Tone Dialing | ||||
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Studio album by | ||||
Released | September 26, 1995 | |||
Recorded | 1995 | |||
Genre | Jazz | |||
Length | 66:01 | |||
Label | Harmolodic/Verve | |||
Producer | Denardo Coleman | |||
Ornette Coleman chronology | ||||
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Tone Dialing is an album recorded in 1995 by the American jazz composer and saxophonist Ornette Coleman and his Prime Time ensemble. It was released in September 1995 by Coleman's Harmolodic record label, in partnership with Verve/PolyGram. [1] [2] It was the Harmolodic label's first release, and "the first disc fully devoted to Coleman's music in eight years." [2]
Regarding the album title, Coleman, in an interview, commented: "Information comes to people in the form of tone dialing. When you speak of something you speak in the tone of what it means to you. Sending a fax is tone dialing. When someone reads something you wrote, that's tone dialing... These songs were written so that the musicians would be able to express their views about the information they were using." [3]
In a separate interview, Coleman stated: "When you hear the guitar, the bass, and everyone else play what is called their tone dialing sounds, they are not so much playing different notes as they are playing their own tones, a form of the notes they have been given in the clef that they read. Basically, what you are doing in harmolodics is relying on the basic information that goes into composing, playing, and improvising on forms... Your information may be limited, but the way you use the information doesn't have to be limited. Your tone will cause you to change any note to the way you hear it. Your relationship to your tone is based on your emotions. If it wasn't, everybody would sound the same. When you play something and you hear you own tone, that's tone dialing. That's you. If you create music just from the concept of your own tone, you will be doing something no one else has discovered." [4]
Review scores | |
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Source | Rating |
AllMusic | [5] |
Christgau's Consumer Guide | A− [6] |
Tom Hull | B+ [7] |
Rolling Stone | [8] |
The AllMusic review by Scott Yanow awarded the album 4 stars, stating, "despite the inclusion of one obnoxious rap, this free funk set is well worth picking up by open-minded listeners". [5]
In a review for Rolling Stone, David Fricke stated: "Tone Dialing... is a record of high spirits and lively, colliding ideas, like the raucous cross talk of a Mississippi roadhouse combo and the breathless locomotion of an African high-life orchestra. For all of the old free-jazz notions attached to Coleman's music since the late '50s, he and Prime Time now cook with a force akin to that of George Clinton and P-Funk's: jamming in tongues with unity of spirit... despite almost 40 years of rejection and misunderstanding of his music, even by old fans who consider the Prime Time concept a sellout to electric pop, Coleman is still... dancing in his head. There's plenty of room for the rest of us." [8]
Writing for Jelly, Glenn Brooks commented: "Tone Dialing... is just plain fun... if you have any interest in Ornette's music, this album is a great place to start... it is complex, challenging and sometimes chaotic. But it is also – more so – just fresh fun funky jazz." [9]
Randolph Denard Ornette Coleman was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud."
Jamaaladeen Tacuma is an American free jazz bassist born in Hempstead, New York. He was a bandleader on the Gramavision label and worked with Ornette Coleman during the 1970s and 1980s, mostly in Coleman's Prime Time band.
Harmolodics is a musical philosophy and method of musical composition and improvisation developed by American jazz saxophonist-composer Ornette Coleman. His work following this philosophy during the late 1970s and 1980s inspired a style of forward-thinking jazz-funk known as harmolodic funk. It is associated with avant-garde jazz and free jazz, although its implications extend beyond these limits. Coleman also used the name "Harmolodic" for both his first website and his record label.
In All Languages is a 1987 double album by Ornette Coleman. Coleman and the other members of his 1950s quartet, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins, performed on one of the two records, while his electrified ensemble, Prime Time, performed on the other. Many of the songs on In All Languages had two renditions, one by each group.
Sound Grammar is a live album by jazz saxophonist and composer Ornette Coleman, recorded live in Ludwigshafen, Germany, on 14 October 2005. The album was produced by Coleman and Michaela Deiss, and released on Coleman's new Sound Grammar label. It was his first new album in almost a decade, since the end of his relationship with Verve in the 1990s. It features a mix of new and old originals.
Free-funk is a combination of avant-garde jazz with funk music that developed in the 1970s. Leaders of the genre include Ornette Coleman and his Prime Time group, Ronald Shannon Jackson and his group Decoding Society, Jamaaladeen Tacuma and his group Spectacle and James "Blood" Ulmer. The music has also been quite influential on the M-Base genre.
Denardo Ornette Coleman is an American jazz drummer. He is the son of Ornette Coleman and Jayne Cortez.
Shades is the fifth album on the Impulse label by jazz pianist Keith Jarrett. Originally released in 1976, it features performances by Jarrett's 'American Quartet', which included Dewey Redman, Charlie Haden and Paul Motian with Guilherme Franco added on percussion.
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
Soapsuds, Soapsuds is an album by Ornette Coleman and Charlie Haden recorded in 1977 and released on the Artists House label.
Opening the Caravan of Dreams is a 1985 live album by jazz saxophonist Ornette Coleman and his Prime Time ensemble. It was recorded at a concert inaugurating the Caravan of Dreams, a then-newly opened performing arts center in Coleman's hometown of Fort Worth, Texas.
Virgin Beauty is an album by Ornette Coleman and his Prime Time ensemble. It was released by Portrait Records in 1988.
Discography for American jazz saxophonist Ornette Coleman.
Sound Museum: Hidden Man is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Sound Museum: Three Women is an album by the American jazz composer and saxophonist Ornette Coleman recorded in 1996 and released on the Harmolodic/Verve label. It is dedicated to Don Cherry and Ed Blackwell.
Broken Shadows is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1971, at the same sessions that produced Science Fiction, but not released on the Columbia label until 1982.
Avant-funk is a music style in which artists combine funk and disco rhythms with an avant-garde or art rock mentality. Its most prominent era occurred in the late 1970s and 1980s among post-punk and no wave acts who embraced black dance music.
Bradley Christopher Jones is an American jazz bassist who performs on both bass guitar and double-bass.
Prime Time was a band formed by Ornette Coleman in 1975 featuring two electric guitarists, two drummers, and occasionally two electric bassists alongside Coleman's saxophone. The band utilized Harmolodics to create their music. Founding members included guitarist Bern Nix, guitarist Charles Ellerbee, bassist Jamaaladeen Tacuma, drummer Denardo Coleman and drummer Ronald Shannon Jackson. Later members including bassist Albert MacDowell and drummer Sabir Kamal.
The Belgrade Concert is a live album by Ornette Coleman. It was recorded in November 1971 in Belgrade, and was released by Jazz Door in 1995. On the album, which was recorded one day after the concert documented on Live in Paris 1971, Coleman is joined by saxophonist Dewey Redman, bassist Charlie Haden, and drummer Ed Blackwell.