Ornette on Tenor | ||||
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Studio album by | ||||
Released | December 1962 | |||
Recorded | March 22 & 27, 1961 | |||
Genre | Jazz | |||
Length | 40:58 | |||
Label | Atlantic 1394 | |||
Producer | Nesuhi Ertegun | |||
Ornette Coleman chronology | ||||
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Ornette on Tenor is the eighth album by the American jazz composer and saxophonist Ornette Coleman, released in 1962 on Atlantic Records, his sixth and final one for the label. [1] It features Coleman playing tenor saxophone rather than his usual alto, and bassist Jimmy Garrison before he joined the John Coltrane Quartet. This would be the last record by the Coleman Quartet started in the 1950s; he would disband this group and form the Coleman Trio later in the year. Recording sessions took place on March 22 and 27, 1961, at Atlantic Studios in New York City. One outtake from the March 27 session, "Harlem's Manhattan," would appear on the 1970 compilation The Art of the Improvisers .
Review scores | |
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Source | Rating |
Down Beat | [2] |
AllMusic | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Tom Hull | B+ [5] |
Down Beat magazine critic Harvey Pekar said of the album in his five-star review of January 3, 1963: "Coleman has scored another major success with this album. Most of the space is devoted to improvisation, but there are also several provocative compositions." [2]
The Allmusic review by Steve Huey awarded the album 3½ stars, stating: "it's probably his least stunning Atlantic, not quite as revolutionary or memorable as many of its predecessors, but still far ahead of its time ... it's hard not to be a little disappointed that Ornette on Tenor doesn't have the boundary-shattering impact of his previous work—but then again, it's probably asking too much to expect a revolution every time out." [3]
No. | Title | Date | Length |
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1. | "Cross Breeding" | March 27 | 11:17 |
2. | "Mapa" | March 27 | 9:05 |
No. | Title | Date | Length |
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1. | "Enfant" | March 27 | 6:27 |
2. | "Eos" | March 22 | 6:35 |
3. | "Ecars" | March 27 | 7:34 |
Randolph Denard Ornette Coleman was an American jazz saxophonist, violinist, trumpeter, and composer known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering performances often abandoned the chordal and harmony-based structure found in bebop, instead emphasizing a jarring and avant-garde approach to improvisation.
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
The Shape of Jazz to Come is the third album by jazz musician Ornette Coleman. Released on Atlantic Records in 1959, it was his debut on the label and his first album featuring the working quartet including himself, trumpeter Don Cherry, bassist Charlie Haden, and drummer Billy Higgins. The recording session for the album took place on May 22, 1959, at Radio Recorders in Hollywood, California. Although Coleman initially wished for the album to be titled Focus on Sanity after the LP's fourth track, Atlantic producer Nesuhi Ertegun suggested the final title, feeling that it would give consumers "an idea about the uniqueness of the LP."
This Is Our Music is the fifth album by saxophonist Ornette Coleman, recorded in 1960 and released on Atlantic Records in March 1961. It is the first with drummer Ed Blackwell replacing his predecessor Billy Higgins in the Coleman Quartet, and is the only one of Coleman's Atlantic albums to include a standard, in this case a version of "Embraceable You" by George and Ira Gershwin.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in 1961, his fourth for the label. Its title established the name of the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins.
The Avant-Garde is an album credited to jazz musicians John Coltrane and Don Cherry that was released in 1966 by Atlantic Records. It features Coltrane playing several compositions by Ornette Coleman accompanied by the members of Coleman's quartet: Cherry, Charlie Haden, and Ed Blackwell. The album was assembled from two unissued recording sessions at Atlantic Studios in New York City in 1960.
Coltrane "Live" at the Village Vanguard is a live album by jazz musician John Coltrane, released in February 1962 on Impulse Records. It is the first album to feature the members of the classic quartet of Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones, as well as the first Coltrane live album to be issued. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.
Spy vs Spy: The Music of Ornette Coleman is a 1989 album by American composer and saxophonist/multi-instrumentalist John Zorn, featuring the compositions of Ornette Coleman performed in the brief, intense style of Zorn's hardcore miniatures.
Misterioso is an album by American jazz drummer-composer Paul Motian, his ninth album overall and third on the Italian Soul Note label. It was released in 1987 and features performances by Motian’s quintet with guitarist Bill Frisell, tenor saxophonists Joe Lovano and Jim Pepper, and bassist Ed Schuller.
Sound is the debut album by free jazz saxophonist Roscoe Mitchell, recorded in 1966 and released on the Delmark label. It features performances by Mitchell, Lester Bowie, Malachi Favors, Maurice McIntyre, Lester Lashley and Alvin Fielder. The CD reissue includes two takes of "Sound", which were edited together to form the original LP version, and an alternative take of "Ornette".
Archie Shepp – Bill Dixon Quartet is the debut album by saxophonist Archie Shepp and trumpeter Bill Dixon released on the Savoy label in 1962. The album features three performances by Shepp & Dixon with Don Moore and Paul Cohen and a version of Ornette Coleman's composition "Peace" with Reggie Workman and Howard McRae. The album was also rereleased in 1970 as Peace on the French BYG label, flipping the running order on side two, and on CD in 2010 as a "unauthorized European" edition on the Free Factory label, using the Savoy title but the BYG running order.
Ornette! is the seventh album by alto saxophonist and composer Ornette Coleman, released in February 1962 on Atlantic Records. The album features Scott LaFaro in place of Charlie Haden, who had left the Quartet but would work again with Coleman in the future.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
A Tribute to Blackwell is a live album by jazz quartet Old and New Dreams. Recorded in 1987, it features trumpeter Don Cherry, saxophonist Dewey Redman, bassist Charlie Haden and drummer Ed Blackwell. It was released on the Italian Black Saint label.
The Art of the Improvisers is an album credited to jazz composer and saxophonist Ornette Coleman, released by Atlantic Records in 1970. The album was assembled without Coleman's input, comprising outtakes from recording sessions of 1959 to 1961 for The Shape of Jazz to Come, Change of the Century, This Is Our Music, Ornette!, and Ornette on Tenor. Recording sessions in 1959 took place at Radio Recorders in Hollywood, California; those in 1960 and 1961 at Atlantic Studios in New York City.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
Quartet West is an album by the American jazz bassist Charlie Haden recorded in 1986 and released on the Verve label.
Friends and Neighbors: Live at Prince Street is a live album by the American jazz saxophonist and composer Ornette Coleman recorded in 1970 and released on the Flying Dutchman label.
Random Abstract is a jazz album by saxophonist Branford Marsalis recorded August 12–13, 1987 at Sound City Studios in Tokyo, Japan. It peaked at number 6 on the Top Jazz Albums chart. It was nominated for two Grammy Awards in 1988, Best Jazz Instrumental Performance, Soloist and Best Jazz Instrumental Performance, Group.