Broken Shadows | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | September 9, 1971 and September 7 & 8, 1972 | |||
Genre | Jazz | |||
Length | 50:37 | |||
Label | Columbia | |||
Producer | Jim Fishel | |||
Ornette Coleman chronology | ||||
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Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction , but not released on the Columbia label until 1982. [1]
The contents of the album were included in the 2000 compilation The Complete Science Fiction Sessions . [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The AllMusic review by Scott Yanow stated: "Cut prior to Coleman's formation of Prime Time, these performances serve as an unintentional retrospective of his career up to that point". [3]
Robert Palmer of The New York Times called Broken Shadows "a wonderful album," and stated that, in relation to Science Fiction, it is "quite possibly a better album... and certainly in that league." Palmer praised "Good Girl Blues," describing it as "an extravagantly imaginative updating of the Southwestern jump blues that Mr. Coleman played as a young man," and commenting: "The tune is weird, perhaps a little disorienting. Listening to it is something like finding yourself between stations on the radio, with the blues in one ear and an atonal woodwind quintet in the other." [5]
Writing for The Washington Post , Geoffrey Himes commented: "The... release finds Coleman at a midpoint between his turbulent free jazz pioneering and just as turbulent harmolodic work. In 1972, he had slowed down enough to reveal his gift for pensive melodies and populist blues." [6]
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
The Shape of Jazz to Come is the third album by the jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Although Coleman initially wished for the album to be titled Focus on Sanity after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP."
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
Opening the Caravan of Dreams is a 1985 live album by jazz saxophonist Ornette Coleman and his Prime Time ensemble. It was recorded at a concert inaugurating the Caravan of Dreams, a then-newly opened performing arts center in Coleman's hometown of Fort Worth, Texas.
Archie Shepp & the New York Contemporary Five is a live album by the New York Contemporary Five recorded at the Jazzhus Montmartre in Copenhagen, Denmark, on November 15, 1963, and featuring saxophonists Archie Shepp and John Tchicai, trumpeter Don Cherry, bassist Don Moore and drummer J. C. Moses. The album was originally released on the Sonet label in 1964 as New York Contemporary 5 in two separate volumes on LP and later as an edited concert on a single CD, removing the track "Cisum."
Discography for American jazz saxophonist Ornette Coleman.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Playing is a live album by American jazz quartet Old and New Dreams recorded at the Cornmarket Theater in Austria and released on ECM the following year. The quartet consists brass section Don Cherry and Dewey Redman and rhythm section Charlie Haden and Ed Blackwell.
Beauty Is a Rare Thing: The Complete Atlantic Recordings is a box set by American jazz saxophonist and composer Ornette Coleman compiling his master recordings made for Atlantic between 1959 and 1961, released on Rhino Records on November 16, 1993.
Tone Dialing is an album recorded in 1995 by the American jazz composer and saxophonist Ornette Coleman and his Prime Time ensemble. It was released in September 1995 by Coleman's Harmolodic record label, in partnership with Verve/PolyGram. It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years."
Colors: Live from Leipzig is a live album by the American jazz composer and saxophonist Ornette Coleman and German pianist Joachim Kühn recorded in 1996 and released on the Harmolodic/Verve label.
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Sound Museum: Three Women is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, recorded in September and October of 1971 and released on Columbia Records in February 1972.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Who's Crazy?, Volumes 1 and 2, is a pair of albums by Ornette Coleman containing music that was intended as the soundtrack for a film of the same name, directed by Thomas White and featuring members of The Living Theatre. The albums, which feature Coleman on alto saxophone, trumpet, and violin, accompanied by double bassist David Izenzon and percussionist Charles Moffett, were recorded in Paris during 1966, and were initially released on vinyl by Atmosphere Records, an imprint of the French I.R.I. label, with the title Who's Crazy? La Clef Des Champs. In 1982, both LPs were reissued by Affinity Records, a subsidiary of Charly Records, as part of a box set compilation.
The Complete Science Fiction Sessions is a two-CD compilation album by Ornette Coleman. Released by Columbia Records in 2000, it brings together tracks recorded during September and October 1971 and September 1972 sessions at Columbia Studios in New York City. The album includes all of the music that was originally issued on Science Fiction and Broken Shadows, along with previously unreleased material. On the album, Coleman is joined by a core group of long-time associates consisting of trumpeters Don Cherry and Bobby Bradford, saxophonist Dewey Redman, double bassist Charlie Haden, and drummers Billy Higgins and Ed Blackwell. Guest artists include guitarist Jim Hall, pianist Cedar Walton, trumpeters Carmine Fornarotto and Gerard Schwarz, and vocalists David Henderson, Asha Puthli, and Webster Armstrong.