The Hub of Hubbard | ||||
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Studio album by | ||||
Released | 1970 (Germany) November 1972 (US) [1] | |||
Recorded | December 9, 1969 | |||
Studio | MPS Studios, Villingen, Germany | |||
Genre | Jazz | |||
Length | 35:13 40:44 (CD) | |||
Label | MPS MPS 15267 | |||
Producer | Joachim-Ernst Berendt | |||
Freddie Hubbard chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
The Hub of Hubbard is an album by trumpeter Freddie Hubbard. [3] It was recorded at Villingen, Black Forest, Germany on December 9, 1969. It was released on the MPS label and features performances by Hubbard, Eddie Daniels, Sir Roland Hanna, Richard Davis and Louis Hayes.
Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Eddie Daniels is an American musician and composer. Although he is best known as a jazz clarinetist, he has also played saxophone and flute as well as classical music on clarinet.
Martin Drew was an English jazz drummer who played with Ronnie Scott between 1975 and 1995 and with Oscar Peterson between 1974 and 2007.
V.S.O.P. is a 1977 double live album by keyboardist Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, jazz fusion/ jazz-funk performances by the ‘Mwandishi’ band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the V.S.O.P. group. According to concert attendees, on the night of the show a handwritten sign was posted on the lobby door announcing that Davis would not be playing, but that Hubbard would be appearing instead.
Live at the Village Vanguard is a 1967 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1967 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra and seven tracks were also re-issued in the 1990s on CD as Volume 3 of LRC Ltd.'s series Village Vanguard Live Sessions.
Monday Night, Recorded Live at the Village Vanguard is a 1968 big band jazz album recorded at the Village Vanguard in New York City by The Thad Jones/Mel Lewis Orchestra and released on the Solid State Records. All tracks are included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
Central Park North is a 1969 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1969 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra.
Jazz Casual - The Thad Jones / Mel Lewis Jazz Orchestra, Woody Herman and his Swinging Herd consists of a recording of a Woody Herman and his Swinging Herd appearance from 1963 and a Thad Jones / Mel Lewis Jazz Orchestra appearance from 1968 that were combined and released as a single DVD video and also as an audio CD. Jazz Casual was a KQED-produced television show of studio performances by major jazz musicians. The same material has also been released in different packages
The Big Band Sound of Thad Jones/Mel Lewis featuring Miss Ruth Brown, also released as Fine Brown Frame, is a 1968 Solid State Records recording of vocalist Ruth Brown with the Thad Jones/Mel Lewis Orchestra.
Basle, 1969 is a big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra in Basle (Basel), Switzerland for a Swiss radio broadcast. It was not released until 1996 – as Volume 4 of TCB Music's "Swiss Radio Days" series.
Village Vanguard Live Sessions 3 is an unedited rough-mix of the Thad Jones / Mel Lewis Jazz Orchestra playing at the Village Vanguard club in New York City in 1967. The tracks were previously released on the album Live at the Village Vanguard on the Solid State Records label.
Breaking Point! is an album by trumpeter Freddie Hubbard, recorded on May 7, 1964, and released on the Blue Note label. Although it features performances by Hubbard's recent collaborators Ronnie Mathews and Eddie Khan, it was a departure in style from his work with Mathews and the Jazz Messengers.
The Artistry of Freddie Hubbard is a 1963 album by trumpeter Freddie Hubbard, his first for Impulse! It contains performances by Hubbard, Curtis Fuller, John Gilmore, Tommy Flanagan, Art Davis and Louis Hayes.
The Body & the Soul is an album by trumpeter Freddie Hubbard recorded in 1963 as his second and last release on the Impulse! label. It features performances by Hubbard with an orchestra and string section, and with a septet featuring Curtis Fuller, Eric Dolphy, Wayne Shorter, Cedar Walton, Reggie Workman and Louis Hayes.
High Blues Pressure is an album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.
The Black Angel is a studio album by American jazz trumpeter Freddie Hubbard, recorded in 1969 and released in 1970. It was his fourth release on the Atlantic label and features performances by Hubbard, James Spaulding, Kenny Barron, Reggie Workman, Louis Hayes and Carlos "Patato" Valdes.
Kansas City 7 is a 1980 studio album by Count Basie.
Muses for Richard Davis is the debut album by bassist Richard Davis recorded in 1969 and released on the German MPS label.
I Heard That!! is a 1976 double album by Quincy Jones.