Hub Cap | ||||
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Studio album by | ||||
Released | October 1961 [1] | |||
Recorded | April 9, 1961 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 42:21 | |||
Label | Blue Note BST 84073 | |||
Producer | Alfred Lion | |||
Freddie Hubbard chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Hub Cap is an album by trumpeter Freddie Hubbard and was released on the Blue Note label in 1961 as BLP 4073 and BST 84073. It features performances by Hubbard, Julian Priester, Jimmy Heath, Cedar Walton, Larry Ridley and Philly Joe Jones.
The album's title originates from Hubbard's nickname. The track "Cry Me Not", composed by Randy Weston for the session and arranged by Melba Liston, was considered by Hubbard to be "the most interesting tune on the record". "Luana" is dedicated to Hubbard's niece, whilst "Osie Mae" – a title which sounded "funky" to Hubbard – is characterized by an A-B-A-B pattern. "Earmon Jr.", composed by Hubbard and arranged by Ed Summerlin, was named for Hubbard's brother, a pianist. [4]
Reviewing the album for The Guardian in 2003, British jazz critic John Fordham wrote:
From Hubbard's opening solo on the flying, boppish title track, which crackles with his trademark urgency, crisp, flaring sound and hell-for-leather attack, the music throws you back into a jazz era when the muscular dynamism of hard-bop was at the sharp end of a still commercially popular jazz.
Jimmy Heath's tenor sax has a dry loquacity, and drummer Philly Joe Jones sustains a constant push and chatter of hi-hat snaps, swishing cymbal caresses and rimshot rattles. And for all the idiom's prevailing speediness, it's the pulsating warmth of the arrangement and Hubbard's balance of spaciousness and fitfully unleashed power on Randy Weston's rhapsodic "Cry Me Not" that is a particular highlight of a memorable set. [5]
All compositions by Freddie Hubbard, except as indicated
Cedar Anthony Walton Jr. was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D".
The National Endowment for the Arts (NEA), every year honors up to seven jazz musicians with Jazz Master Awards. The National Endowment for the Arts Jazz Masters Fellowships are the self-proclaimed highest honors that the United States bestows upon jazz musicians. The award is usually given late in a performer's career after they have long established themselves.
Mosaic is a 1961 jazz album released by Art Blakey & the Jazz Messengers on Blue Note Records. The album's performers included: Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
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Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
Polar AC is a compilation album by jazz trumpeter Freddie Hubbard. It was his final album released on Creed Taylor's CTI label and features performances by Hubbard, Hubert Laws, George Benson, Junior Cook, and Ron Carter. It was put together by CTI after Hubbard left the label to go to Columbia, and the tracks were recorded at different sessions, between 1971 and 1973. The album featured pieces: "People Make the World Go Round" and "Betcha, By Golly Wow", recorded both on April 12, 1972, and "Son of Sky Dive" recorded around 1973. "Polar AC" came from First Light sessions, whilst "Naturally" was recorded during Sky Dive sessions, and both can be found on CD reissues of their respective albums.
New Colors is an album by jazz musician Freddie Hubbard recorded in 2000 and released on the Hip Bop Essence label in 2001.
Bolivia is an album by the American trumpeter Freddie Hubbard, released on the Music Master label in 1991. It features performances by Hubbard, Ralph Moore, Vincent Herring, Cedar Walton, David Williams, and Billy Higgins.
Jam Gems: Live at the Left Bank is collaboration live album by trumpeter Freddie Hubbard and tenor saxophonist Jimmy Heath recorded at the Left Bank ballroom in Baltimore in June 1965 and released on the Label M label in 2001. It features performances by Hubbard, Heath, Gus Simms, Wilbur Little, and Bertell Knox.
Charles Davis was an American jazz saxophonist and composer. Davis played alto, tenor and baritone saxophone, and performed extensively with Archie Shepp and Sun Ra.
Soul Trombone is an album by American jazz trombonist Curtis Fuller featuring performances recorded in 1961 for the Impulse! label.
Take a Number from 1 to 10 is an album by saxophonist Benny Golson, featuring performances recorded in late 1960 and early 1961 and originally released on the Argo label.
Uhuru Afrika is an album by American jazz pianist Randy Weston recorded in 1960 and originally released on the Roulette label. The album features lyrics and liner notes by the poet Langston Hughes and was banned in South Africa in 1964, at the same time as was Lena Horne's Here's Lena Now!, with copies of the albums being seized in Johannesburg and Cape Town.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Seasoned Wood is an album by pianist Cedar Walton which was recorded in 2008 and released on the Highnote label.
Four Brass One Tenor is an album by Al Cohn's Jazz Workshop recorded in 1955 for the RCA Victor label.
Drum Song is an album by drummer Philly Joe Jones which was recorded in 1978, at the same sessions that produced Advance!, but not released on the Galaxy label until 1985.