Chappaqua Suite | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | June 15–17, 1965 | |||
Genre | Free jazz | |||
Length | 80:11 | |||
Label | Columbia | |||
Producer | Henri Renaud | |||
Ornette Coleman chronology | ||||
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Chappaqua Suite is a free jazz album by alto saxophonist Ornette Coleman which was recorded in 1965 for Columbia Records.
It was originally commissioned by director Conrad Rooks as the soundtrack to his film Chappaqua ; however, the music was not used in the released version of the film because Rooks decided upon hearing Coleman's music that its inherent beauty might detract from the force of the film. [1]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Tom Hull | B+ [4] |
The AllMusic review by Thom Jurek stated: "While not considered a masterwork of Coleman's, perhaps because of its unavailability in the United States in its entirety, Chappaqua Suite is a testament to Coleman's vision as a composer and the power of his orchestral direction. Very worthwhile indeed". [2] A writer for Eartrip magazine described the nature of Coleman's playing on the album: "the unfolding of ideas on a similar plane is not about building up to emotional climaxes, [...] but about the constant stream of ideas within particular parameters which are open to change but which are not under the force of having to change." [5]
Randolph Denard Ornette Coleman was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation.
Chappaqua is a 1967 American drama film, written and directed by Conrad Rooks. The film is based on Rooks' experiences with drug addiction and includes cameo appearances by William S. Burroughs, Swami Satchidananda, Allen Ginsberg, Moondog, Ornette Coleman, The Fugs, and Ravi Shankar. Rooks had commissioned Coleman to compose music for the film, but his score, which has become known as the Chappaqua Suite, was not used. Ravi Shankar then composed a score.
Change of the Century is an album by jazz saxophonist Ornette Coleman, released on Atlantic Records in May 1960. It sold very well from soon after its release. Recording sessions for the album took place on October 8 and 9, 1959, in New York City.
This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.
Town Hall, 1962 is an album by Ornette Coleman, recorded on December 21, 1962 at New York City's Town Hall and released in 1965 by the ESP-Disk label. It was the first recording to feature Coleman's new trio, which included bassist David Izenzon and drummer Charles Moffett.
Sound Grammar is a live album by jazz saxophonist and composer Ornette Coleman, recorded live in Ludwigshafen, Germany, on 14 October 2005. The album was produced by Coleman and Michaela Deiss, and released on Coleman's new Sound Grammar label. It was his first new album in almost a decade, since the end of his relationship with Verve in the 1990s. It features a mix of new and old originals.
At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in June 1986 by Geffen Records.
Skies of America is the 17th album by jazz saxophonist Ornette Coleman, released on Columbia Records in 1972. It consists of one long composition by Coleman taking up both sides of the album, played by the London Symphony Orchestra and conducted by David Measham. Coleman himself only plays on a few segments, and there is no other jazz instrumentation.
Something Else!!!! is the debut album by jazz saxophonist Ornette Coleman. It was released by Contemporary Records in September 1958. According to AllMusic, the album "shook up the jazz world", revitalizing the union of blues and jazz and restoring "blues to their 'classic' beginnings in African music". It is unusual in Coleman's output in that it features a conventional bebop quintet instrumentation ; after this album, Coleman would omit the piano, creating a starker and more fluid sound.
Tomorrow Is the Question!, subtitled The New Music of Ornette Coleman!, is the second album by American jazz musician Ornette Coleman, originally released in 1959 by Contemporary Records. It was Coleman's last album for the label before he began a highly successful multi-album series for Atlantic Records in 1959.
Spy vs Spy: The Music of Ornette Coleman is a 1989 album by American composer and saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures.
Body Meta is an album by Ornette Coleman and Prime Time.
Virgin Beauty is an album by Ornette Coleman and his Prime Time ensemble. It was released by Portrait Records in 1988.
Ornette! is the seventh album by alto saxophonist and composer Ornette Coleman, released in February 1962 on Atlantic Records. The album features Scott LaFaro in place of Charlie Haden, who had left the Quartet but would work again with Coleman in the future.
New and Old Gospel is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with saxophonist Ornette Coleman, pianist LaMont Johnson, bassist Scotty Holt and drummer Billy Higgins.
Ornette on Tenor is the eighth album by the American jazz composer and saxophonist Ornette Coleman, released in 1962 on Atlantic Records, his sixth and final one for the label. It features Coleman playing tenor saxophone rather than his usual alto, and bassist Jimmy Garrison before he joined the John Coltrane Quartet. This would be the last record by the Coleman Quartet started in the 1950s; he would disband this group and form the Coleman Trio later in the year. Recording sessions took place on March 22 and 27, 1961, at Atlantic Studios in New York City. One outtake from the March 27 session, "Harlem's Manhattan," would appear on the 1970 compilation The Art of the Improvisers.
The Art of the Improvisers is an album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1970. The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for The Shape of Jazz to Come, Change of the Century, This Is Our Music, Ornette!, and Ornette on Tenor. Recording sessions in 1959 took place at Radio Recorders in Hollywood, California; those in 1960 and 1961 at Atlantic Studios in New York City.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.