One Night with Blue Note is a 1985 feature length jazz film directed by John Charles Jopson.
Hub-Tones is an album by trumpeter Freddie Hubbard recorded on October 10, 1962, and released on the Blue Note label as BLP 4115 and BST 84115. It contains performances by Hubbard, James Spaulding, Herbie Hancock, Reggie Workman and Clifford Jarvis. The cover artwork was designed by Reid Miles with photography by Francis Wolff.
Straight Life is a soul/funk influenced jazz album recorded in 1970 by trumpeter Freddie Hubbard. It was recorded on 16 November 1970 and released between the albums Red Clay (1970) and First Light (1971). This is also Hubbard's eighteenth overall album.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
Bernard Atwell McKinney, later Kiane Zawadi is an American jazz trombonist and euphonium player, one of the few jazz soloists on the latter instrument.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966. The album was not released on the Blue Note label until 1979. It features performances by Mobley with a larger than usual ensemble of trumpeter Lee Morgan, euphonium player Kiane Zawadi, tuba player Howard Johnson, alto saxophonist James Spaulding, pianist McCoy Tyner, bassist Bob Cranshaw, and drummer Billy Higgins. The arrangements were written by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified on the sleeve as the bassist.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Backlash is a 1967 album by trumpeter Freddie Hubbard, his first released on the Atlantic label. It features performances by Hubbard, James Spaulding, Albert Dailey, Bob Cunningham, Otis Ray Appleton and Ray Barretto.
The Black Angel is a studio album by American jazz trumpeter Freddie Hubbard, recorded in 1969 and released in 1970. It was his fourth release on the Atlantic label and features performances by Hubbard, James Spaulding, Kenny Barron, Reggie Workman, Louis Hayes and Carlos "Patato" Valdes.
Tender Moments is the eighth album by jazz pianist McCoy Tyner and his second released on the Blue Note label. It was recorded in December 1967 and features performances by Tyner with an expanded group featuring trumpeter Lee Morgan, trombonist Julian Priester, French horn player Bob Northern, tuba player Howard Johnson, alto saxophonist James Spaulding, tenor saxophonist Bennie Maupin, bassist Herbie Lewis and drummer Joe Chambers.
Together is a 1979 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in August and September 1978 and features performances by Tyner with trumpeter Freddie Hubbard, flautist Hubert Laws, tenor saxophonist/bass clarinetist Bennie Maupin, vibraphonist Bobby Hutcherson, bassist Stanley Clarke, drummer Jack DeJohnette and percussionist Bill Summers.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
The Jewel in the Lotus is the debut album by jazz woodwind player Bennie Maupin, recorded and released in 1974. In 2011, Ricardo Villalobos and Max Loderbauer used samples of The Jewel in the Lotus as the basis for the track "Rensenada" on the remix album Re:ECM. The title is a translation of the Buddhist mantra Om mani padme hum.
Mosaic Select 16: Andrew Hill is a compilation album by American pianist Andrew Hill. Except for six tracks, issued on One for One in 1975, it features previously unreleased pieces originally recorded for Blue Note Records.
The Blues and Other Colors is an album by saxophonist James Moody recorded in 1968 and 1969 and released on the Milestone label.
Slide Hampton and His Horn of Plenty is the debut album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Strand label in 1961.
You Had Better Listen is a studio album by the American trumpeter Jimmy Owens and the pianist Kenny Barron, recorded in 1967 and released on the Atlantic label.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
