The Empty Foxhole | ||||
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Studio album by | ||||
Released | 1966 | |||
Recorded | September 9, 1966 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Free jazz | |||
Length | 38:56 | |||
Label | Blue Note BST 84246 | |||
Producer | Francis Wolff | |||
Ornette Coleman chronology | ||||
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The Empty Foxhole is an album by the American jazz saxophonist and composer Ornette Coleman that was released on the Blue Note label in 1966. [1] The album features Coleman's untutored violin and trumpet as well as performing on his usual instrument, the alto saxophone, and marks the recording debut of his drummer son Denardo Coleman, who was ten years of age at the time. The album cover features Coleman's own artwork.
Critical reception of the album was mixed at the time of its release and continues to be. Some, like Shelly Manne and Freddie Hubbard, regarded Denardo's drumming as rudimentary and judged the move a mistake. [2] [3] Others noted that despite his youth, Denardo had studied drumming for several years and his technique – which, though unrefined, was respectable and enthusiastic – owed more to pulse-oriented free jazz drummers like Sunny Murray than to bebop drumming. [4] The AllMusic review by Steve Huey awarded the album 3 stars and stated: "On balance, the music may not be among Coleman's most exceptional efforts, but there's something inspiring about the fact that The Empty Foxhole is as good as it is." [5] The All About Jazz review by Robert Spencer stated: "Ornette Coleman is not a conventional musician, but he has too much musical talent to make a bad album... The music here is unlike most everything else that ever came out of Blue Note, or anywhere, but those who won't notice or care that these guys are not the smoothest of instrumentalists might enjoy this album. I do." [3]
Review scores | |
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Source | Rating |
AllMusic | [5] |
The Rolling Stone Jazz Record Guide | [6] |
Tom Hull | B+ [7] |
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Free Jazz: A Collective Improvisation is an album by the jazz saxophonist and composer Ornette Coleman. It was released through Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
Sound Grammar is a live album by jazz saxophonist and composer Ornette Coleman, recorded live in Ludwigshafen, Germany, on 14 October 2005. The album was produced by Coleman and Michaela Deiss, and released on Coleman's new Sound Grammar label. It was his first new album in almost a decade, since the end of his relationship with Verve in the 1990s. It features a mix of new and old originals.
At the "Golden Circle" Stockholm is a pair of 1966 live albums by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln club in Stockholm.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in 1985 by Geffen Records.
Denardo Ornette Coleman is an American jazz drummer. He is the son of Ornette Coleman and Jayne Cortez.
Spy vs Spy: The Music of Ornette Coleman is the fifth studio album by American composer and alto saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures. Alongside Zorn are fellow alto saxophonist Tim Berne, bassist Mark Dresser and drummers Joey Baron and Mike Vatcher.
Virgin Beauty is an album by Ornette Coleman and his Prime Time ensemble. It was released by Portrait Records in 1988.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Ornette at 12 is an album by the American jazz saxophonist and composer Ornette Coleman released on the Impulse! label in 1969.
Crisis is a live album by the American jazz saxophonist and composer Ornette Coleman recorded at New York University in 1969 and released on the Impulse! label.
Prime Design/Time Design is a live album written by the American jazz composer Ornette Coleman and recorded by a string quartet, with Ornette's son Denardo Coleman on drums, at the Caravan of Dreams in 1985 and released on the Caravan of Dreams label. The composition is dedicated to Coleman's "best hero," Buckminster Fuller, and is an interpretation of Fuller's "vision of the birth of the universe, the fusion of chaos and harmony".
Tone Dialing is an album recorded in 1995 by the American jazz composer and saxophonist Ornette Coleman and his Prime Time ensemble. It was released in September 1995 by Coleman's Harmolodic record label, in partnership with Verve/PolyGram. It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years."
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Sound Museum: Three Women is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Science Fiction is an album by the American avant-garde jazz saxophonist and composer Ornette Coleman, recorded in September and October of 1971 and released on Columbia Records in February 1972.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Jazzbühne Berlin '88 is a live album by Ornette Coleman and his band Prime Time. It was recorded on June 5, 1988, at the Friedrichstadt-Palast in Berlin, and was released in 1990 by Repertoire Records as Volume 5 of their Jazz Bühne Berlin / Rundfunk der DDR series.