Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The CD edition compiles performances recorded at four different sessions from 1963 to 1966.
Delightfulee is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1967. It was recorded on April 8 & May 27, 1966 and features performances by Morgan with a quintet featuring Joe Henderson, McCoy Tyner, Bob Cranshaw and Billy Higgins and a big band featuring Ernie Royal, Tom McIntosh, Jim Buffington, Don Butterfield, Phil Woods, Wayne Shorter, Danny Bank and Philly Joe Jones with arrangements by Oliver Nelson.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Live at Newport is the fifth and first live album by jazz pianist McCoy Tyner. It features performances from bassist Bob Cranshaw and drummer Mickey Roker, with trumpeter Clark Terry and alto saxophonist Charlie Mariano appearing on three of the five tracks.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Blue Hour is a collaboration album by jazz saxophonist Stanley Turrentine and The Three Sounds recorded for the Blue Note label and performed by Turrentine with Gene Harris, Andrew Simpkins and Bill Dowdy. The album was reissued in 2000 with an additional disc of unreleased recordings, as Blue Hour: The Complete Sessions.
In Memory Of is an album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until the 1980s, and performed by Turrentine with Blue Mitchell, Curtis Fuller, Herbie Hancock, Bob Cranshaw, and Otis Finch.
Mr. Natural is the twelfth album by jazz saxophonist Stanley Turrentine, recorded for the Blue Note label in 1964 but not released until 1980 as LT 1075, and performed by Turrentine with Lee Morgan, McCoy Tyner, Bob Cranshaw, Elvin Jones and Ray Barretto.
Rough 'n' Tumble is an album by jazz saxophonist Stanley Turrentine issued in 1966 on Blue Note Records. The album reached No. 20 on the Billboard Top Soul Albums chart.
The Spoiler is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1966 and performed by Turrentine with Blue Mitchell, James Spaulding, Pepper Adams, McCoy Tyner, Julian Priester, Bob Cranshaw, and Mickey Roker with arrangements by Duke Pearson.
A Bluish Bag is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson, the first featuring Donald Byrd and the second McCoy Tyner, among others.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
Common Touch is an album by jazz saxophonist Stanley Turrentine featuring Shirley Scott recorded for the Blue Note label in 1968 and performed by Turrentine with Shirley Scott, Jimmy Ponder, Bob Cranshaw and Leo Morris. The CD reissue added one bonus track recorded in a different session and originally released on Ain't No Way. The other four tracks may be found on the CD reissue of Easy Walker.
Always Something There is an album by jazz saxophonist Stanley Turrentine recorded for the Blue Note label in 1968 and performed by Turrentine with orchestra and strings arranged by Thad Jones.
Let It Go is an album by jazz saxophonist Stanley Turrentine recorded for the Impuse! label in 1966 and performed by Turrentine with Shirley Scott, Ron Carter and Mack Simpkins. The CD release added four bonus tracks, three of which originally released on Scott's Everybody Loves a Lover recorded in 1964 and featuring Bob Cranshaw and Otis Finch in place of Carter and Simpkins.
Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. The CD reissue included two bonus tracks recorded in 1964.
Introducing Duke Pearson's Big Band is the eleventh album by American pianist and arranger Duke Pearson, featuring big band performances recorded in 1967 and released on the Blue Note label. The album was rereleased with six bonus tracks from Now Hear This, Pearson's 1968 big band recording, on a single CD in 1998.
Solid is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 but not released on the Blue Note label until 1979. McCoy Tyner, Elvin Jones and Bob Cranshaw from Green’s previous session are joined by alto saxophonist James Spaulding and tenor saxophonist Joe Henderson.
Speakin' My Piece is an album by American jazz pianist Horace Parlan and his quintet, recorded and released on the Blue Note label in 1960.
Easy Living is an album by American saxophonist Ike Quebec recorded in 1962, but not released on the Blue Note label until 1987. The album collects all the material recorded in January 1962, five tracks from which were released in 1981 as Congo Lament.
