Beaches: Original Soundtrack Recording | ||||
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Soundtrack album by | ||||
Released | November 22, 1988 | |||
Recorded | 1988 | |||
Genre | ||||
Length | 33:54 | |||
Label | Atlantic | |||
Producer | Arif Mardin | |||
Bette Midler chronology | ||||
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Singles from Beaches: Original Soundtrack Recording | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Beaches: Original Soundtrack Recording is the soundtrack to the Academy Award-nominated 1988 film starring Bette Midler and Barbara Hershey. Midler performs most of the tracks on the album, released on the Atlantic Records label. The album also reunited her with producer Arif Mardin. It features one of Midler's best-known songs, the ballad "Wind Beneath My Wings", which was a number-one hit.
The original script merely indicated that "traditional music" was to be played at certain times. Marc Shaiman, Midler's longtime music arranger, served as music supervisor for the film, and the two of them worked together to determine what songs Midler could sing for the film. Shaiman was already a fan of "Wind Beneath My Wings" and suggested the song to Midler. [2]
The track that was chosen to promote both the movie and the album was not "Wind Beneath My Wings", but the song heard in the movie's opening scene and also the opening track on the album: Midler's cover of The Drifters' 1960s classic "Under the Boardwalk". That song alluded to the title of the movie and the place where the movie's main characters, rich girl Hillary Whitney (Barbara Hershey) and child performer Cecilia Carol "CC" Bloom (Midler) first meet. Midler's version of "Under the Boardwalk", released to tie in with the premiere in December 1988, peaked outside the Billboard Hot 100 chart and passed by mostly unnoticed, although it reached the Top 30 of the ARIA singles chart in Australia.
"Wind Beneath My Wings", which had been recorded by several other artists before Midler in the early 1980s, among them Sheena Easton, Roger Whittaker, Gary Morris, Perry Como, Gladys Knight & the Pips and Lou Rawls, was released as the second single in February 1989, following the box office success of the movie. The song instantly became a number-one hit on the US singles chart, reached number 2 on the Adult Contemporary chart, number 3 in the UK, number 1 in Australia and was a top 10 hit single in many other parts of the world. Midler's recording of the song was later awarded a platinum disc by the RIAA for sales exceeding one million copies in the US alone. [3] It also won Grammys for Record of the Year and Song of the Year at the Grammy Awards of 1990, and remains Midler's signature tune to this day. The recording of the song appearing in the film is notably different from the one released on the soundtrack, and the movie also includes an orchestral version over the end credits.
The remainder of the soundtrack musically follows C.C. Bloom's rise to fame as an artist, from doing Cole Porter standards like "I've Still Got My Health" to moderately appreciative audiences in dive bars, appearing in burlesque shows singing about the supposed German inventor of the brassiere ("Otto Titsling", a song Midler herself had co-written and which had already appeared on her 1985 album Mud Will Be Flung Tonight ), joining an experimental theater group ("Oh Industry"), to becoming a successful pop star ("I Know You by Heart", a duet with David Pack, originally recorded by Dolly Parton and Smokey Robinson in 1987) with the right to record material of her own choosing (Randy Newman's "I Think It's Going to Rain Today").
A recurring theme in the movie is Billy Hill's old swing standard "The Glory of Love", first made famous by Benny Goodman in the mid-1930s. In Beaches the song is first reluctantly sung as an upbeat showtune by a very young C.C. Bloom at an audition in the company of her overbearing stage mother. In the final scene the song is performed as a ballad by the character as an adult, and then in the context of the movie taking on an entirely different meaning.
The track "Baby Mine", originally from Walt Disney's 1941 movie Dumbo , was released in two versions with slightly different arrangements; one on the original vinyl album and another on the CD edition.
The version of "Oh Industry" on the soundtrack has a fade out ending, whereas the version in the film features an alternate cold ending.
The only track on the album not to involve Midler is "The Friendship Theme" from the movie's score, composed by Georges Delerue in his only work for a Garry Marshall film.
The Beaches soundtrack is the best-selling album of Midler's career to date, peaking at number 2 on the Billboard 200 albums chart, number 21 in the UK, number 1 in Australia and eventually achieving triple platinum status in the US for having sold more than three million copies. [3]
Side A
Side B
Musicians
Production
Studios
Weekly charts
| Year-end charts
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Region | Certification | Certified units/sales |
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Australia (ARIA) [10] | 4× Platinum | 280,000^ |
Canada (Music Canada) [16] | 2× Platinum | 200,000^ |
United Kingdom (BPI) [17] | Gold | 100,000^ |
United States (RIAA) [18] | 3× Platinum | 3,000,000^ |
^ Shipments figures based on certification alone. |
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Bette Midler is the second studio album by American singer Bette Midler, released in 1973 on the Atlantic Records label. Produced by Arif Mardin and Barry Manilow, Bette Midler includes Midler's interpretations of Johnny Mercer and Hoagy Carmichael's "Skylark", Berthold Brecht and Kurt Weill's "Surabaya Johnny", Bob Dylan's "I Shall Be Released" and Glenn Miller's "In the Mood" as well as a Phil Spector medley.
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