At the "Golden Circle" Stockholm is an avant-garde jazz live album in two volumes by the Ornette Coleman Trio, documenting concerts on the nights of December 3 and 4, 1965, at the Gyllene Cirkeln jazz club in Stockholm. Both volumes were released in early 1966. This marked the beginning of Coleman's contract with Blue Note after he left Atlantic Records.
Black Fire is a studio album by American jazz pianist and composer Andrew Hill, released on Blue Note Records in 1964. It was Hill's debut for the label. Initially, drummer Philly Joe Jones was scheduled to play on the album, but was replaced by Roy Haynes after scheduling issues. The rest of the band consists of tenor saxophonist Joe Henderson and bassist Richard Davis. The Allmusic review by Stephen Thomas Erlewine calls the album "an impressive statement of purpose that retains much of its power decades after its initial release... a modern jazz classic."
Super Blue is a 1978 album by jazz musician Freddie Hubbard. It was originally released on the Columbia label and peaked at #6 on the Billboard Charts. The album features performances by Hubbard, Hubert Laws, Joe Henderson and Kenny Barron with George Benson guesting on one track. In 2007 the album was rereleased on the Mosaic Contemporary label with three alternate takes.
Mosaic is a 1961 jazz album released by Art Blakey & the Jazz Messengers on Blue Note Records. The album's performers included: Wayne Shorter, Freddie Hubbard (trumpet), Curtis Fuller (trombone), Cedar Walton (piano), Jymie Merritt (bass) and Art Blakey (drums). They recorded and performed together from 1961 into 1964. Hubbard and Walton became permanent members of the group following the 1961 departures of trumpeter Lee Morgan and pianist Bobby Timmons. The Mosaic recording session featured no alternate takes and, therefore, has yielded no bonus material in reissue.
Sonny's Crib is an album by jazz pianist Sonny Clark, released on the Blue Note label in March 1958. It features Donald Byrd, Curtis Fuller, John Coltrane, Paul Chambers, and Art Taylor. The first half of the album comprises three jazz standards, while the second half contains two original compositions by Clark. One writer has compared the album to Coltrane's Blue Train, recorded two weeks later and which features Fuller and Chambers, as the epitome of the Blue Note sound in the late 1950s.
Portrait of Cannonball (1958) is the ninth album by jazz saxophonist Cannonball Adderley, and his first release on the Riverside label, featuring performances by Blue Mitchell, Bill Evans, Sam Jones, and Philly Joe Jones.
True Blue is a jazz album by tenor saxophonist Tina Brooks recorded on June 25, 1960, and released on the Blue Note label. In the hard-bop idiom, it was Brooks' only performance as leader to be released during his lifetime, and features performances by Brooks, Freddie Hubbard, Duke Jordan, Sam Jones and Art Taylor.
Dance with Death is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1968 but not released on the Blue Note label until 1980. The album features Hill with saxophonist Joe Farrell, trumpeter Charles Tolliver, bassist Victor Sproles and drummer Billy Higgins performing six originals with an alternate take added to the 2004 CD reissue.
Pax is a studio album by American jazz pianist Andrew Hill, featuring performances recorded in 1965 but not released on the Blue Note label until 1975. The album features Hill with tenor saxophonist Joe Henderson, trumpeter Freddie Hubbard, bassist Richard Davis and drummer Joe Chambers performing six of his compositions, with one alternate take added to the 2006 CD release.
Bluesnik is an album by American saxophonist Jackie McLean recorded in 1961 and released on the Blue Note label.
One Step Beyond is an album by American saxophonist Jackie McLean recorded in 1963 and released on the Blue Note label. This is the first of two albums where McLean replaced the usual pianist with vibraphone player Bobby Hutcherson. As a result, One Step Beyond features a new sound that, while still rooted in hard bop, was more spacious and adventurous than his earlier work and leaned towards post bop and free jazz.
Face to Face is the debut album by American jazz organist Baby Face Willette featuring performances recorded and released on the Blue Note label in 1961.
Love Call is an album by the American jazz saxophonist and composer Ornette Coleman recorded in 1968 and released on the Blue Note label.
Bossa Nova Bacchanal is an album by American saxophonist Charlie Rouse recorded in 1962 and released in 1963 on the Blue Note label. It was the only album Rouse recorded as a leader for Blue Note. The CD reissue includes a bonus track recorded in 1965.
Fuchsia Swing Song is the debut album by American saxophonist Sam Rivers recorded in 1964 and released on the Blue Note label. The album was reissued on CD in 1995, and again in 2003 as part of the "Connoisseur Series" including four alternate takes as bonus tracks.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Structurally Sound is an album by American jazz saxophonist Booker Ervin recorded in 1966 and released on the Pacific Jazz label. The album was rereleased on CD in 2001 on the Blue Note label with four bonus tracks.
Sonny Stitt/Bud Powell/J. J. Johnson is an album by saxophonist Sonny Stitt compiling tracks recorded with trombonist J. J. Johnson or pianist Bud Powell in 1949–50 and released on the Prestige label in 1957. The 1990 CD reissue added five bonus tracks to the original LP. The cover art was done by cartoonist Don Martin of MAD magazine fame.
Ramblin' with Mose is the sixth album to be released by blues/jazz pianist and vocalist Mose Allison which was recorded in 1958 and released on the Prestige label.
Swingin' the '20s is an album by saxophonist Benny Carter's Quartet with pianist Earl Hines, recorded in 1958 and released on the Contemporary label.
