|No Jacket Required|
|Studio album by|
|Released||18 February 1985|
|Studio||The Townhouse, London and Old Croft, Surrey|
|Phil Collins chronology|
|Singles from No Jacket Required|
No Jacket Required is the third solo studio album by English drummer and singer-songwriter Phil Collins. It was originally released on 18 February 1985on Virgin (UK and Ireland), Atlantic (US and Canada), and WEA (rest of the world). It features guest backing vocalists, including Helen Terry, Peter Gabriel and Sting. Some of the songs, like "Don't Lose My Number" and "Sussudio", were based around improvisation. Other songs, like "Long Long Way to Go", had a political message. "One More Night", "Sussudio", "Don't Lose My Number" and "Take Me Home" were released as singles, with corresponding music videos. All four singles were top-ten hits on the Billboard Hot 100 chart, with "Sussudio" and "One More Night" reaching number one. The three singles that were released in the UK all reached the top 20 on the UK charts. Many of the songs, including "Take Me Home" and "Long Long Way to Go", have been featured in episodes of Miami Vice and Cold Case , and "The Man with the Horn" was re-written and re-recorded for the episode "Phil the Shill". "We Said Hello Goodbye" was remixed for the film Playing for Keeps .
Upon its release, the album was received favourably by the majority of music critics and won three Grammy Awards including for Album of the Year in 1986. Stephen Holden of The New York Times wrote that Collins was "quietly revolutionising and expanding the role of the drums in pop record making". Rolling Stone reviewer David Fricke wrote that, "Like his '81 and '82 outings, Face Value and Hello, I Must Be Going! , No Jacket Required is not an album that waits to be liked". Collins' most commercially successful solo album, it reached number one in several countries, including the US (where it was at the top of the charts for seven weeks), the UK and Canada. According to the RIAA, the album sold over twelve million copies in the US, and in the UK, it sold over two million copies, and was certified 6× Platinum. It was the second-best-selling album of 1985 in the UK, beaten to first place by Dire Straits' Brothers in Arms . Worldwide, the album has sold over 25 million copies, making it one of the best-selling albums of all time. No Jacket Required was ranked No. 74 on the Rock and Roll Hall of Fame's "Definitive 200" list.It was also among ten albums nominated for the best British album of the previous 30 years by the Brit Awards in 2010, ultimately losing to (What's the Story) Morning Glory? by Oasis.
Following the release of the album Collins embarked on the successful No Jacket Required World Tour. At the end of that tour, Collins performed at both the London and Philadelphia Live Aid concerts on 13 July 1985. During the tour, Collins recorded the song "Separate Lives" with Marilyn Martin for the movie White Nights , which was a number-one hit in the US and a top-ten hit in the UK. Remixes of six songs from the album were later included on the 12"ers compilation album, released in 1987.
Shortly after the completion of work on Eric Clapton's album Behind The Sun in mid 1984, Collins turned his attention to his third solo album. According to his 2016 autobiography Not Dead Yet, the sessions for what would become No Jacket Required was a conscious attempt to move to a more uptempo sound - "I have a notion of what I want to do: break out of this "love song" box that I've found myself in. I'll make a dance album. Or, at least, an album with a couple of uptempo tracks."
Some of the songs from the album emerged from Collins' improvisations with a drum machine, including the singles "One More Night" and "Sussudio".Collins started singing "one more night" to an attempt of making a beat similar to The Jacksons, and improvised "sus-sussudio" in another. Collins tried to replace the lyric with another phrase but decided to keep that way, leading to lyrics about a schoolboy crush on a girl at his school. Another song created mostly through improvisation, "Don't Lose My Number", was described by Collins as having been written mostly during the recordings for his first solo album, Face Value . Collins added that he does not fully understand the meaning of the lyrics, described by reviewer Stephen Holden of The New York Times as "vague, sketching the outlines of a melodrama but withholding the full story".
Other songs were written with a more personal message. "Long Long Way to Go" is often considered one of Collins' more popular songs never to be released as a singleand was at that point in his career his most political song. Former Police lead vocalist Sting provided backing vocals for the song. Sting and Collins first met through Band Aid, and would later perform together in Live Aid. Collins was working on a song, and thought that Sting, having participated in Band Aid, would relate to it very easily. Collins asked Sting to help him provide vocals for this song, and Sting accepted.
"You know, I was very happily married to Jill, my present wife, when I wrote it, but I had been divorced, my manager was getting divorced, a couple of good friends were getting divorced, and I thought, What's going on? Doesn't anybody stay together any more? The song came from that."
"Doesn't Anybody Stay Together Anymore" is another song in which Collins was making a personal message. The song was made in response to everyone around him getting a divorce, including his manager, friends and himself years before.Collins later said that he sang this at Charles, Prince of Wales' 40th-birthday party, not knowing that the Prince's divorce from his wife, Diana, Princess of Wales, would happen a short time later. The Phil Collins Big Band played this live on tour. In later years, Collins performed a re-arranged version of the song as a ballad as part of his Seriously, Live! World Tour, differing considerably from the original up-beat album version. The opening drum fill of the song would be later used on the Eric Clapton track "Hold On", on which Collins played drums and produced for Clapton's "August" album a year later.
"Take Me Home" is another song in which the meaning was originally very vague. At first listening, it appears that the song is about going home,but this is not true. Collins has stated that the song lyrics refer to a patient in a mental institution, and that it is very much based on the novel One Flew Over the Cuckoo's Nest . Peter Gabriel, Helen Terry and Sting all provide backing vocals. The music video (shot during the NJR tour) features Collins in multiple cities around the world, including London, New York City, Tokyo, Moscow, Sydney, Paris, Chicago, St. Louis, Los Angeles (Hollywood), San Francisco, and Memphis (Graceland). At the end of the music video, Collins arrives home and hears a woman (presumably his wife) from inside the house asking him where he has been. He replies by saying he has been to some of the cities mentioned above. The woman replies "You've been down at the pub, haven't you?", as Collins grins at the camera.
"We Said Hello Goodbye" appeared as a B-side to "Take Me Home" and "Don't Lose My Number" originally, and as an "extra track" on the CD release of the album.Producer Arif Mardin composed the beginning portion of the song. A remix of the song with additional guitars and without an orchestra was released the following year (1986) on the soundtrack for the movie, Playing for Keeps . This remixed version received some radio airplay around the time of the soundtrack's release (which coincided with the No Jacket Required period), though it did not chart. Collins has mused that the song is unfairly classed as a "second class citizen", stating that the song would have been looked at differently if it were added to the album. According to The New York Times reviewer Caryn James, the song is "a straightforward comment on leaving home".
"The Man with the Horn" was originally recorded during sessions for Collins' second solo album Hello, I Must Be Going! in 1982.However, the song was not released until it appeared as the B-side to "Sussudio" in the UK, and as the B-side to "One More Night" in the United States. Collins has said that he has "no emotional attachment" to the song. Music by The Jackson 5 inspired Collins to write the song "I Like the Way", which also did not appear on the album, originally appearing as the B-side to "One More Night" in the UK and "Sussudio" in the US. He called the song "dodgy" and has cited it among his least favourite songs.
"I thought of different things to do. Like maybe going down there wearing the right kind of jacket and ordering a drink and just pouring it onto the floor and saying, 'Well, I've got a jacket on! You can't do anything to me.' Maybe I should smash a few photographs on the wall, a bit of the Robert Plant attitude. But I did nothing, of course. I just moaned about it."
—Phil Collins, Playboy interview, October 1986
The album is named after an incident at The Pump Room restaurant in Chicago, Illinois. Collins, entering the restaurant with former Led Zeppelin lead vocalist Robert Plant,was denied admittance because he did not meet the restaurant's dress code of "jacket required" for dinner while Plant was allowed in. Collins was wearing a jacket and argued about it. The maître d'hôtel argued that the jacket was not "proper". Collins said in an interview with Playboy that he was, at that point, never so mad in his life.
After the incident, the drummer often appeared on shows such as Late Night with David Letterman and The Tonight Show Starring Johnny Carson , denouncing the restaurant and telling his story.The management of the restaurant later sent him a complimentary sport coat and an apology letter, stating that he could come to the restaurant wearing whatever he wanted.
The cover image of No Jacket Required (a continuation of the 'facial close-up' theme begun with Face Value ) of Collins' face lit by red/orange light was to emphasise the "hot", up-tempo nature of the album. Collins stated in his autobiography Not Dead Yet,[ page needed ] that glycerin was sprayed onto his forehead during the photography session to give the illusion of perspiration. In the photography for the album's inner sleeve and subsequent publicity materials, Collins appeared to lampoon the incident by wearing a suit that was several sizes too big.[ citation needed ]
No Jacket Required was released on 18 February 1985. The lead singles were "Sussudio" in the UK and "One More Night" in the US.Both songs had music videos that were shot at a London pub owned by Richard Branson, featuring Collins playing both before and after the building closes.
In the first week of March, shortly after Collins won a Grammy for "Against All Odds", the album debuted at the top spot of the UK Albums Chart and 24th in the Billboard 200. It also got to tenth in the German charts and 15th in Canada.By the end of the month, it had climbed to number one in America as well. Collins had become the 15th British artist to top both the album and single Billboard charts, as "One More Night" was leading the Billboard Hot 100 that same week. The same thing was happening in the UK, where Collins' duet with Philip Bailey, "Easy Lover", was the UK Singles Chart number one. No Jacket Required was number one on the US charts for seven weeks, and on the British chart for five.
"Sussudio" was the first track to be released as a single in the UK, and the second to be released in the US. In the UK the song reached number 12 on the UK charts. In the US, the song entered frequent rotation on MTV in May, and by 6 July, both the single and the album had reached number one on their respective US Billboard charts."One More Night" was Collins's second US number-one single, following "Against All Odds", and was his fourth single to reach the top ten in the UK, peaking at number four on the singles chart. Its B-side in the UK was "I Like the Way", while the US version featured "The Man with the Horn".
Meanwhile, "Don't Lose My Number", a single that Collins only released in the US, peaked at number four on the Billboard Hot 100 charts during late September 1985,and the B-side of the single was "We Said Hello Goodbye". Collins had difficulty conceptualising a plot for the corresponding music video. He decided to create a gag video based on this difficulty. In the video, he talks to clients and directors, all giving him crazy conceptual ideas. Collins parodies several other videos, including those by Michael Jackson, David Lee Roth, Elton John, The Cars, and The Police. The singer also filmed parodies of Mad Max , western films, and samurai movies.
"Take Me Home", the final single released from the album, is often considered to be one of Collins's most well-known songs, and has been a part of all of his tours since The No Jacket Required World Tour. It reached number seven on the US Billboard charts, and number 19 on the UK charts.The song was not slated for a single release, but the label decided to do so after it became an airplay hit on several US radio stations who decided to play the track. "Take Me Home" also got a video where Collins sung in various locations around the world.
One song from the album would not reach chart success until it was released later. "Who Said I Would" was not released as a single from this album. However, a live version was released as a single from the Serious Hits... Live! album in the US, reaching number 73 on the Billboard Hot 100.A music video of the original version was filmed, for the No Jacket Required home video. It featured Collins playing the song in a concert. Some of the songs that were not released as singles still charted on Billboard charts. "Inside Out" went to number nine on the Hot Mainstream Rock Tracks chart. "The Man with the Horn", though not released as a single (nor was it included on the album), charted at number 38 on the Hot Mainstream Rock Tracks.
No Jacket Required remains Collins's highest-selling album, having sold over 12 million copies as of 2001 in the US, where it was certified diamond status.Twenty years after its release, No Jacket Required remains among the 50 highest-selling albums in the US. In the UK, the album was certified 6× platinum, selling over 1.8 million copies. It has also sold over 20 million copies worldwide. A video produced by Atlantic Video in 1986 was also released, and included the four original music videos of the four released singles, and a live performance of "Who Said I Would". Alternate versions of six songs from No Jacket Required were included on the remix album 12"ers , released in January 1988.
The album was re-released and remastered by Steve Hoffman for the Audio Fidelity label in 2011. It was reissued as a deluxe edition on CD, vinyl and digital on 15 April 2016, including a new second disc with bonus tracks.
In 1985 Collins also released a home video called No Jacket Required EP consisting of the music videos "Sussudio", "One More Night", "Who Said I Would", "Don't Lose My Number" and "Take Me Home".It was originally available on Video Home System (VHS) and LaserDisc (LD).
|The Daily Vault||A|
|Encyclopedia of Popular Music|
|The Rolling Stone Album Guide|
|The Village Voice||C|
The reception for the album was mostly positive. Geoff Orens of AllMusic, in a retrospective review, said that while some of the songs are "dated", the album contains "standout tracks". He describes "Long Long Way to Go" as "one of Collins' most effective ballads", and "Take Me Home" as "pulsating".Orens went on to say "It's not a completely satisfying recording, but it is the best example of one of the most dominating and influential styles of the 1980s." Lori E. Pike of the Los Angeles Times said that "Collins' recipe of tense vocals spiced with saucy horns and splashy electro-jitterbugging synthesisers often leaves little room for real feeling to squeeze through. When he slows down and lets his smoldering moodiness take over, the effect is magical.".
Stephen Holden of The New York Times said that the album was "refreshing", and that Collins was "adept" at setting a suspenseful or menacing mood.Holden described "Only You Know and I Know" as an "angry love song" that had some sampling of "Motown"-style music mixed in. "In 'One More Night', Mr. Collins's recent number-one hit, a ticking snare drum injects a whisper of lurking fear into a song that suggests a sweeter, tenderer reprise of 'Against All Odds'", says Holden. Holden concluded by saying "On the surface, No Jacket Required, is an album bursting with soulful hooks and bright peppy tunes. But beneath its shiny exterior, Mr. Collins's drums and his voice carry on a disjunctive, enigmatic dialogue between heart and mind, obsession and repression."
"His effortless graft of bright white-R&B bounce to quirky, unexpected melodies is instinctively commercial but never feels overly contrived."
—David Fricke, Rolling Stone review, 9 May 1985
Rolling Stone reviewer David Fricke said "Phil Collins' sudden transformation from the balding bantam drummer for a prosperous British art-rock group into a mainstream pop heartthrob might seem one of the Eighties' most improbable success stories. But judging from the sly craft and warm, low-key humour of his solo records and his successful productions for Philip Bailey and Frida, Collins' newfound fame was inevitable."Robert Hilburn of the Los Angeles Times originally disliked the song "One More Night", but later praised the song, saying that "Collins' soulful but polite vocal style is also capable of capturing the pain of going through yet one more night without her." The Dallas Morning News writer Lennox Samuels said that "No Jacket Required (Atlantic) is what fans have come to expect from Phil Collins—lots of horns and syncopation, heavy rhythm."
Even those who were not normally fans of Collins' work liked the album. Michael R. Smith of The Daily Vault wrote "Anomaly or not, it is indeed the album that Phil deserves to be remembered for."Stephen Williams of Newsday said that the album was "loaded with musical hooks and textured arrangements… it also lacks the tense edge that was part of Collins' work with Genesis." Keegan Hamilton of the Riverfront Times said that the album was "The 80's Dance Pop Special: A smooth synthesiser groove, with an order of keyboards, drum machines, and horns on the side," adding that "Sussudio" was the best track on the album, saying that it's "catchy gibberish." Hamilton says that "One More Night" was the worst song on the album, saying that "The album's introspective slow jam wallows in self-pity."
On the negative side, Marty Racine of the Houston Chronicle said that "I Don't Wanna Know" and "Take Me Home" were the only songs to "rise above the crowd", and that Collins focused too much on his singing and less on his drumming, "which can be captivating".Racine also added that the album makes the listener feel a little "cold", but admired that the singer was "playing the game as well as anyone".
Writing an article in defence of Collins in 2010, Gary Mills of The Quietus described the album as "determined dross" which Collins did not deserve to have his career judged by.In 2013, music critic Tom Service of The Guardian was similarly scathing, saying the album had not stood the test of time and was "unlistenable to today", singling out "Sussudio" for particular criticism, arguing: "the production, the drum machine, the inane sincerity of the lyrics; there's no colder or more superficial sound in popular music, precisely because it takes itself so seriously." He also compared it unfavourably with the enduring appeal of Collins's 1980s contemporaries such as the Human League and—in particular—the Pet Shop Boys, saying the latter were "geniuses by comparison".
At the 28th Annual Grammy Awards, Collins was nominated in five categories.The album won the award for Album of the Year, and Collins won Best Pop Vocal Performance, Male. Collins shared the Producer of the Year (Non-Classical) award with co-producer of the album, Hugh Padgham. The home video No Jacket Required EP received a nomination for Best Music Video, Short Form. In 1986 the album received two American Music Award nominations for Favorite Pop/Rock Album and Favorite Pop/Rock Male Artist. At the Brit Awards in 1986 the album received two awards for British Album and British Male Artist, while co-producer Hugh Padgham was nominated for British Producer.
At the Brit Awards in 2010, the album was one of ten nominees for Brits Album of 30 Years in a poll of BBC Radio 2 listeners; the winner was (What's the Story) Morning Glory? by Oasis."Sussudio" is one of Collins' most famous songs and is referenced in many different media, including books, stand-up comedy acts and television shows. He has said that this is the song people most often sing to him when they spot him on the street. In the book and film adaptation of American Psycho , the main character (Patrick Bateman) briefly discusses it, amongst other work by Collins. The synthesiser riff was heavily criticised for sounding too much like Prince's 1982 song "1999", a similarity that Collins does not deny, citing that he is a big fan of Prince's work.
Three songs recorded during the No Jacket Required sessions aired on episodes of the television show Miami Vice . "Take Me Home" appeared in "The Prodigal Son", the premiere of the second season."Long Long Way to Go" was played in the closing scene of the Season 2 finale "Sons and Lovers", during the funeral for Ricardo Tubbs' girlfriend and son. "The Man with the Horn" was re-written for an episode of Vice in which Collins guest-starred as a con-artist who got in trouble with cocaine distributors. The re-written version was titled "Life Is a Rat Race".
"Take Me Home" was the closing theme song for the World Wrestling Federation's television show, Saturday Night's Main Event for several years in the late 1980s.In 2003, the hip-hop group Bone Thugs-n-Harmony based their song "Home" on this single. That version of the song featured the original song's chorus, and hit number 19 on the UK charts.
"Take Me Home" was also featured in the first episode of the second season of Mr. Robot .
As years went on, Collins became unhappy with the album and grew to dislike it. In a 2016 interview with Rolling Stone , he said in retrospect that it is among his least favourite records he had made: "At the time, I wasn't being me. I've grown up a bit now and much prefer to play songs that are me. I only play a bit part in that one."
The album was followed by a concert tour in 1985 named The No Jacket Required World Tour. For the tour, Collins retained his usual cast of musicians, including Chester Thompson, Leland Sklar and Daryl Stuermer.The band was nicknamed the "Hot Tub Club". A television special was recorded in Dallas and aired on HBO, titled "No Jacket Required... Sold Out". Another television special was recorded for Cinemax for a show titled "Album Flash", taped in London, England at the Royal Albert Hall.
Reception for the tour was positive as well. Rick Kogan of the Chicago Tribune said that "After hearing and observing Collins' eminently satisfying and frequently spectacular two-hour performance, one is left not with a series of niggling questions about his popularity but rather with renewed admiration for the forcefulness of well-crafted songs played in a straightforward manner."
In interviews during the tour, it was remarked by interviewers that the singer appeared similar to actors Bob Hoskins and Danny DeVito.Collins joked that all three of them could play the Three Bears from the story Goldilocks and the Three Bears. DeVito heard the idea, and contacted Collins and Hoskins about making a film. Collins researched bears, and a script was planned. Kim Basinger reportedly wished to play the role of "Goldilocks". However, problems arose (mostly involving the script), and all three actors abandoned the film.
While on the No Jacket Required tour, Collins recorded a song for the movie White Nights , titled "Separate Lives". The song, which was written by Collins's friend Stephen Bishop,was a duet that Collins performed with Marilyn Martin. In the US, the song went to number one on the Billboard Hot 100, and it reached number four on the UK charts.
The No Jacket Required World Tour ended with Collins performing at both the Wembley Stadium and JFK Stadium Live Aid concerts. Collins claims that it all happened by accident, and that both he and Power Station were going to attend both Live Aid shows as well, but "they all chickened out.""By default, I was the only one who did it," he later claimed. Bob Geldof, the organiser of Live Aid, originally asked Collins to be part of Geldof's first charity effort, Band Aid. Collins played the drums and performed backing vocals for Band Aid's UK number one hit in 1984, "Do They Know It's Christmas?".
Collins first performed with Sting at Wembley, and together they performed "In the Air Tonight","Against All Odds", "Long Long Way to Go" and "Every Breath You Take", accompanied by saxophonist Branford Marsalis. After Collins finished performing, he flew on Concorde to the Live Aid show in Philadelphia. On the plane, he met Cher, and convinced her to be a part of the event. Once there he met Robert Plant, who had asked him if he would perform with him, Jimmy Page and Tony Thompson in a Led Zeppelin "reunion" of sorts. He first played drums on "Layla", "White Room" and "She's Waiting" for his friend Eric Clapton. Then, Collins performed "Against All Odds" and "In the Air Tonight", and finished the night playing drums for Led Zeppelin's aforementioned act. The band has claimed that the performance was unspectacular, and critics place the blame on Collins. However, Collins says that "I would pledge to my dying day that it wasn't me," and that Thompson was racing through some of the performance. Collins later remarked, "… I remember in the middle of the thing, I actually thought, How do I get out of here?" Stephen Williams of Newsday commented that Collins' performance of "In the Air Tonight" in Philadelphia "was one of the more moving moments of the day". Live Aid raised $69 million in its effort. Collins later recalled the event as "extraordinary".
All lyrics are written by Phil Collins; all music is composed by Collins, except where noted.
|2.||"Only You Know and I Know"||Collins, Daryl Stuermer||4:20|
|3.||"Long Long Way to Go"||4:20|
|4.||"I Don't Wanna Know"||Collins, Stuermer||4:12|
|5.||"One More Night"||4:51|
|6.||"Don't Lose My Number"||4:46|
|7.||"Who Said I Would"||4:01|
|8.||"Doesn't Anybody Stay Together Anymore"||Collins, Stuermer||4:18|
|10.||"Take Me Home"||5:51|
|11.||"We Said Hello Goodbye"||4:15|
|1.||"Sussudio" (live 1990)||7:18|
|2.||"Don't Lose My Number" (live 1997)||5:00|
|3.||"Who Said I Would" (live 1985)||4:32|
|4.||"Long Long Way to Go" (live 1997)||3:56|
|5.||"Only You Know and I Know" (live 1994)||Collins (lyrics); Collins, Stuermer (music)||4:52|
|6.||"Easy Lover" (live 1997)||Philip Bailey, Collins, Nathan East||5:03|
|7.||"Inside Out" (live 1990)||5:31|
|8.||"Doesn't Anybody Stay Together Anymore" (live 1990)||Collins (lyrics); Collins, Stuermer (music)||5:56|
|9.||"One More Night" (live 1990)||5:54|
|10.||"Take Me Home" (live 1990)||8:54|
|11.||"Only You Know and I Know" (demo)||Collins (lyrics); Collins, Stuermer (music)||3:43|
|12.||"One More Night" (demo)||4:41|
|13.||"Take Me Home" (demo)||5:22|
Adapted from Phil Collins' official website.
| UK || AUS || AUT || CAN || GER || NOR || NZ || SPN || SWE || SWI || US |
|"—" denotes releases that did not chart or were not released.|
| UK || AUS || AUT || CAN || FRA || GER || IRE || NL Top 40 || NL Top 100 || NOR || NZ || SPN || SWE || SWI || US || US AC || US Rock |
|1984||"One More Night"||4||2||6||1||24||10||4||15||8||—||5||14||—||6||1||1||4|
|"Don't Lose My Number"||—||10||—||11||—||—||—||—||44||—||22||—||—||—||4||25||33|
|"Take Me Home"||19||64||—||23||—||—||13||—||—||—||—||—||—||—||7||2||12|
|"—" denotes releases that did not chart or were not released.|
|Argentina (CAPIF)||3× Platinum||180,000^|
|Austria (IFPI Austria)||Platinum||50,000*|
|Canada (Music Canada)||Diamond||1,000,000^|
|France (SNEP)||2× Platinum||600,000*|
|Germany (BVMI)||3× Platinum||1,500,000^|
|Hong Kong (IFPI Hong Kong)||Platinum||20,000*|
|New Zealand (RMNZ)||Platinum||15,000^|
|Switzerland (IFPI Switzerland)||2× Platinum||100,000^|
|United Kingdom (BPI)||6× Platinum||1,934,912|
|United States (RIAA)||12× Platinum||12,000,000^|
* Sales figures based on certification alone.
Philip David Charles Collins is an English drummer, singer, record producer, songwriter and actor. He is best known as the drummer/singer of the rock band Genesis and for his solo career. Between 1982 and 1990, Collins achieved three UK and seven US number-one singles in his solo career. When his work with Genesis, his work with other artists, as well as his solo career is totalled, he had more US top 40 singles than any other artist during the 1980s. His most successful singles from the period include "In the Air Tonight", "I Don't Care Anymore", "Against All Odds ", "One More Night", "Sussudio", "Take Me Home", "Two Hearts", "A Groovy Kind of Love", "I Wish It Would Rain Down", and "Another Day in Paradise".
"In the Air Tonight" is the debut solo single by the English drummer and singer-songwriter Phil Collins. It was released as the lead single from Collins's debut solo album, Face Value, in January 1981.
...But Seriously is the fourth solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 7 November 1989 in the United States by Atlantic Records and on 24 November 1989 in the United Kingdom by Virgin Records. After Collins finished touring commitments with the rock band Genesis in 1987 the group entered a four-year hiatus, during which Collins starred in the feature film Buster (1988). By the spring of 1989 Collins had written material for a new solo album which addressed more serious lyrical themes like socio-economic and political issues as opposed to his previous dance-oriented album, No Jacket Required (1985).
"You Can't Hurry Love" is a 1966 song originally recorded by The Supremes on the Motown label.
"1999" is a song by American musician Prince, the title track from his 1982 album of the same name. Originally peaking at number 44 on the Billboard Hot 100, a December 1982 rerelease later peaked at number 12 in the US, while a January 1985 rerelease, a double A-side with "Little Red Corvette", later peaked at number 2 in the UK.
"Another Day in Paradise" is a song recorded by English drummer and singer-songwriter Phil Collins. Produced by Collins along with Hugh Padgham, it was released as the first single from his number-one album ...But Seriously (1989). As with his song for Genesis, "Man on the Corner", the track has as its subject the problem of homelessness; as such, the song was a substantial departure from the dance-pop music of his previous album, No Jacket Required (1985).
"Against All Odds " is a song by English drummer, singer and songwriter Phil Collins. It was recorded for the soundtrack to the 1984 film of the same name. It is a power ballad in which its protagonist implores an ex-lover to "take a look at me now", knowing that reconciliation is "against all odds" while considering it worth trying. The single reached No. 1 on the Billboard Hot 100 in the United States, the first of seven US No. 1's for Collins in his solo career. "Against All Odds " also topped the charts in Canada, Ireland, and Norway, while peaking at No. 2 in the United Kingdom.
Hits, released in 1998 and again in 2008, following the success of "In the Air Tonight" on the Cadbury advertisement campaign, is the first greatest hits album by English drummer and singer-songwriter Phil Collins. The collection included fourteen top 40 hits, including seven American number one songs, spanning from the albums Face Value (1981) through Dance into the Light (1996). One new Collins recording, a cover of Cyndi Lauper's "True Colors", also appeared on the collection and was a popular song on adult contemporary stations. Hits was also the first Phil Collins album to include four songs originally recorded for motion pictures as well as his popular duet with Philip Bailey, "Easy Lover".
"One More Night" is the first single in the United States and second in the United Kingdom from Phil Collins' third album, the Diamond-certified No Jacket Required. "One More Night" was Phil Collins' second U.S. No. 1 single, following "Against All Odds", and was his fourth single to reach the top ten in the UK, peaking at No. 4 on the singles chart. In the U.S., the single entered the Billboard Hot 100 at number 50 on the chart dated February 9, 1985. It hit number one seven weeks later and remained on top for two weeks. In the UK, the single was certified silver by the British Phonographic Industry. It was also his first No. 1 on the U.S. Adult contemporary chart.
"Take Me Home" is a song written and performed by British drummer and singer-songwriter Phil Collins. It is the tenth and final track on Collins' third solo album, No Jacket Required. Collins co-produced the song with Hugh Padgham and released it as a single in the UK in July 1985 and the U.S. in March 1986. It did moderately well in the UK, peaking at No. 19. While it was not as successful as other singles from the album, such as "Sussudio" or "One More Night" in the US, it still reached the top 10, peaking at No. 7. The "extended mix" of "Take Me Home", released on the 12" single was one of the six songs to be included on Collins' 12"ers album. Remixer John "Tokes" Potoker created an edited extended mix of the song for the Japanese release of 12"ers, removing around one and half minutes from the full length mix. This version remains exclusive to this release to this day.
English musician Phil Collins has released 8 studio albums, 1 live album, 4 compilation albums, 50 singles, 16 video albums, 41 music videos, 2 soundtrack albums, 3 box sets, and 2 remix albums. A Grammy and Academy Award-winning solo artist, Collins has sold more than 34.5 million albums in the United States, and 150 million records worldwide.
The Platinum Collection is a three-disc box set by English drummer and singer Phil Collins. It was released in May 2004. A separate version was released in Europe, which consisted of Face Value, Both Sides, and Testify.
"Easy Lover" is a song performed by Philip Bailey, of Earth, Wind & Fire, and Phil Collins, of Genesis, and jointly written and composed by Bailey, Collins, and Nathan East. The song appeared on Bailey's solo album, Chinese Wall. Collins has performed the song in his live concerts, and it appears on both his 1990 album, Serious Hits... Live!, and his 1998 compilation album, ...Hits. It is Bailey's only US Top 40 hit as a solo artist.
"Don't Lose My Number" is a song by Phil Collins from his third solo album No Jacket Required. The single was not released in the UK, though it peaked at No. 4 in the U.S. in September 1985. The B-side, "We Said Hello Goodbye" was released as a bonus track on the CD for No Jacket Required. In Australia, the single was released with the title "(Billy) Don't Lose My Number".
12"ers is a remix album by the English singer-songwriter Phil Collins, the lead vocalist and drummer for the rock band Genesis. The album contains six tracks from his 1985 hit album, No Jacket Required, remixed. All special extended remixes are by John 'Tokes' Potoker, except for "One More Night" remixed by Hugh Padgham. The remixes on this album were originally released on various 12-inch LP singles which were taken from the album No Jacket Required, hence the name.
"Sussudio" is a song by English singer-songwriter Phil Collins, released as a single in January 1985. The song is the first track on Collins' third solo studio album, No Jacket Required, released in February of the same year. The song entered frequent rotation on MTV in May; by 6 July both single and album reached No. 1 on their respective US Billboard charts. The song peaked at No. 12 in the UK Singles Chart.
"The Man with the Horn" is a song performed by Genesis drummer Phil Collins, and released as a B-side for two singles from No Jacket Required. The song was originally recorded during sessions for Collins' second album, Hello, I Must Be Going!, in 1982, although It appeared as the B-side to "Sussudio" in the U.K., and as the B-side to "One More Night" in the United States. The song was re-written for an episode of Miami Vice in which Collins guest-starred called "Phil The Shill." The song was renamed "(Life is a) Rat Race.". Collins has said he has "no emotional attachment" to the song. The song was rereleased as a single, and as part of the "Other Sides" album in 2019. Before being rereleased, it charted at #38 on the Mainstream Rock Chart, in 1985.
"Dance into the Light" is a 1996 song performed by Phil Collins and released as the first single from the album Dance into the Light. It reached number 9 on the UK Singles Chart, but was a disappointment on the U.S. Billboard Hot 100, reaching number 45. B-sides are songs "Take Me Down" and "It's Over". The song also peaked within the Top 10 in Czech Republic, Hungary and Scotland. On the Eurochart Hot 100, it reached number 29 in October 1996. The track was the only song from Dance into the Light to be featured on his compilation album ...Hits in 1998.
The No Jacket Required World Tour was a concert tour by the English singer-songwriter Phil Collins, which occurred February–July 1985 in support of his 1985 album, No Jacket Required. The album had been a massive international success and the tour concluded with Collins performing "Against All Odds" and "In the Air Tonight" at both Live Aid concerts, in London and Philadelphia, on 13 July 1985.
"Who Said I Would" is a song performed by Phil Collins that was originally recorded for his 1985 album No Jacket Required but was released in 1991 as a single from his live album Serious Hits... Live! in the United States.