A multi-instrumentalist is a musician who plays two or more musical instruments at a professional level of proficiency.
Crossings is the tenth album by jazz pianist Herbie Hancock, released in 1972. It is the second album in his Mwandishi period, which saw him experimenting in electronics and funk. The album is the band's first to feature new member, synthesizer player Patrick Gleeson. He was scheduled to "set up his Moog synthesiser for Hancock to play." However, Hancock was so impressed with Gleeson that he "asked Gleeson not only to do the overdubs on the album but join the group."
Touchdown is the sixth album by Bob James.
V.S.O.P. is a 1977 double live album by pianist and keyboard player Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, and jazz fusion and jazz-funk performances by the Mwandishi band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the Shorter-Carter-Williams band, thereby reconstituting the Davis "Second Quintet" for the first time since 1969. However, on the night of the show, a handwritten sign was posted on the door to the lobby, announcing that Davis would not be playing, but that Freddie Hubbard would be appearing in his place. [Source: Russ Gershon, concert attendee]
White Rabbit is an album by George Benson. The title track is a cover of the famous Great Society/Jefferson Airplane song by Grace Slick.This album was George Benson's second CTI Records project produced by Creed Taylor and was recorded nine months after Beyond the Blue Horizon.
The Individualism of Gil Evans is an album by pianist, conductor, arranger and composer Gil Evans originally released on the Verve label in 1964. It features Evans' big band arrangements of five original compositions and compositions by Kurt Weill, Bob Dorough, John Lewis and Willie Dixon. Tracks 1, 6, 7, 8 & 9 first appeared on the CD version of the album.
First Light is an album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group"
Sky Dive is the twentieth album by jazz trumpeter Freddie Hubbard, recorded in 1972. It was his fourth album released on Creed Taylor's CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.
View from Within is an album by Muhal Richard Abrams released on the Italian Black Saint label in 1985 and featuring performances of six of Abrams' compositions by an octet.
Shape of Things to Come is the fifth studio album by American guitarist George Benson, released in 1968 and arranged by Don Sebesky. It was his first album for A&M Records and his first album to be produced by Creed Taylor, who would remain his producer until 1976.
Easy is the final album by American jazz guitarist Grant Green featuring performances recorded in 1978, a few months before his death, and released on the Versatile label.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
Collaboration is a 1987 studio album by Helen Merrill, arranged by Gil Evans. With the almost identical repertoire of recorded songs –though in another order– and following Evans' original scores it is a celebratory re-recording of their previous collaboration from 30 years ago for Merrill's album Dream of You, released in 1957 also on EmArcy. The one exception is the opener, "Summertime" from Porgy and Bess, that Evans recorded with Miles Davis in 1958, it replaces "You're Lucky to Me". Like Dream of YouCollaboration was recorded on three consecutive recording sessions each with a different line-up, one with woodwinds and trombone for most songs, featuring soprano saxophonist Steve Lacy on two tracks, one session with brass and another with a string section and woodwind.
Chapter Three: Viva Emiliano Zapata is an album by Argentinian saxophonist and composer Gato Barbieri released on the Impulse! label.
Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Daddy Bug is an album by American jazz vibraphonist Roy Ayers released on the Atlantic label in 1969. Several tracks from the album were re-released without string and woodwind overdubs on Daddy Bug & Friends in 1976.
Stan Kenton Conducts the Los Angeles Neophonic Orchestra is an album by bandleader Stan Kenton recorded in 1965 by Capitol Records.
Pick 'Em is an album by bassist Ron Carter which was recorded at Van Gelder Studio in 1978 and released on the Milestone label in 1980.
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