Kings of the Wild Frontier | ||||
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Studio album by | ||||
Released | 7 November 1980 [2] | |||
Recorded | 18 February – 30 August 1980 | |||
Studio | [3] | |||
Genre | ||||
Length | 41:33 61:17 (2004 reissue) | |||
Label |
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Producer | Chris Hughes | |||
Adam and the Ants chronology | ||||
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Kings of the Wild Frontier is the second album by English new wave band Adam and the Ants. It was released on 7 November 1980 by CBS Records in the UK and Epic Records internationally. The album was the UK number 1 selling album in 1981 (and the 48th best seller in 1980) and won Best British Album at the 1982 Brit Awards.
After having his previous backing band wooed away by producer Malcolm McLaren to form Bow Wow Wow, [8] Adam Ant recorded Kings of the Wild Frontier with guitarist Marco Pirroni as his new writing partner.
Kings of the Wild Frontier reached No. 1 in the UK Album Chart [9] and spawned three hit singles: "Kings of the Wild Frontier", which was released in July and reached No. 2 in the UK Singles Chart; "Dog Eat Dog", which reached No. 4; and "Antmusic", released in December and reaching No. 2, [10] as well as No. 1 in Australia for five weeks. [11]
Initial UK copies of the album featured a different version of "Antmusic" that started with a fade-in, but after the song became a hit the subsequent pressings used the 7" single mix with the familiar drumstick intro.
The album was remastered and reissued in 2004 with several bonus tracks.
A multi-disc "Super Deluxe Edition" was released 20 May 2016. It includes a DVD of the long out-of-print Ants in Japan concert video and a CD of a 1981 concert from Chicago. [12] This edition scraped a single week in the UK Album Chart in its own right at number 69 and is considered to be a separate chart hit from the original album (rather than a 67th week for the album as a whole) [13] Ant performed the entire album live on tour in the UK that year, and in the United States, Australia and New Zealand in 2017. [14] [15]
Photographer Peter Ashworth wrote, "On 5 August 1980, prior to his first slot on Top of the Pops, Adam Ant got the band together in a small rehearsal room in Brixton to create a video test. Shooting stills from the monitor screen during the band performance produced some powerful images. Two days later a repeat shoot from the video recording, in a blacked-out studio, produced the sleeve image..." [16] The US version of the album dropped "Making History" in favour of two tracks penned by Ant prior to teaming up with Marco Pirroni, "(You're So) Physical" and "Press Darlings".
Review scores | |
---|---|
Source | Rating |
AllMusic | [17] |
Classic Rock | [18] |
Mojo | [19] |
Q | [20] |
Record Collector | [21] |
The Rolling Stone Album Guide | [22] |
Smash Hits | 8/10 [23] |
Spin Alternative Record Guide | 9/10 [24] |
Uncut | 8/10 [25] |
The Village Voice | B [6] |
Reviewing the US edition for The Village Voice in March 1981, Robert Christgau judged the album as a response to British punk rock nihilism: "The music, needless to say, is rock and roll, a clever pop-punk amalgam boasting two drummers, lots of chanting, and numerous B-movie hooks. Especially given Adam's art-schooled vocals, I find that the hooks grate, but that may just mean that when it comes to futuristic warriors I prefer Sandinistas." [6]
In his retrospective review, Stephen Thomas Erlewine of AllMusic called it "one of the great defining albums of its time. [8] There's simply nothing else like it, nothing else that has the same bravado, the same swagger, the same gleeful self-aggrandizement and sense of camp. This walked a brilliant line between campiness and art-house chutzpah, and it arrived at precisely the right time – at the forefront of new wave". [17] Trouser Press cites it as the album where Adam Ant "found his groove". [26]
Kings of the Wild Frontier is included in the book 1001 Albums You Must Hear Before You Die . [27] It is also one of twenty CDs in the Great British Albums box set released by Sony Records in 2012. [28] In 1992, Nine Inch Nails released a cover version of "Physical (You're So)" on the EP Broken , remade in an industrial rock style with more aggressive guitars and vocals than the original. [29] In 2020, Rolling Stone included Kings of the Wild Frontier in their "80 Greatest albums of 1980" list. [30]
The songs on the album reference and quote numerous cultural sources in both lyrics and music. The abiding themes are drawn from a stew of popular, historical and contemporary sources to create an immersive tableau of pop-mythology. The title track evokes Davy Crockett, and media representations thereof, and posits the band and its followers as a new royal family. "Dog Eat Dog" was inspired by a quotation attributed to Margaret Thatcher. "Feed Me To The Lions" includes a musical quotation of the theme from the film Lawrence of Arabia . "Los Rancheros" refers to Clint Eastwood. As well as evoking the film Them! , "Ants Invasion" mentions a 'Forbidden Zone' as in the 1968 film of Planet of the Apes (a theme returned to on the following year's "Picasso Visita el Planeta de los Simios"). "Killer In The Home" quotes Apocalypse Now in its lyrics. "The Magnificent Five" homages The Magnificent Seven , and quotes Friedrich Nietzsche. "Don't Be Square (Be There)" refers to an earlier, unreleased Adam and the Ants song, which itself obliquely referenced the actor Dirk Bogarde. "Jolly Roger" is musically identical with the theme to Seven Guns for the MacGregors , composed by Ennio Morricone. "Making History" quotes Night of the Living Dead . "The Human Beings" lyrical content consists almost entirely of the chanted names of Native American tribes Blackfoot, Pawnee, Cheyenne, Crow, and the name of Goklayeh, a Bedonkohe Apache leader.
All tracks are written by Adam Ant and Marco Pirroni
No. | Title | Length |
---|---|---|
1. | "Dog Eat Dog" | 3:11 |
2. | "Antmusic" | 3:37 |
3. | "Feed Me to the Lions" | 3:03 |
4. | "Los Rancheros" | 3:30 |
5. | "Ants Invasion" | 3:19 |
6. | "Killer in the Home" | 4:22 |
No. | Title | Length |
---|---|---|
1. | "Kings of the Wild Frontier" | 3:56 |
2. | "The Magnificent Five" | 3:07 |
3. | "Don't Be Square (Be There)" | 3:32 |
4. | "Jolly Roger" | 2:11 |
5. | "Making History" | 2:59 |
6. | "The Human Beings" | 4:32 |
No. | Title | Length |
---|---|---|
13. | "Antmusic (Alternative Mix)" | 3:43 |
14. | "Antmusic (Demo)" | 3:28 |
15. | "Feed Me to the Lions (Demo)" | 3:02 |
16. | "The Human Beings (Demo)" | 2:30 |
17. | "S.E.X. (Demo)" | 3:57 |
18. | "Omelette from Outerspace (Demo)" | 3:06 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dog Eat Dog" | 3:07 | |
2. | "Antmusic" | 3:36 | |
3. | "Los Rancheros" | 3:28 | |
4. | "Feed Me to the Lions" | 2:59 | |
5. | "Press Darlings" | Ant | 4:12 |
6. | "Ants Invasion" | 3:20 | |
7. | "Killer in the Home" | 4:19 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Kings of the Wild Frontier" | 3:53 | |
2. | "The Magnificent Five" | 3:05 | |
3. | "Don't Be Square (Be There)" | 3:29 | |
4. | "Jolly Roger" | 2:09 | |
5. | "Physical (You're So)" | Ant | 4:26 |
6. | "The Human Beings" | 4:24 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Stand and Deliver" | 3:06 | |
2. | "Beat My Guest" | Ant | 3:12 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Dog Eat Dog" | 3:07 | |
2. | "Jolly Roger" | 2:09 | |
3. | "Los Rancheros" | 3:28 | |
4. | "Feed Me to the Lions" | 2:59 | |
5. | "Press Darlings" | Ant | 4:12 |
6. | "Ants Invasion" | 3:20 | |
7. | "Killer in the Home" | 4:19 | |
8. | "Beat My Guest" | Ant | 3:12 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Kings of the Wild Frontier" | 3:53 | |
2. | "The Magnificent Five" | 3:05 | |
3. | "Don't Be Square (Be There)" | 3:29 | |
4. | "Antmusic" | 3:36 | |
5. | "Physical (You're So)" | Ant | 4:26 |
6. | "The Human Beings" | 4:24 | |
7. | "Stand and Deliver" | 3:06 |
On 20 May 2016, Sony Music/Legacy Recordings issued a lavish four disc super deluxe box set of Kings of the Wild Frontier. The box included two CDs, a DVD & a 180g gold newly remastered vinyl LP. [31]
No. | Title | Length |
---|---|---|
1. | "Dog Eat Dog" | 3.09 |
2. | "Antmusic" | 3.36 |
3. | "Feed Me to the Lions" | 3.01 |
4. | "Los Rancheros" | 3.29 |
5. | "Ants Invasion" | 3.20 |
6. | "Killer in the Home" | 4.21 |
7. | "Kings of the Wild Frontier" | 3.55 |
8. | "The Magnificent Five" | 3.06 |
9. | "Don’t Be Square (Be There)" | 3.31 |
10. | "Jolly Roger" | 2.09 |
11. | "Making History" | 2.57 |
12. | "The Human Beings" | 4.31 |
13. | "Press Darlings" | 4.11 |
14. | "Physical (You’re So)" | 4.26 |
15. | "Fall In" | 2.08 |
16. | "Don’t Be Square (Be There) (KPM Studio Demo)" | 4.23 |
17. | "The Human Beings (KPM Studio Demo)" | 4.56 |
18. | "Los Rancheros (KPM Studio Demo)" | 3.33 |
19. | "Making History (KPM Studio Demo)" | 3.44 |
All tracks mastered by Adam Ant & Walter Coelho. Tracks 1-17 previously unissued on CD. Tracks 19 & 20 previously unreleased.
No. | Title | Length |
---|---|---|
1. | "The Human Beings" | 3.35 |
2. | "Dog Eat Dog" | 3.14 |
3. | "The Magnificent Five" | 3.03 |
4. | "Don’t Be Square (Be There)" | 3.20 |
5. | "Los Rancheros" | 3.33 |
6. | "Ants Invasion" | 3.12 |
7. | "Killer in the Home" | 4.15 |
8. | "Cleopatra" | 2.54 |
9. | "Press Darlings" | 3.47 |
10. | "Kick!" | 1.55 |
11. | "Antmusic" | 3.14 |
12. | "Beat My Guest" | 3.04 |
13. | "Jolly Roger" | 2.11 |
14. | "Zerox" | 3.11 |
15. | "Cartrouble" | 3.21 |
16. | "Kings of the Wild Frontier" | 4.33 |
17. | "Physical (You’re So)" | 5.22 |
18. | "A.N.T.S." | 3.30 |
19. | "Antmusic (Rough Cut)" | 3.24 |
20. | "Don’t Be Square Be There (Rough Cut)" | 3.52 |
No. | Title | Length |
---|---|---|
1. | "Kings of the Wild Frontier" | |
2. | "Dog Eat Dog" | |
3. | "Antmusic" | |
4. | "Physical (You’re So)" (Live in Manchester) | |
5. | "Dog Eat Dog" (Live) |
No. | Title | Length |
---|---|---|
6. | "Dog Eat Dog" (Top of the Pops, 16 October 1980) | |
7. | "Ants Invasion" (Old Grey Whistle Test, January 1981) | |
8. | "Killer in the Home" (Old Grey Whistle Test, January 1981) | |
9. | "Antmusic" (Top of the Pops, December 1980) | |
10. | "Dog Eat Dog" (Top of the Pops, 30 October 1980) |
No. | Title | Length |
---|---|---|
11. | "The Magnificent Five" | |
12. | "Antmusic" | |
13. | "Don’t Be Square (Be There)" | |
14. | "Ants Invasion" | |
15. | "Killer in the Home" | |
16. | "Never Trust a Man (With Egg on His Face)" | |
17. | "Kick!" | |
18. | "Press Darlings" | |
19. | "Christian D’or" | |
20. | "Los Rancheros" | |
21. | "Cartrouble" | |
22. | "Dog Eat Dog" | |
23. | "Kings of the Wild Frontier" | |
24. | "Physical (You’re So)" | |
25. | "ANT INVASION: a documentary of the first Adam & the Ants US tour 1981" |
No. | Title | Length |
---|---|---|
1. | "Dog Eat Dog" | 3.09 |
2. | "Antmusic" | 3.36 |
3. | "Feed Me to the Lions" | 3.01 |
4. | "Los Rancheros" | 3.29 |
5. | "Ants Invasion" | 3.20 |
6. | "Killer in the Home" | 4.21 |
No. | Title | Length |
---|---|---|
1. | "Kings of the Wild Frontier" | 3.55 |
2. | "The Magnificent Five" | 3.06 |
3. | "Don’t Be Square (Be There)" | 3.31 |
4. | "Jolly Roger" | 2.09 |
5. | "Making History" | 2.57 |
6. | "The Human Beings" | 4.31 |
Weekly charts
| Year-end charts
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Stuart Leslie Goddard, better known as Adam Ant, is an English singer, musician, and actor. He gained popularity as the lead singer of new wave group Adam and the Ants and later as a solo artist, scoring 10 UK top ten hits from 1980 to 1983, including three UK No. 1 singles. He has also worked as an actor, appearing in many films and television episodes.
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Marco Francesco Andrea Pirroni frequently credited simply as Marco, is a British guitarist, songwriter and record producer. He has worked with Adam Ant, Sinéad O'Connor, Siouxsie and the Banshees and many others from the late 1970s to the present day.
"Stand and Deliver" is a song by British new wave band Adam and the Ants, released as the lead single from their third studio album, Prince Charming (1981). It was the band's first No. 1 hit in the UK. The phrase "stand and deliver — your money or your life", used in the lyrics, is commonly associated with highwaymen in 18th century England.
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"Antmusic" is a song by English rock band Adam and the Ants, released as the third single in the UK from the album Kings of the Wild Frontier.
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Adam Ant is a British post-punk, new wave artist. He was the lead singer of Adam & the Ants until their split in early 1982, by which time they had recorded three studio albums. Ant, however, would go solo, and release an additional five studio albums throughout the 1980s and early 1990s. After a gap of nearly 18 years, his sixth released solo studio album came out in early 2013. A planned follow-up album recorded the following year currently officially remains at developmental stage.
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"Young Parisians" is the debut single from Adam and the Ants, written by Adam Ant. Originally released on 20 October 1978, it was the band's only single on Decca Records.
Adam and the Ants were an English rock band that formed in London in 1977. The band existed in two versions, both of which were fronted by Adam Ant, between 1977 and 1982. The first phase began when the band were founded in May 1977 and were called the Ants until November of that year. They later changed their style from punk rock to post-punk and new wave, and released one album. The final line-up of this version consisted of Dave Barbarossa, Matthew Ashman, and Leigh Gorman—all of whom left the band in January 1980 at the suggestion of manager Malcolm McLaren to form Bow Wow Wow.
Adam Ant Is the Blueblack Hussar in Marrying the Gunner's Daughter, is the sixth solo studio album by Adam Ant. The album's title was announced by Ant in the NME in April 2010. As he had announced at his gig in Chatham in September 2012, the new album was released on 21 January 2013 by Ant's own record label, Blueblack Hussar Records. Despite the independent self-release, the album reached number 25 on the UK Albums Chart, only one place lower than its predecessor, Wonderful, released on the major EMI label nearly eighteen years earlier. It had previously been at number 8 in the midweek chart update.
"Cartrouble" is a song by Adam and the Ants, released as a single in March 1980 on Do It Records. It peaked at number 33 on the UK Singles Chart. Though usually stylised as one word, the title has also appeared as two separate words.
"Kings of the Wild Frontier" is a 1980 song by the British new wave group Adam and the Ants. Written by Adam Ant & Marco Pirroni, it was the title track of the band's second second album and was also their first release for CBS Records after leaving the small independent label Do It Records.
"Dog Eat Dog" is the opening track on the Adam and the Ants album Kings of the Wild Frontier. It was written by Adam Ant & Marco Pirroni, and features the two-drummer Burundi beat for which Adam and the Ants would become famous. Released as a 7" single on 3 October 1980, it was their first top ten hit.
"Desperate But Not Serious" is a song by Adam Ant, released on 19 November 1982 as the third single from his first solo album, Friend or Foe. It peaked at number 33 on the UK Singles Chart, and number 66 on the Billboard Hot 100 in the US. Ant performed "Desperate but Not Serious" and "Goody Two Shoes" on the very first American Bandstand episode of 1983.
"Friends" b/w "Kick"/"Physical", also known as The B-Sides, is an extended play and the final single from Adam and the Ants. All three songs were written by Adam Ant, and were early fan favourites among 'Antpeople'. "Friends" and "Physical" were performed at a John Peel session on 10 July 1978. All three tracks had previously been recorded in 1978 for the Ants' first label Decca Records. "Kick" at RAK Studios in Chalbert Street, London, produced by Snips, "Friends" and "Physical" at Decca's own studio at Broadhurst Gardens, West Hampstead, produced by Ant himself.