Judgment! | ||||
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Studio album by | ||||
Released | September 1964 [1] | |||
Recorded | January 8, 1964 | |||
Studio | Van Gelder Studio, Englewood Cliffs, New Jersey, U.S. | |||
Genre | Post bop, modal jazz, avant-garde jazz | |||
Length | 42:57 | |||
Label | Blue Note Records BST 84159 | |||
Producer | Alfred Lion | |||
Andrew Hill chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Judgment! is a studio album by American jazz pianist Andrew Hill, recorded and released in 1964 on Blue Note Records. Accompanied by drummer Elvin Jones, bassist Richard Davis and vibraphonist Bobby Hutcherson - Hill weaves his music around complex harmonic structures. [4]
The first track, "Siete Ocho", meaning "Seven Eight", is in 7/8. "Flea Flop" was named "for the first notes of the melody, which seemed to suggest a jumping flea. This is also dedicated to the hotels and motels that jazz sidemen are obliged to stay in all over the country." The composition "Yokada Yokada" was named after the song "Yakety Yak", referring to "senseless dialogue between people," whilst "Alfred" was dedicated to producer Alfred Lion because of his "natural understanding of jazz in general." The title track "Judgment" was inspired by a poem written by Hill's wife, Lavern. "Reconciliation" addresses "the adjustment every musician has to make to achieve unity and harmony with the rest of the group." [5]
All compositions by Andrew Hill
Andrew Hill was an American jazz pianist and composer.
Robert Hutcherson was an American jazz vibraphone and marimba player. "Little B's Poem", from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven-handed clock.
Unity is an album by jazz organist Larry Young, released on the Blue Note label in August, 1966. The album features trumpeter Woody Shaw, tenor saxophonist Joe Henderson and drummer Elvin Jones. While not free jazz, the album features experimentation that was innovative for the time. Young chose the title because, "although everybody on the date was very much an individualist, they were all in the same frame of mood. It was evident from the start that everything was fitting together." The album was Young's second for Blue Note, and is widely considered a "post-bop" classic.
Oblique is an album by vibraphonist Bobby Hutcherson, featuring performances by Herbie Hancock, Albert Stinson, and Joe Chambers. The album was recorded on July 21, 1967. Oblique was Hutcherson's second recording in a quartet setting, after Happenings, The personnel on Happenings are identical, save the replacement of Bob Cranshaw with Stinson, but did not get released by Blue Note until 1979 as a limited edition in Japan, followed by a regular issue in 1990.
Happenings is an album by the jazz vibraphonist Bobby Hutcherson, released in 1967 on the Blue Note label. The album contains six compositions by Hutcherson, and one by Herbie Hancock, "Maiden Voyage".
Stick-Up! is an album by the jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1968. The album is Hutcherson's first without drummer Joe Chambers. Billy Higgins took over on drums on the recording session. It also features Joe Henderson and is the first recorded meeting of the vibrist and pianist McCoy Tyner. Five of the six tracks are Hutcherson compositions, with the exception being Ornette Coleman's "Una Muy Bonita".
Dialogue is an album by jazz vibraphonist Bobby Hutcherson, released on the Blue Note label in 1965. This was Hutcherson's first LP released as bandleader following work with Eric Dolphy. The album features four Andrew Hill compositions and two Joe Chambers pieces. It has received widespread critical acclaim and is considered by most critics one of Hutcherson's greatest achievements.
Black Fire is a studio album by American jazz pianist and composer Andrew Hill, released on Blue Note Records in 1964. It was Hill's debut for the label. Initially, drummer Philly Joe Jones was scheduled to play on the album, but was replaced by Roy Haynes after scheduling issues. The rest of the band consists of tenor saxophonist Joe Henderson and bassist Richard Davis. The Allmusic review by Stephen Thomas Erlewine calls the album "an impressive statement of purpose that retains much of its power decades after its initial release... a modern jazz classic."
Andrew!!! is a studio album by American jazz pianist Andrew Hill recorded for Blue Note Records in 1964, but not released until April 1968, and subsequently reissued on CD in 2005 with two alternate takes. It features Hill with vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Joe Chambers, along with tenor saxophonist John Gilmore, in a rare session away from the Sun Ra Arkestra.
In 'n Out is the third album by the jazz saxophonist Joe Henderson, released on the Blue Note label. It was recorded on April 10, 1964, and contains performances by Henderson with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Richard Davis and drummer Elvin Jones.
Time for Tyner is the ninth album by jazz pianist McCoy Tyner and his third released on the Blue Note label. It was recorded in May 1968 and features performances by Tyner with vibraphonist Bobby Hutcherson, bassist Herbie Lewis and drummer Freddie Waits.
Bob Brookmeyer and Friends is a 1964 jazz album released on Columbia Records by valve trombonist Bob Brookmeyer and featuring tenor saxophonist Stan Getz.
Street of Dreams is an album by American jazz guitarist Grant Green featuring performances recorded in 1964 and released on the Blue Note label. The street signs featured on the cover photo are at an actual street corner in the North Beach neighborhood of San Francisco. Green is heard with organist Larry Young, vibraphonist Bobby Hutcherson and drummer Elvin Jones.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Featuring alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams, Evolution is considered a significant contribution to the jazz avant-garde. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same "inside/outside" musical approach.
Life Time is the debut album by American drummer Tony Williams, recorded in 1964 and released on the Blue Note label. Featured musicians include tenor saxophonist Sam Rivers, vibraphonist Bobby Hutcherson, pianist Herbie Hancock and bassists Ron Carter, Gary Peacock, and Richard Davis.
Spiral is an album by jazz vibraphonist Bobby Hutcherson. It was released in 1979 on Blue Note Records featuring six tracks recorded in November, 1968, except for "Jasper", recorded in April 1965 and later added to the CD reissue of Dialogue, since it was recorded the same day. The first five tracks of Spiral may also be found on the CD reissue of Medina.
Rejoice is a double album led by saxophonist Pharoah Sanders, recorded in 1981 and released on the Theresa label.
Feeling Free is an album by guitarist Barney Kessel recorded in 1969 and released on the Contemporary label. The album marked a brief return to the label before Kessel embarked on an extended stay in Europe.
The New Wave in Jazz is a live album recorded on March 28, 1965, at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.