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In the Pocket | ||||
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Studio album by | ||||
Released | 1975 | |||
Recorded | January 1975 | |||
Genre | Jazz | |||
Label | Fantasy [1] | |||
Producer | Billy Page, Gene Page, Stanley Turrentine | |||
Stanley Turrentine chronology | ||||
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In the Pocket is an album by the jazz saxophonist Stanley Turrentine, his second recorded for the Fantasy label after associations with Blue Note Records and CTI. The album has performances by Turrentine with an orchestra arranged and conducted by Gene Page. [2] It was released in 1975 and has yet to be rereleased on CD.
Review scores | |
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Source | Rating |
AllMusic | [3] |
Christgau's Record Guide | D+ [4] |
The Encyclopedia of Popular Music | [5] |
The Rolling Stone Jazz Record Guide | [6] |
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau satirically wrote, "This is the sound track for a romantic comedy featuring Henry 'Hank' Aaron as a bank vice-president whose hobby is private investigation. While 'digging' into billiard-licensing payoffs, he falls for a lady eight-ball hustler (Leslie Uggams) who happens to be the daughter of Mr. Big, played by Barry White. Aaron decides to go crooked, but you know he'll never achieve the power or vulgarity of his father-in-law. Neither will Gene Page, who arranged this claptrap for Turrentine, a saxophonist whose fat, self-indulgent tone is apparently demanding the worst these days." [4]
Let's Take It to the Stage is the seventh album by American funk rock band Funkadelic. It was released in April 1975 on Westbound Records. The album charted at number 102 on the Billboard 200 and number 14 on the R&B Albums.
Mister Magic is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. The album topped both the soul and jazz albums chart and peaked at number ten on the pop chart.
Romantic Warrior is the sixth studio album by the American jazz fusion band Return to Forever, released in 1976 by Columbia Records. After releasing their previous album, No Mystery (1975), their fourth for Polydor Records, the group moved to Columbia and retreated to Caribou Ranch near Nederland, Colorado to record their next album. It was also their first to be credited solely to Return to Forever, removing the "featuring Chick Corea" tag. The album is more avant-garde and less funky than No Mystery, and remains the band's highest selling album with over 500,000 copies sold in the US.
Weather Report is the debut studio album by American jazz fusion band Weather Report, released on May 12, 1971 by Columbia Records. The album was reissued by Sony and digitally remastered by Vic Anesini in November 1991 at Sony Music Studios in New York City.
Visions of the Emerald Beyond is the fifth album by the jazz fusion group Mahavishnu Orchestra, and the second released by its second incarnation.
Tears for Dolphy is a 1964 album by jazz trumpeter Ted Curson. The album's title track, an elegy for Eric Dolphy, has been used in many films.
Lenox Avenue Breakdown is an album by jazz saxophonist Arthur Blythe. It was released by Columbia Records in 1979 and reissued by Koch Jazz in 1998. The album reached No. 35 on the Billboard Jazz Albums chart in 1979.
Acid Queen is the second solo studio album by Tina Turner. It was released in 1975 on the EMI label in the UK and on United Artists in the US. Although it is a Tina Turner solo album, the first single, "Baby, Get It On", was a duet with Ike Turner, her musical partner and husband at the time. Acid Queen was her last solo album before their separation and her departure from Ike & Tina Turner Revue.
Bop-Be is the final album on the Impulse label by jazz pianist Keith Jarrett's 'American Quartet'. Originally released in 1978, it features performances by Jarrett, Dewey Redman, Charlie Haden, and Paul Motian. Its tracks were recorded in October 1976, along with those that produced Byablue. These two albums document the swan song of Jarrett's American Quartet and, aside from "classical music", the last albums Jarrett released on a label other than ECM.
Electric Guitarist is the fourth solo album by guitarist John McLaughlin, released in 1978 through Columbia Records originally on vinyl; a remastered CD was issued in 1990 as part of the Columbia Jazz Contemporary Masters series. Among McLaughlin’s former collaborators appearing on the album are drummers Tony Williams, Jack DeJohnette and Billy Cobham, keyboardist Chick Corea, alto saxophonist David Sanborn, violinist Jerry Goodman, bassists Jack Bruce, Stanley Clarke and Fernando Saunders and fellow guitarist Carlos Santana.
Tender Togetherness is a studio album by tenor saxophonist Stanley Turrentine, released in April 1981 on Elektra Records. The album reached No. 13 on the Billboard Jazz Albums chart.
Don't Stop the Carnival is a live album by jazz saxophonist Sonny Rollins, recorded at the Great American Music Hall and released on the Milestone label in 1978, featuring performances by Rollins with Mark Soskin, Aurell Ray, Jerome Harris and Tony Williams with Donald Byrd joining on five tracks.
King Size is the twenty-fourth studio album by B. B. King, released in 1977.
There Will Never Be Another You is a live album by jazz saxophonist Sonny Rollins, recorded at the Museum of Modern Art in New York City on June 17, 1965, and released on the Impulse! label in 1978, featuring a performance by Rollins with Tommy Flanagan, Bob Cranshaw, Billy Higgins and Mickey Roker.
Pieces of Dreams is an album by jazz saxophonist Stanley Turrentine, his first recording for the Fantasy label after associations with Blue Note Records and CTI, featuring performances by Turrentine with an orchestra arranged and conducted by Gene Page. The CD rerelease added three additional tracks.
Have You Ever Seen the Rain is an album by jazz saxophonist Stanley Turrentine, his third recorded for the Fantasy label, featuring performances by Turrentine with Freddie Hubbard and an orchestra arranged and conducted by Gene Page. The album was rereleased on CD in 1999 combined with Turrentine's 1980 album Use the Stairs as On a Misty Night.
To Know You Is to Love You is an electric blues album by B. B. King, released in 1973. Produced by Dave Crawford in Philadelphia, it includes the participation of Stevie Wonder, the Memphis Horns, and members of MFSB, the house band for Philadelphia International Records in the early and mid-1970s.
Stan "The Man" Turrentine is the debut album recorded in 1960 by jazz saxophonist Stanley Turrentine originally released on the Time label in 1963, and subsequently re-released on Mainstream as Tiger Tail.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Nightwings is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1977 and featuring performances by Turrentine with an orchestra arranged and conducted by Claus Ogerman.