Hello, I Must Be Going! | ||||
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Studio album by | ||||
Released | 5 November 1982 | |||
Recorded | May–June 1982 | |||
Studio |
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Genre | ||||
Length | 45:10 | |||
Label | Virgin | |||
Producer |
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Phil Collins chronology | ||||
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Singles from Hello, I Must Be Going! | ||||
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Alternative cover | ||||
Hello,I Must Be Going! is the second solo studio album by the English drummer and singer-songwriter Phil Collins. It was released on 5 November 1982 [2] [3] on Virgin Records in the United Kingdom and on Atlantic Records in North America,and named after the Marx Brothers' song of the same name. After Genesis took a break in activity in late 1981,Collins started work on a follow-up to his debut solo studio album Face Value (1981).
Hello,I Must Be Going! received a more reserved commercial reaction than Face Value,but it nonetheless reached No. 2 in the United Kingdom and No. 8 in the United States. In total,Collins released eight singles from the album,with various tracks released as singles in different countries. The most successful was the first US and second UK single,a cover of "You Can't Hurry Love" by the Supremes,which went to No. 1 in the United Kingdom and No. 10 in the United States. Collins supported the album with his 1982–1983 tour,which was his first as a solo artist. The album earned Collins a Brit Award nomination for British Male Artist in 1983, [4] and "I Don't Care Anymore" was nominated for a Grammy Award for Best Rock Vocal Performance,Male.
In December 1981,Collins's band Genesis entered an eight-month break in activity after touring their eleventh studio album Abacab (1981). He started work on a follow-up to his first solo studio album, Face Value (1981),which mainly concerned events in his personal life including his divorce from his first wife. [5] Collins was aware that Hello,I Must Be Going! contains even greater amounts of material concerning his private life,and reasoned its concentration down to feeling guilty regarding the divorce and "to be purely sentimental about it". [6] He described the album years later:"If my first album was 'I'm divorced and I'm miserable' ... my next one was 'I'm going to kick this fucker to bits'". [7] However,upon meeting his second wife Jill Tavelman and releasing Hello,I Must Be Going!,Collins noted a change in his songwriting:"[I'm] happier [...] I write happy songs now". [6]
The album features elements of groove pop that Collins would utilise further with his next solo studio album, No Jacket Required (1985). [5] "I Cannot Believe It's True" has been compared to "I Missed Again" from Face Value (1981) "right down to the undulating rhythms and swaying brass". [5] Collins confessed to "a distinct lack of judgement" in recording the drums for "Thru These Walls" as the drum fill he used matched what he had done for "In the Air Tonight" from Face Value (1981). To him,that is the sole comparison between the two albums,despite being called out for rehashing similar material for Hello,I Must Be Going! [6] In addition to this,according to Collins,"Don't Let Him Steal Your Heart Away" and "Why Can't It Wait 'Til Morning" were leftovers from the Face Value sessions in 1978-79. [8]
The album's sleeve contains various photographs from Collins's family life,which he had also done for Face Value (1981). He also continued the visual style of Face Value with a facial close-up as the cover image - this time showing Collins' face in profile,with its mirror image on the reverse cover (the original CD release of the album placed this on the insert card instead). The handwritten notes were also a feature carried over from Face Value. Collins wanted both albums to be a "matching set,something that felt like it was from the same bloke". [6] Included is a picture of his young son Simon in a Superman costume,which Collins found humorous to include but later found that some people misinterpreted it as focusing the album too much on his personal life. [6]
Review scores | |
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Source | Rating |
AllMusic | [9] |
Encyclopedia of Popular Music | [10] |
Mojo | [11] |
PopMatters | 7/10 [12] |
Q | [13] |
Record Collector | [14] |
Rolling Stone | [15] |
The Rolling Stone Album Guide | [16] |
Sounds | [17] |
Uncut | 8/10 [18] |
Hugh Fielder of Sounds praised Hello,I Must Be Going! as "a broader,stronger and better executed follow-up to Face Value",writing,"The original inspiration may be second-hand but the execution and character is entirely his." [17] In Rolling Stone ,John Milward said of the record:"Despite its trend-bucking boast of an eight-track recording,the album's rich luster is of the old classical-rock school. In fact,the LP sounds like stripped-down Genesis,ornamental but not too ostentatious." [15] NME writer Graham K. Smith was less enthused,criticising the lyrics as excessively self-pitying and the music as steeped in "blatant textbook commercialities";he found that the album "resoundly collapses between the two stools of 'meaningful rock' and disposable pop,wallowing in all the worst aspects of both with none of the saving graces". [19]
Retrospectively,AllMusic critic Stephen Thomas Erlewine stated that Collins "began to inject his highly melodic pop songwriting with more soul and R&B influences" on Hello,I Must Be Going!,with mixed results:"While some of the material was successful,much of it showed that he was still coming to grips with how to incorporate R&B techniques into his style." [20] In a later review of the album for AllMusic,Tim Sendra was more favourable,deeming it "a winning follow-up that shows Collins to be in full control of songwriting and production". [9]
Collins supported the album with a concert tour of Europe and North America between November 1982 and February 1983. He performed with a nine-piece band [6] that included Genesis touring musicians Chester Thompson and Daryl Stuermer, and the Phenix Horns.
The album was re-released using a flat transfer done by Steve Hoffman for the Audio Fidelity label in 2011 on Gold CD. The album was also reissued as part of the Take a Look at Me Now series of Collins studio album remasters during 2016, with a new second disc of bonus songs.
All tracks are written by Phil Collins, except where noted.
No. | Title | Writer(s) | Length |
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1. | "I Don't Care Anymore" | 5:00 | |
2. | "I Cannot Believe It's True" | 5:14 | |
3. | "Like China" | 5:05 | |
4. | "Do You Know, Do You Care?" | 4:57 | |
5. | "You Can't Hurry Love" | Holland–Dozier–Holland | 2:57 |
No. | Title | Length |
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6. | "It Don't Matter to Me" | 4:12 |
7. | "Thru These Walls" | 5:02 |
8. | "Don't Let Him Steal Your Heart Away" | 4:43 |
9. | "The West Side" | 4:59 |
10. | "Why Can't It Wait 'Til Morning" | 3:01 |
Total length: | 45:10 |
No. | Title | Writer(s) | Length |
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1. | "I Don't Care Anymore" (live 1985) | 6:30 | |
2. | "I Cannot Believe It's True" (live 1982) | 5:29 | |
3. | "Like China" (live 1985) | 5:41 | |
4. | "You Can't Hurry Love" (live 1985) | 3:04 | |
5. | "It Don't Matter to Me" (live 1985) | 4:23 | |
6. | "The West Side" (live rehearsal 1996) | 7:37 | |
7. | "People Get Ready" (live 1982) | Curtis Mayfield | 3:18 |
8. | "Thru These Walls" (live 1982) | 5:03 | |
9. | "It's Alright" (live 1985) | Mayfield | 2:22 |
10. | "Oddball" (demo "Do You Know, Do You Care?") | 4:30 | |
11. | "Don't Let Him Steal Your Heart Away" (demo) | 4:42 | |
Total length: | 52:39 |
Musicians
Production and artwork
Chart (1982-1983) | Peak position |
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Australian Albums (Kent Music Report) [21] | 15 |
Canada Top Albums/CDs ( RPM ) [22] | 1 |
Dutch Albums (Album Top 100) [23] | 3 |
Finland (The Official Finnish Charts) [24] | 16 |
German Albums (Offizielle Top 100) [25] | 6 |
Italian Albums ( Musica e Dischi ) [26] | 12 |
Japanese Albums (Oricon) [27] | 31 |
New Zealand Albums (RMNZ) [28] | 20 |
Norwegian Albums (VG-lista) [29] | 4 |
Spain (Spanish Albums Chart) [30] | 3 |
Swedish Albums (Sverigetopplistan) [31] | 7 |
UK Albums (OCC) [32] | 2 |
US Billboard 200 [33] | 8 |
Chart (2016) | Peak position |
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Austrian Albums (Ö3 Austria) [34] | 52 |
Belgian Albums (Ultratop Flanders) [35] | 103 |
Belgian Albums (Ultratop Wallonia) [36] | 60 |
French Albums (SNEP) [37] | 138 |
Swiss Albums (Schweizer Hitparade) [38] | 50 |
Region | Certification | Certified units/sales |
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Argentina (CAPIF) [39] | Platinum | 60,000^ |
Austria (IFPI Austria) [40] | Gold | 25,000* |
Belgium (BEA) [41] | Platinum | 50,000* |
France (SNEP) [42] | 2× Platinum | 600,000* |
Germany (BVMI) [43] | 2× Platinum | 1,000,000^ |
Netherlands (NVPI) [44] | Gold | 50,000^ |
Spain (PROMUSICAE) [45] | Platinum | 100,000^ |
Switzerland (IFPI Switzerland) [46] | Platinum | 50,000^ |
United Kingdom (BPI) [47] | 3× Platinum | 900,000^ |
United States (RIAA) [48] | 3× Platinum | 3,000,000^ |
* Sales figures based on certification alone. |
No Jacket Required is the third solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 18 February 1985 by Virgin Records in the UK and by Atlantic and WEA internationally.
We Can't Dance is the fourteenth studio album by the English rock band Genesis, released on 11 November 1991 by Virgin Records in the UK and a day later by Atlantic Records in the US. It is their last studio album recorded with drummer and singer Phil Collins before his departure in 1996 to pursue solo projects full time. The album marked the return of band activity following an almost four-year hiatus after touring their previous album, Invisible Touch (1986).
Face Value is the debut solo studio album by English drummer and singer-songwriter Phil Collins, released on 13 February 1981, by Virgin Records in the United Kingdom and Atlantic Records in North America. After his first wife filed for divorce in 1979, Collins began to write songs during a break in activity from Genesis with much of the material concerning his personal life. The album was recorded from mid-1980 to early 1981 with Collins and Hugh Padgham as producers. Additional musicians include the Phenix Horns, Alphonso Johnson, and Eric Clapton.
Invisible Touch is the thirteenth studio album by the English rock band Genesis, released on 6 June 1986 by Atlantic Records in the United States and on 9 June 1986 by Charisma/Virgin Records in the United Kingdom. After taking a break in 1984 for each member to continue his solo career, the band reconvened in October 1985 to write and record Invisible Touch with engineer and producer Hugh Padgham. As with their previous album, it was written entirely through group improvisations and no material developed prior to recording was used.
...But Seriously is the fourth solo studio album by English drummer and singer-songwriter Phil Collins. It was released on 20 November 1989 in the United Kingdom by Virgin Records and by Atlantic Records in the United States. After Collins finished touring commitments with the rock band Genesis in 1987, the group entered a four-year hiatus, during which Collins starred in the feature film Buster (1988). By the spring of 1989, Collins had written material for a new solo album, which addressed more serious lyrical themes, like socio-economic and political issues, as opposed to his previous dance-oriented album, No Jacket Required (1985).
"You Can't Hurry Love" is a song originally recorded by the Supremes on the Motown label. It was released on July 25, 1966 as the second single from their studio album The Supremes A' Go-Go.
Both Sides is the fifth solo studio album by English singer-songwriter Phil Collins. Featuring an adult-oriented soft rock-based sound, released on 8 November 1993 by Virgin in the UK and Atlantic in the US. Collins created the album entirely by himself, without any collaborations from outside songwriters and performers. The record received generally positive critical reviews, with Stephen Thomas Erlewine of AllMusic stating that the album's "artistically satisfying" songs feature "troubled, haunting tales".
Something's Going On is the third solo album by Swedish singer Anni-Frid Lyngstad (Frida), one of the founding members of the Swedish pop group ABBA, and her first album recorded entirely in English. Her previous two albums had been recorded in Swedish. Recorded in early 1982 during the final months of ABBA, the album was released on 10 September of that same year.
Turn It On Again: The Hits is a greatest hits album by British progressive rock/pop-rock band Genesis. The album was originally released as a single album on 25 October 1999 by Virgin Records in the UK and on 26 October 1999 by Atlantic Records in the US.
Dance into the Light is the sixth solo studio album by English drummer and singer-songwriter Phil Collins, released on 21 October 1996 in the United Kingdom by Face Value Records. It features guest backing vocals from some of Collins' touring accompanists, including Arnold McCuller and Amy Keys. It was the first album that Collins released as a full-time solo artist, having left Genesis earlier that year.
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Hits is the first greatest hits album by English drummer and singer-songwriter Phil Collins. It was released on 5 October 1998 in the United Kingdom, and one day later in the United States. The collection included fourteen top 40 hits, including seven American number one songs, spanning from the albums Face Value (1981) through Dance into the Light (1996). One new Collins recording, a cover of Cyndi Lauper's "True Colors", also appeared on the collection and was a popular song on adult contemporary stations. Hits was also the first Phil Collins album to include four songs originally recorded for motion pictures as well as his popular duet with Philip Bailey, "Easy Lover".
English musician Phil Collins has released 8 studio albums, 1 live album, 5 compilation albums, 2 remix albums, 3 soundtrack albums, 2 box sets, 50 singles, 18 video albums, and 41 music videos. A Grammy and Academy Award-winning solo artist, Collins has sold more than 34.5 million albums in the United States, and 150 million records worldwide.
"I Missed Again" is a song from Phil Collins's debut solo album, Face Value. It was selected as the lead single from the album in the US and Canada, although in most other countries "In the Air Tonight" was released as Collins' first solo single, followed by "I Missed Again". The song features a tenor sax solo from British jazz musician Ronnie Scott.
"Behind the Lines" is a song by the English progressive rock band Genesis, from their 1980 album Duke. The group's drummer and vocalist Phil Collins released a re-recorded version on his first solo album Face Value in February 1981.
The Phenix Horns, originally known as the EWF Horns, were the main horn section for the band Earth, Wind & Fire. The horn section was composed of Don Myrick on saxophone, Louis "Lui Lui" Satterfield on trombone, Rahmlee Michael Davis on trumpet, Michael Harris on trumpet and Harry Kim on trumpet.
Donald Myrick was an American saxophonist. A member of the Phenix Horns, he was best known for his work with Earth, Wind & Fire and Phil Collins.
Chinese Wall is the third solo album by American singer Philip Bailey, released on the Columbia Records label in October 1984. The album reached number 22 on the Billboard 200 and number 10 on the Billboard Top R&B/Hip-Hop Albums charts respectively. The album was Grammy nominated in the category of Best R&B Vocal Performance, Male. Chinese Wall has also been certified gold in the US by the RIAA.
Going Back is the eighth solo studio album by English singer-songwriter and drummer Phil Collins, released on 13 September 2010 by Atlantic Records. His first solo album in eight years, it features covers of 1960s Motown and soul standards.
The Singles is a compilation album by English drummer Phil Collins. It was released on 14 October 2016 through Atlantic Records and Warner Music. The album is Collins' fourth compilation album—after ...Hits (1998), The Platinum Collection (2004) and Love Songs: A Compilation... Old and New (2004)—and came at the end of his Take a Look at Me Now series, which saw him remaster and reissue his entire back catalogue dating back to 1981's Face Value. The compilation is made up of most of the hit singles from Collins' solo career, as well as lesser-known singles. The album was released in two versions, a standard 2-CD edition and a deluxe 3-CD edition. A vinyl edition was also released, first available as a 4-LP set with the same track list as in standard 2-CD edition, but it was, in 2018, replaced with a 2-LP set, which have only 19 selected tracks from previous version.