Sunset to Dawn | ||||
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Studio album by Kenny Barron | ||||
Released | 1973 | |||
Recorded | April 2, 1973 | |||
Studio | RCA Studios, NYC | |||
Genre | Jazz | |||
Length | 39:50 | |||
Label | Muse | |||
Producer | Don Schlitten | |||
Kenny Barron chronology | ||||
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Sunset to Dawn is a studio album by American pianist Kenny Barron which was recorded in 1973 and first released on the Muse label. [1] [2] [3] [4] [5]
An album is a collection of audio recordings issued as a collection on compact disc (CD), vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP records played at 33 1⁄3 rpm. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The audio cassette was a format used alongside vinyl from the 1970s into the first decade of the 2000s.
Kenny Barron is an American jazz pianist, who has appeared on hundreds of recordings as leader and sideman and is considered one of the most influential mainstream jazz pianists since the bebop era.
Muse Records was a jazz record company and label founded in New York City by Joe Fields in 1972.
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
In his review on Allmusic, Scott Yanow notes "Kenny Barron could easily go unidentified if some of the selections on this LP were played for a listener during a "blindfold test" – he sounds quite unrecognizable on the three numbers on which he plays electric piano. Barron, who is joined by electric bassist Bob Cranshaw, drummer Freddie Waits, and the colorful percussion of both Richard Landrum and Warren Smith on his five originals and one by Waits, utilizes electricity with intelligence and creativity. His songs are moody and complex yet somewhat accessible and this underrated set would certainly surprise some of his current fans" [6] In JazzTimes David Zych wrote "The program has Barron offering a rich program of originals with a '70s tinge, but nevertheless rich, imaginative, and worth repeated listenings". [7]
Scott Yanow is an American jazz reviewer, historian, and author.
JazzTimes is an American magazine devoted to jazz. Published 10 times a year, it was founded in Washington, D.C. in 1970 by Ira Davidson Sabin (1928–2018) as a newsletter called Radio Free Jazz. Sabine founded Radio Free Jazz to complement his Washington, D.C. record store that he founded in 1962. As a newsletter, it informed consumers of the latest jazz releases and provided jazz broadcasters with news and backstories related to playlists.
All compositions by Kenny Barron except where noted.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.
Melbourne Robert "Bob" Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Re: Percussion is the debut album by American jazz percussion ensemble M'Boom recorded in 1973 for the Strata-East label.
Transition is a jazz album recorded by Buddy Rich and Lionel Hampton and released on the Groove Merchant Record label in 1974.
Part of the Search is an album by multi-instrumentalist Yusef Lateef recorded in 1973 and released on the Atlantic label.
Playin' in the Yard is a live album by jazz keyboardist Hampton Hawes recorded at the 1973 Montreux Jazz Festival for the Prestige label.
Feelin' It Together is an album by saxophonist James Moody recorded in 1973 and released on the Muse label.
Headed and Gutted is a live album by saxophonist Willis Jackson which was recorded in 1974 and first released on the Muse label.
West Africa is an album by saxophonist Willis Jackson which was recorded in 1973 and first released on the Muse label.
The Gap Sealer is an album by saxophonist Jimmy Heath featuring performances recorded in 1972 and originally released on the Cobblestone label but rereleased as Jimmy on the Muse label.
Peruvian Blue is a studio album by American pianist Kenny Barron which was recorded in 1974 and first released on the Muse label.
Lucifer is a studio album by American pianist Kenny Barron which was recorded in 1975 and released on the Muse label.
You Had Better Listen is a studio album by American trumpeter Jimmy Owens and pianist Kenny Barron which was recorded in 1967 and released on the Atlantic label.
In Tandem is a live album by American pianist Kenny Barron and guitarist Ted Dunbar which was recorded in 1975 and first released on the Muse label in 1980.
Golden Lotus is an album by pianist Kenny Barron which was recorded in 1980 and first released on the Muse label in 1982 before being reissued on CD by 32 Records with Sunset to Dawn in 1997.
Landscape is an album by pianist Kenny Barron which was recorded in 1984 and first released on the Japanese Baystate label.
Jazz Caper is an album by saxophonist Bill Barron which was recorded in 1978 and first released on the Muse label in 1982.
Variations in Blue is an album by saxophonist Bill Barron which was recorded in 1983 and first released on the Muse label.
The Next Plateau is an album by saxophonist Bill Barron which was recorded in 1987 and first released on the Muse label.
The Inimitable Teddy Edwards is an album by saxophonist Teddy Edwards recorded in 1976 and released on the Xanadu label.
Shining Hour is an album by guitarist Larry Coryell which was recorded in 1989 and released on the Muse label.