Denardo Coleman | |
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 Coleman playing with Ornette Coleman, Great American Music Hall, San Francisco, October 29, 1981. | |
| Background information | |
| Birth name | Denardo Ornette Coleman |
| Born | April 19, 1956 |
| Origin | Los Angeles, California, U.S. |
| Genres | Jazz |
| Occupation(s) | Musician |
| Instrument(s) | Drums |
| Years active | 1966–present |
Denardo Ornette Coleman (born April 19, 1956) is an American jazz drummer. He is the son of Ornette Coleman and Jayne Cortez.
Born to Jayne Cortez and Ornette Coleman in Los Angeles, California, in 1956, [1] Denardo Coleman began playing drums at the age of six. At the age of 10 he joined his father's band, [2] making his first appearance on record on the 1966 Ornette Coleman album The Empty Foxhole , with Charlie Haden on bass. Haden said of Denardo's playing on that recording: "He’s going to startle every drummer who hears him." [3] Denardo also featured on his father's later releases, including Ornette at 12 (1968) and Crisis (1969), [1] and played as a member of Ornette's Prime Time ensemble in the 1970s. He also worked with his mother in the band The Firespitters, and has played with Geri Allen, Pat Metheny, James Blood Ulmer, and Jamaaladeen Tacuma. In the 1980s Coleman started to manage his father's career, which he continued doing for the next 30 years. [4]
Coleman has also done extensive work as a producer, [1] including on albums by both of his parents, and on In All Languages and Virgin Beauty in the 1980s and Hidden Man and Three Women in the '90s. [5] In 2017, on a new label called Song X Records (referencing the title of one of his father's favorite compositions), he produced Celebrate Ornette, a tribute to his father, in a box set with 24 performances captured on two DVDs, three CDs, and four vinyl LPs. [6] [7]
With Ornette Coleman
With Jayne Cortez & the Firespitters
With James Blood Ulmer
With Charnett Moffett
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Jamaaladeen Tacuma is an American free jazz bassist born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Coleman during the 1970s and 1980s, mostly in Coleman's Prime Time band.
Bern Nix was an American jazz guitarist. He recorded and performed with Ornette Coleman from 1975 to 1987, notably with guitarist Charlie Ellerbee in Coleman's Prime Time group on their key recordings, including Dancing in Your Head and In All Languages in 1987. Nix was voted among the top ten jazz guitarists poll by Down Beat magazine.
James "Blood" Ulmer is an American jazz, free funk and blues guitarist and singer. Ulmer plays a Gibson Byrdland guitar. His guitar sound has been described as "jagged" and "stinging". His singing has been called "raggedly soulful".
Charles Moffett was an American free jazz drummer.
Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. It is associated with avant-garde jazz and free jazz, although its implications extend beyond these limits. Coleman also used the name "Harmolodic" for both his first website and his record label.
Walter Dewey Redman was an American saxophonist who performed free jazz as a bandleader and with Ornette Coleman and Keith Jarrett.
Jayne Cortez was an African-American poet, activist, small press publisher and spoken-word performance artist whose voice is celebrated for its political, surrealistic and dynamic innovations in lyricism and visceral sound. Her writing is part of the canon of the Black Arts Movement. She was married to jazz saxophonist Ornette Coleman from 1954 to 1964, and their son is jazz drummer Denardo Coleman. In 1975, Cortez married painter, sculptor, and printmaker Melvin Edwards, and they lived in Dakar, Senegal, and New York City.
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Charnett Moffett was an American jazz bassist. A consummate and versatile bassist, and composer, he was an apparent child prodigy. Moffett began playing bass in the family band, touring the Far East in 1975 at the age of eight. In the mid-1980s, he played with Wynton Marsalis and Branford Marsalis.
Song X is a collaborative studio album by American jazz guitarist Pat Metheny and saxophonist Ornette Coleman. It is a free jazz record that was produced in a three-day recording session in 1985. The album was released in 1985 by Geffen Records.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Opening the Caravan of Dreams is a 1985 live album by jazz saxophonist Ornette Coleman and his Prime Time ensemble. It was recorded at a concert inaugurating the Caravan of Dreams, a then-newly opened performing arts center in Coleman's hometown of Fort Worth, Texas.
Discography for American jazz saxophonist Ornette Coleman.
The Empty Foxhole is an album by the American jazz saxophonist and composer Ornette Coleman that was released on the Blue Note label in 1966. The album features Coleman's untutored violin and trumpet as well as performing on his usual instrument, the alto saxophone, and marks the recording debut of his drummer son Denardo Coleman, who was ten years of age at the time. The album cover features Coleman's own artwork.
Tone Dialing is an album recorded in 1995 by the American jazz composer and saxophonist Ornette Coleman and his Prime Time ensemble. It was released in September 1995 by Coleman's Harmolodic record label, in partnership with Verve/PolyGram. It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years."
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Sound Museum: Three Women is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Prime Time was a band formed by Ornette Coleman in 1975 featuring two electric guitarists, two drummers, and occasionally two electric bassists alongside Coleman's saxophone. The band utilized Harmolodics to create their music. Founding members included guitarist Bern Nix, guitarist Charles Ellerbee, bassist Jamaaladeen Tacuma, drummer Denardo Coleman and drummer Ronald Shannon Jackson. Later members including bassist Albert MacDowell and drummer Sabir Kamal.
Jazzbühne Berlin '88 is a live album by Ornette Coleman and his band Prime Time. It was recorded on June 5, 1988, at the Friedrichstadt-Palast in Berlin, and was released in 1990 by Repertoire Records as Volume 5 of their Jazz Bühne Berlin / Rundfunk der DDR series.
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