Soapsuds, Soapsuds | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1977 | |||
Recorded | January 30, 1977 | |||
Studio | The Hit Factory, New York City, NY | |||
Genre | Free jazz | |||
Length | 38:11 | |||
Label | Artists House AH6 | |||
Producer | John Snyder | |||
Ornette Coleman chronology | ||||
| ||||
Charlie Haden chronology | ||||
|
Soapsuds, Soapsuds is an album of duets by saxophonist/trumpeter Ornette Coleman and bassist Charlie Haden, recorded in 1977 and released on the Artists House label. [1] [2]
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
The Penguin Guide to Jazz | [4] |
The Rolling Stone Jazz Record Guide | [5] |
The AllMusic review by Scott Yanow stated: "This unusual album found Coleman taking time off from his electric free funk group, Prime Time, to record acoustic duets with his longtime associate, bassist Charlie Haden. Coleman switches to tenor and trumpet for the challenging music which includes three of his originals". [3]
In JazzTimes , Duck Baker wrote: "The most significant dividing line in Ornette’s chronology might be Charlie Haden's leaving the group in the mid-'70s. This set of duos from a few years later highlights the telepathy that was crucial to the success of so many classic earlier recordings ... a fine, relaxed set whose very effortlessness might make it seem less than it is, which is of course top-notch". [6]
The authors of The Penguin Guide to Jazz Recordings described Coleman's tenor sax sound on the album as "a light, alto-range tone which irresistably recalls Lester Young, and which sits perfectly alongside Haden's bass." They commented: "This is a unexpectedly lyrical record, the one in the OC canon which will always catch out (figuratively) blindfolded testees... Not considered to be an A-list record, but we're carrying a torch for it." [4]
All compositions by Ornette Coleman except where noted
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Tribute is an album by American jazz drummer Paul Motian recorded in May 1974 and released on ECM later that year—Motian's second for the label. The quintet features alto saxophonist Carlos Ward, guitarists Paul Metzke and Sam Brown, and bassist Charlie Haden.
Fort Yawuh is a jazz album by American pianist and composer Keith Jarrett. Originally released in 1973 by Impulse! Records, it marks the beginning of the label’s relationship with Jarrett. Recorded live at the Village Vanguard on February 24, 1973 by Jarrett's "American Quartet": Dewey Redman on tenor saxophone, Charlie Haden on acoustic bass, Paul Motian on drums, plus percussionist Danny Johnson. The title of the album is an anagram of "Fourth Way," a reference to George Gurdjieff's fourth path of self-awareness.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Old and New Dreams is the self-titled second album by jazz quartet Old and New Dreams, recorded in 1979 and released on ECM later that year. The quintet features trumpeter Don Cherry, saxophonist Dewey Redman, and rhythms section Charlie Haden and Ed Blackwell—their debut, released on Black Saint, was also self titled.
Playing is a live album by American jazz quartet Old and New Dreams recorded at the Cornmarket Theater in Austria and released on ECM the following year. The quartet consists brass section Don Cherry and Dewey Redman and rhythm section Charlie Haden and Ed Blackwell.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
Rejoicing is an album by American jazz guitarist Pat Metheny recorded over two days in November 1983 and released on ECM the following year. The trio features rhythm section Charlie Haden and Billy Higgins, both of whom played with Ornette Coleman in the late 1950s and early 1960s.
The Art of the Improvisers is an album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1970. The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for The Shape of Jazz to Come, Change of the Century, This Is Our Music, Ornette!, and Ornette on Tenor. Recording sessions in 1959 took place at Radio Recorders in Hollywood, California; those in 1960 and 1961 at Atlantic Studios in New York City.
Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, recorded in September and October of 1971 and released on Columbia Records in February 1972.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
Closeness is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label. Haden’s duet partners are pianist Keith Jarrett, alto saxophonist Ornette Coleman, harpist Alice Coltrane and drummer Paul Motian.
The Golden Number is an album of four duets by bassist Charlie Haden recorded in 1976 and released on the Horizon label in 1977. Haden’s duet partners are trumpeter Don Cherry, tenor saxophonist Archie Shepp, pianist Hampton Hawes and alto saxophonist Ornette Coleman. Hawes died shortly before the album’s release, and Haden dedicated the work to him in the liner notes.
As Long as There's Music is an album of duets by bassist Charlie Haden and pianist Hampton Hawes, recorded in 1976 and released on the Artists House label in 1978. The 1993 CD reissue added a bonus track and three alternative takes from the recording sessions.
Silence is an album by the American jazz bassist Charlie Haden recorded in 1987 and released on the Italian Soul Note label two years later. The album features West Coast jazz trumpeter Chet Baker, and was recorded six months before Baker's death. Three of the six songs on the album--"My Funny Valentine", "'Round Midnight", and "Conception"—were regular features in Baker's concerts at the time. A fourth song, "Visa", was a bebop composition written by Charlie Parker, a musician Baker played with early in his career. Joining Haden and Baker on the album are drummer Billy Higgins and pianist Enrico Pieranunzi.
In Angel City is an album by the American jazz bassist Charlie Haden's Quartet West, recorded in 1988 and released on the Verve label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Live at the Hilcrest Club 1958 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released on the Inner City label in 1976. The album was the first live recording of Ornette Coleman, made shortly after he recorded his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
Coleman Classics Volume 1 is a live album by pianist Paul Bley, saxophonist Ornette Coleman, trumpeter Don Cherry, drummer Billy Higgins and bassist Charlie Haden recorded in California in 1958 and released Bley's on the Improvising Artists label in 1977. The album is an early live recording of Ornette Coleman, made shortly after his first album, Something Else!!!! and featuring the group that would soon record the Atlantic albums The Shape of Jazz to Come (1959) and Change of the Century (1960).
The Belgrade Concert is a live album by Ornette Coleman. It was recorded in November 1971 in Belgrade, and was released by Jazz Door in 1995. On the album, which was recorded one day after the concert documented on Live in Paris 1971, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.