popularity. Jefferson's recordings of Charlie Parker's "Parker's Mood" and Horace Silver's "Filthy McNasty" were also hits.
"I Remember Clifford" is an instrumental jazz threnody written by jazz tenor saxophonist Benny Golson in memory of Clifford Brown, the influential and highly regarded jazz trumpeter who died in an auto accident at the age of 25. Brown and Golson had done a stint in Lionel Hampton's band together. The original recording was by Donald Byrd in January 1957.
"Moody's Mood for Love" is a 1952 song by Eddie Jefferson, whose melody is derived from an improvised solo by jazz saxophonist James Moody on a 1949 recording of the 1935 song "I'm in the Mood for Love". The song is structured as a duet, with a man proclaiming his love for a woman, and the woman responding in kind.
"Airegin" is a jazz standard composed by American jazz saxophonist Sonny Rollins in 1954. Rollins chose the name "Airegin", as it is an anadrome of "Nigeria".
Birdland is a jazz club started in New York City on December 15, 1949. The original Birdland, which was located at 1678 Broadway, just north of West 52nd Street in Manhattan, was closed in 1965 due to increased rents, but it re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name that is now located in Manhattan's Theater District, not far from the original nightclub's location. The current location is in the same building as the previous headquarters of The New York Observer.
Mecca for Moderns is the sixth studio album by the Manhattan Transfer. It was released in 1981 by Atlantic Records.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
Anthology: Down In Birdland was a 2-Cassette Tape & 2CD album released by The Manhattan Transfer in 1992 on the Rhino Records label. It was the first album released by the group on this label.
Cheryl Bentyne is a jazz singer who spent much of her career with The Manhattan Transfer.
"Nuages" is one of the best-known compositions by Django Reinhardt. He recorded at least thirteen versions of the tune, which is a jazz standard and a mainstay of the gypsy swing repertoire. English and French lyrics have been added to the piece which was originally an instrumental work. The title translated into English is "Clouds", but the adaptation with English lyrics is titled "It's the Bluest Kind of Blues".
"Twisted" is a 1952 vocalese song with lyrics by Annie Ross, set to a tenor saxophone solo of the same name by Wardell Gray that was recorded in 1949. It has been covered by Bette Midler, Joni Mitchell, and many others.
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. The composition, credited to the group's tenor saxophone player Lester Young, is a head arrangement based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.
Azure-Te is a blues ballad written in 1952 by lyricist Donald E. Wolf for a Wild Bill Davis tune that reached number 30 on the Billboard Hot 100 chart in September 1952 when covered by Frank Sinatra.
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