Eric Allan Dolphy Jr. was an American jazz multi-instrumentalist and bandleader. Primarily an alto saxophonist, bass clarinetist, and flautist, Dolphy was one of several multi-instrumentalists to gain prominence during the same era. His use of the bass clarinet helped to establish the unconventional instrument within jazz. Dolphy extended the vocabulary and boundaries of the alto saxophone, and was among the earliest significant jazz flute soloists.
Andrew Hill was an American jazz pianist and composer.
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Idle Moments is an album by American jazz guitarist Grant Green recorded in 1963 and released on the Blue Note label in 1965. It features performances by tenor saxophonist Joe Henderson, vibraphonist Bobby Hutcherson, pianist Duke Pearson, bassist Bob Cranshaw and drummer Al Harewood.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven handed clock.
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
Oblique is an album by vibraphonist Bobby Hutcherson, featuring performances by Herbie Hancock, Albert Stinson, and Joe Chambers. The album was recorded on July 21, 1967. Oblique was Hutcherson's second recording in a quartet setting, after Happenings, The personnel on Happenings are identical, save the replacement of Bob Cranshaw with Stinson, but did not get released by Blue Note until 1979 as a limited edition in Japan, followed by a regular issue in 1990.
Stick-Up! is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1968. The album is Hutcherson's first without drummer Joe Chambers. Billy Higgins took over on drums on the recording session. It also features Joe Henderson and is the first recorded meeting of the vibrist and pianist McCoy Tyner. Five of the six tracks are Hutcherson compositions, with the exception being Ornette Coleman's "Una Muy Bonita".
Components is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1966. The first side of the LP features compositions by Hutcherson, in a hard bop style, whilst the second side features Joe Chambers' compositions, more in the avant-garde style.
Total Eclipse is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1969. It features Hutcherson's first recordings with saxophonist Harold Land, who would become a regular collaborator with Hutcherson throughout the early 1970s. Four of the five tracks are Hutcherson compositions, the exception being Chick Corea's "Matrix".
Now! is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. The album is the first of Hutcherson's to feature vocals, contributed by Gene McDaniels and a chorus. The CD reissue includes four tracks recorded live at the Hollywood Bowl, in 1977.
Free Jazz: A Collective Improvisation is the sixth album by jazz saxophonist and composer Ornette Coleman, released on Atlantic Records in September 1961: the fourth of Coleman's six albums for the label. Its title named the then-nascent free jazz movement. The recording session took place on December 21, 1960, at A&R Studios in New York City. The sole outtake from the album session, "First Take," was later released on the 1971 compilation Twins and subsequent CD reissues of Free Jazz.
Iron Man is an album by American jazz multi-instrumentalist Eric Dolphy, recorded in 1963 and released by the Douglas International label in 1968. The album was reissued on disc two of Musical Prophet: The Expanded 1963 New York Studio Sessions, released in 2018 by Resonance Records.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. Featuring Henderson with a larger than usual ensemble consisting of trumpeter Lee Morgan, trombonist Curtis Fuller, vibraphonist Bobby Hutcherson, pianist Cedar Walton, bassist Ron Carter and drummer Joe Chambers. It was Henderson’s last Blue Note recording as leader until the live albums The State of the Tenor, Vols. 1 & 2 almost 20 years later.
Judgment! is a studio album by American jazz pianist Andrew Hill, recorded and released in 1964 on Blue Note Records. Accompanied by drummer Elvin Jones, bassist Richard Davis and vibraphonist Bobby Hutcherson - Hill weaves his music around complex harmonic structures.
Andrew!!! is a studio album by American jazz pianist Andrew Hill recorded for Blue Note Records in 1964, but not released until April 1968, and subsequently reissued on CD in 2005 with two alternate takes. It features Hill with vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Joe Chambers, along with tenor saxophonist John Gilmore, in a rare session away from the Sun Ra Arkestra.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Featuring alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams, Evolution is considered a significant contribution to the jazz avant-garde. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same "inside/outside" musical approach.
The Kicker is an album by the American jazz vibraphonist Bobby Hutcherson, recorded in December 1963 for Blue Note but not released on the label until 1999 as a limited edition. A month earlier, the same musicians recorded guitarist Grant Green's album Idle Moments released in 1965.
Patterns is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label. Although recorded in 1968, the album was not released until 1980. "A Time to Go" was composed by James Spaulding as a tribute to Martin Luther King Jr., recorded just three weeks before his assassination. "Effi" was composed by Stanley Cowell as a dedication to his wife, and the remaining pieces were composed by Joe Chambers.
Spiral is an album by jazz vibraphonist Bobby Hutcherson. It was released in 1979 on Blue Note Records featuring six tracks recorded in November, 1968, except for "Jasper", recorded in 1965 and later added to the CD reissue of Dialogue, since it was recorded the same day. The first five tracks of Spiral may also be found on the CD reissue of Medina.
