Georgina Baillie | |
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![]() Baillie in 2023 | |
Born | 7 July 1985 |
Citizenship | British |
Education | The Poor School and Workhouse Theatre drama school |
Occupations |
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Known for | Poussez Posse, Adam Ant |
Style | post-punk, gothic burlesque |
Parents |
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Relatives | Andrew Sachs (grandfather) |
Website | georginabaillieart |
Georgina Baillie (born 7 July 1985) is an English actor, artist, post-punk singer, songwriter, and formerly a burlesque performer. Her stage names have included Voluptua and Georgie Girl.
From 2010 to 2013 she worked as a backing vocalist for Adam Ant and during 2011–2012 as the lead singer of the band Georgie Girl and her Poussez Posse that toured with Ant in over 100 concerts.
In October 2008, Baillie and her grandfather, the actor Andrew Sachs, were the targets of a prank phone call by Russell Brand and Jonathan Ross that resulted in reverberations in the British media.
Baillie was born 7 July 1985 in East London UK. Her mother is voiceover artist Kate Sachs and her father the actor Charles Baillie. Her maternal grandfather was the actor Andrew Sachs. [1] [2]
Baillie has worked with a number of bands over the years. In 2010, she worked with MariaMaria to release a single, "Sonnet for a Vampire." Baillie performed vocals, with Sarah White on bass and Corrine Aze "Hazel" Corleone on guitar. [3]
In 2009, shortly after The Russell Brand Show prank calls, Adam Ant befriended Baillie, and as of 2011 remained close friends. He hired Baillie to oversee his calendar scheduling and asked her to perform back up vocals for his performances. [4] This lasted from 2010–2013. At first she sang with White and later with Georgina "Twinkle" Leahy; she later sang backup alone. [5] As a member of Ant's band "The Good, The Mad and the Lovely Posse", she appeared as a backing vocalist in Ant's "Cool Zombie" music video, released on Blueblack Hussar Records [6] and in concert footage featured in The Blueblack Hussar, a documentary about Ant's early 2010s musical comeback directed by Jack Bond, as well as in extras included on the film's DVD release. [7]
Baillie co-wrote two songs in response to the Jonathan Ross/Russell Brand incident discussed below. One was "Gun In Your Pocket", a song by Ant with input from Baillie [8] in which both Baillie and Brand are discussed. [9] "Gun In Your Pocket" was written in 2010 as single for Ant's upcoming album Adam Ant Is the Blueblack Hussar in Marrying the Gunner's Daughter . [10] In the end the song was released in late 2012 as the B side of the pre-album single "Cool Zombie". [11] The other song was "Rubber Medusa" – a song addressed to Brand from Baillie's point of view, co-written with Ant. [8]
From 2011 to 2012, Baillie was lead singer of the band Georgie Girl And Her Poussez Posse, which Ant mentored. There were two incarnations of Poussez Posse. The original line-up featured Baillie with Fiona Bevan and Danie Cox both on guitars, Rachael Smith on drums and Molly Spiers Macleod (daughter of Spizz) on bass. Footage from early 2011 of a band meeting of this first incarnation at Ant's home is included in Bond's documentary. [7] They recorded a single of "Rubber Medusa" (b/w "Teacher") and an EP of four of Cox's songs. Both projects remain unreleased. Bevan left to concentrate on her own music in July 2011 and Cox, Smith and Spiers Macleod all abruptly left in September (to found their own band The Featherz, led by Cox). [12]
At this point, the second incarnation of the Posse was recruited, featuring the return of Corleone on guitar, drummer Jessica Rushton and future Curse of Lono bassist Charis Anderson. [8] [13] This version toured the UK, mainland Europe and Australia supporting Ant and his band between October 2011 and December 2012, [14] [15] with Baillie performing double duty every night as both the Posse's frontwoman and Ant's backing vocalist. [8]
Early in 2013, Baillie dissolved the second Posse. She sang vocals and Corleone played guitar as the duo Vortex Empress. [16] They produced two tracks, "Burn Me" and "Spellbound" and a music video for the former. From mid to late 2013, she sang backing vocals in Guns 2 Roses, (the official Guns 'N Roses tribute act). In 2016, she worked with Boz Boorer singing vocals on the track "Le Stalker" on Boorer's solo album Age of Boom. [17] [18]
John Robb of Louder Than War , in a full interview for the site, described Baillie's work as "punky burlesque". [8] The Evening Standard of London has profiled her music career and musical collaboration and friendship with Ant. [5] The Tampa Bay Times describes Georgie Girl & Her Poussez Posse's music as "fresh and rough", comparing their sound to "Hole vs Garbage vs a sexy, roller-derby squad". [19]
Baillie has worked in burlesque, some of her collaborators and projects include: Salvation Group, and Satanic Sluts Extreme, a four piece "gothic burlesque" dance group originating as an offshoot of the online subculture "Satanic sluts" organised by Nigel Wingrove; her persona's stage name was Voluptua. Self-described as: "four of the sexiest depraved London jezebels", they performed at Glastonbury music festival and in several music videos. [20] [21]
As well as showing her as backing vocalist and apprentice to Ant, her appearance in Jack Bond's documentary The Blueblack Hussar also features her life at Ant's house in early 2011 and her accompanying Ant as he goes about his comeback, including being in the studio for an early 2011 Xfm radio session. [22]
After she stopped working with Ant, Baillie studied acting at The Poor School of drama in London in the mid 2010s. [6] [23] In 2021, she was cast in the lead role in a production of the 1975 Barry Reckord play, White Witch, at the Bloomsbury Theatre. [24] Also in 2021, she appeared in the Kevin Short film, Tom and his Zombie Wife. [25]
Baillie began producing cartoon-like drawings in 2017 as part of rehab. Later she began painting and producing silkscreen prints. [26]
During the 18 October 2008 episode of BBC Radio 2's The Russell Brand Show , comedian Russell Brand and presenter Jonathan Ross called actor Andrew Sachs (Baillie's grandfather) live on air for an interview. When Sachs failed to take the call, Ross and Brand left a series of four "lewd" messages on Sachs' answering machine, about Baillie's sexual relationship with Brand. [27] [28] [29] The incident was picked up by the tabloids, and later resulted in Brand and Radio 2 controller Lesley Douglas resigning from the BBC, Ross being suspended without pay for twelve weeks, and the BBC being fined £150,000 by Ofcom. [30]
The media referred to the incident as "Sachsgate". Sachs never gave his consent to have these messages broadcast on the air. This led to the estrangement of Baillie with her grandparents that lasted for years. [31] [32] The sociologist, Chris Rojeck, described Ross and Brand's exploit as an "invasion of privacy", and stated that "their remorse is not focused on Andrew Sachs or Georgina Baillie, the victims whose privacy has been violated" but rather the two comedians felt remorse for receiving negative public reactions and disapproval of their stunt. [33]
Baillie stated in the New York Times that she thought Brand was "very much rewarded" for the prank. [34] The prank calls were covered in the news again in the wake of a Sunday Times–Channel 4 investigation into Brand's alleged sexual assaults of other women. [35] [36]
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... In order of appearance: ... Danie Cox, Fiona Bevan, Molly Spiers Macleod, Rachael Smith ...
'Georgie Girl & Her Poussez Posse' took the opening spot. Lead singer Georgina Baillie (who also sings backup for Adam) really rocked the house. Despite their '50s pinup-girl image, their sound is fresh and rough. Think Hole vs Garbage vs a sexy, roller-derby squad ... The crowd seemed energized by [Adam Ant's] enthusiasm and this was only heightened when Georgina Baillie returned to the stage in a sexy mermaid-influenced outfit and they eased into 'Desperate But Not Serious' ... And with Georgina on stage, there's no shortage of sexy.
They cast the entire affair as an insult to Andrew Sachs, instead of to Baillie as well. She was roundly blamed. I'm sorry if the Guardian's cuttings archive is incomplete and I've missed something, but I couldn't find a single column centred on defending Baillie in any contemporaneous newspaper.