Frank Wellington Wess was an American jazz saxophonist and flutist. In addition to his extensive solo work, Wess is remembered for his time in Count Basie's band from the early 1950s into the 1960s. Critic Scott Yanow described him as one of the premier proteges of Lester Young, and a leading jazz flutist of his era—using the latter instrument to bring new colors to Basie's music.
Thaddeus Joseph Jones was an American jazz trumpeter, composer, and bandleader who has been called "one of the all-time greatest jazz trumpet soloists".
Al Grey was an American jazz trombonist who was a member of the Count Basie orchestra. He was known for his plunger mute technique and wrote an instructional book in 1987 called Plunger Techniques.
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Frank Benjamin Foster III was an American tenor and soprano saxophonist, flautist, arranger, and composer. Foster collaborated frequently with Count Basie and worked as a bandleader from the early 1950s. In 1998, Howard University awarded Frank Foster with the Benny Golson Jazz Master Award.
William Melvin Mitchell was an American jazz tenor saxophonist.
Ronnell Lovelace Bright was an American jazz pianist. He made cameo appearances in the TV shows The Jeffersons and Sanford and Son, also working on The Carol Burnett Show.
Eddie Jones was an American jazz double bassist.
Henry Coker was an American jazz trombonist.
Count Basie/Sarah Vaughan is a 1961 album by the American jazz singer Sarah Vaughan, accompanied by the Count Basie Orchestra, with arrangements by Frank Foster, Thad Jones and Ernie Wilkins. According to James Gavin's liner notes to the 1996 CD release, Basie himself does not perform on any of the tracks.
Send in the Clowns is a 1981 studio album by Sarah Vaughan, accompanied by the Count Basie Orchestra.
Waymon Reed was an American jazz trumpeter. While he was principally a bebop soloist, he also worked in rhythm and blues (R&B). He never had any children, and was married from 1978 to 1981 to singer Sarah Vaughan.
Basie/Eckstine Incorporated is a 1959 studio album featuring Billy Eckstine and the Count Basie Orchestra. It was released by Roulette Records and marked Eckstine and Basie's only recorded collaboration.
Welcome to the Club is a 1959 album by Nat King Cole, arranged by Dave Cavanaugh. Cole is accompanied by an uncredited Count Basie Orchestra, without Count Basie himself.
The Chairman of the Board is a 1959 studio album by Count Basie and his orchestra.
I Gotta Right to Swing is a 1960 studio album by Sammy Davis Jr., accompanied by an uncredited Count Basie Orchestra, minus Count Basie himself.
Easin' It is a studio album by Count Basie and his orchestra recorded between 1960 and 1962. The album contains a collaboration by Frank Foster, a well known member from Basie's big band. All tracks were composed, arranged and conducted by Foster and is a mixture of jazz and blues.
William George "Rams" Ramsay was an American jazz saxophonist and band leader based in Seattle. In 1997, he was inducted into the Seattle Jazz Hall of Fame, the top of eight Golden Ear Award categories presented annually since 1990 by the Earshot Jazz Society of Seattle. Ramsay performed on all the primary saxophones – soprano, alto, tenor, and baritone – as well as clarinet, and bass clarinet. Ramsay died on March 2, 2024, at the age of 95.
Sing Along with Basie is an album by vocalese jazz group Lambert, Hendricks & Ross with Joe Williams and the Count Basie Orchestra recorded in 1958 and originally released on the Roulette label.
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.
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