Dance With Death | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1980 | |||
Recorded | October 11, 1968 | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 38:43 | |||
Label | Blue Note LT 1030 | |||
Producer | Francis Wolff | |||
Andrew Hill chronology | ||||
|
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. [1] The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Tom Hull | A− [3] |
The Penguin Guide to Jazz Recordings | [4] |
The AllMusic review by Thom Jurek called Dance with Death "a phenomenal record, one that wears its adventure and authority well". [2]
All compositions by Andrew Hill
Milestones is a studio album by American jazz trumpeter, bandleader, and composer Miles Davis. It was recorded with his "first great quintet" augmented as a sextet and released in 1958 by Columbia Records.
Point of Departure is a studio album by American jazz pianist and composer Andrew Hill, recorded in 1964 and released in 1965 on the Blue Note label. It features Hill in a sextet with alto saxophonist Eric Dolphy, tenor saxophonist Joe Henderson, trumpeter Kenny Dorham, bassist Richard Davis and drummer Tony Williams.
At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records. It also debuted Coleman’s usage of the trumpet and violin, instruments in which he took three years teaching himself to play after leaving Atlantic.
Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The CD edition compiles performances recorded at four different sessions from 1963 to 1966.
The Sixth Sense is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1970. The album features performances by Morgan, Jackie McLean, Frank Mitchell, Cedar Walton, Victor Sproles and Billy Higgins. The CD reissue added three tracks featuring Harold Mabern and Mickey Bass.
The Rumproller is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded mainly on April 21, 1965 and features performances by Morgan with Joe Henderson, Ronnie Mathews, Victor Sproles, and Billy Higgins.
Victor Sproles was an American jazz bassist.
Serenade to a Soul Sister is an album by jazz pianist Horace Silver released on the Blue Note label in 1968, featuring performances by Silver with Charles Tolliver, Stanley Turrentine, Bennie Maupin, Bob Cranshaw, John Williams, Mickey Roker and Billy Cobham.
Which Way is East is a double CD album of duets by jazz saxophonist Charles Lloyd and percussionist Billy Higgins recorded in January 2001 and released in 2004 on the ECM label. The album contains the last recordings by Higgins before he died in May 2001.
Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.
Ellington Uptown is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1951 & 1952. The album was re-released on CD in 2004 with additional tracks recorded in 1947 and originally released as the Liberian Suite EP.
Passing Ships is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 for the Blue Note label but not released until 2003. The album features Hill with a six-piece horn section performing seven original compositions.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
Pax is a studio album by American jazz pianist Andrew Hill, featuring performances recorded in 1965 but not released on the Blue Note label until 1975. The album features Hill with tenor saxophonist Joe Henderson, trumpeter Freddie Hubbard, bassist Richard Davis and drummer Joe Chambers performing six of his compositions, with one alternate take added to the 2006 CD release.
New York Is Now! is an album by the American jazz saxophonist and composer Ornette Coleman released on the Blue Note label in 1968.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
Beauty Is a Rare Thing is a compilation box set collecting all the master recordings made for Atlantic Records between 1959 and 1961 by the American jazz composer and saxophonist Ornette Coleman. The set was released on Rhino Records in 1993, and reissued in March 2015.
Live in Tokyo is a live album by the American jazz trumpeter-composer Charles Tolliver and his quartet Music Inc. Their fifth album overall, it was recorded on December 7, 1973, at Yubinchokin Hall in Tokyo during Tolliver and Music Inc.'s first tour of Japan. The quartet – featuring the pianist Stanley Cowell, the bassist Clint Houston, and Clifford Barbaro on drums – played the show in mostly fast tempo and performed three of Tolliver's original compositions, along with a ballad composed by Cowell and the Thelonious Monk standard "'Round Midnight".
Breakfast Dance and Barbecue is a live album by pianist, composer and bandleader Count Basie and his Orchestra with vocalist Joe Williams featuring tracks recorded at a Disc Jockey convention in Florida in 1959 and originally released on the Roulette label.