| Divine Revelation | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1975 | |||
| Recorded | July 10, 1975 | |||
| Genre | Jazz | |||
| Length | 54:41 | |||
| Label | SteepleChase | |||
| Producer | Nils Winther | |||
| Andrew Hill chronology | ||||
| ||||
Divine Revelation is an album by American jazz pianist Andrew Hill recorded in 1975 and released on the Danish SteepleChase label. [1] The album features four of Hill's original compositions performed by a quartet and one jazz standard performed solo. The CD added one alternate take as a bonus track.
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |    [2] |
| The Penguin Guide to Jazz Recordings | [3] |
The Allmusic review by Scott Yanow awarded the album 2½ stars calling it "complex but logical music". [2]
Our Thing is the second album by American jazz tenor saxophonist Joe Henderson on Blue Note. It features performances by Henderson, trumpeter Kenny Dorham, pianist Andrew Hill, drummer Pete La Roca and bassist Eddie Khan of originals by Henderson and Dorham. The CD reissue added a bonus take of "Teeter Totter".
The Popular Duke Ellington is a studio album by American pianist, composer and bandleader Duke Ellington featuring many of the tunes associated with his orchestra rerecorded in 1966 and released on the RCA label in 1967.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
The Right Touch is the tenth album by American pianist and arranger Duke Pearson featuring performances recorded in 1967 and released on the Blue Note label in 1968.
Lift Every Voice is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1969 and released on the Blue Note label in 1970. The original album features Hill with a large choir performing five original compositions and the 2001 CD reissue added six additional compositions recorded in 1970 as bonus tracks.
Change is a studio album by American jazz pianist Andrew Hill featuring performances recorded in 1966 for the Blue Note label. The album had a complicated release history- it was originally scheduled for issuance in 1967 as BST 84233, but was held back from release until 1975, when the tracks appeared under Sam Rivers' name, as part of a double LP set called Involution, which combined them with tracks recorded under Rivers' leadership. The first release of this material under Hill's name did not occur until 1995 as part of the Mosaic box set The Complete Blue Note Andrew Hill Sessions (1963-66). The album features Hill with saxophonist Sam Rivers, bassist Walter Booker and drummer J.C. Moses performing six of his originals. In 2007, two alternate takes were added to the CD release. The shorter take of "Violence" was initially chosen as the master track for that piece.
Pax is a studio album by American jazz pianist Andrew Hill, featuring performances recorded in 1965 but not released on the Blue Note label until 1975. The album features Hill with tenor saxophonist Joe Henderson, trumpeter Freddie Hubbard, bassist Richard Davis and drummer Joe Chambers performing six of his compositions, with one alternate take added to the 2006 CD release.
Eternal Spirit is an album by American jazz pianist Andrew Hill, recorded in 1989 and released on the Blue Note label. The album features six of Hill's original compositions performed by his quintet with alto saxophonist Greg Osby, vibraphonist Bobby Hutcherson, bassist Rufus Reid and drummer Ben Riley. Three alternate takes were added to the CD release as bonus tracks.
Jazz Contemporary is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1960 and released on the Time label. The album features the recording debut of pianist Steve Kuhn.
Doin' Allright is an album by American jazz saxophonist Dexter Gordon recorded in 1961 and released on the Blue Note label.
More Blues and the Abstract Truth is an album by American jazz composer, conductor and arranger Oliver Nelson featuring performances recorded in 1964 for the Impulse! label.
Invitation is an album by vibraphonist Milt Jackson's Sextet featuring performances recorded in 1962 and released on the Riverside label.
Milt Jackson Quintet Live at the Village Gate is a live album by vibraphonist Milt Jackson featuring Jimmy Heath recorded in 1963 at The Village Gate and released on the Riverside label.
On the Sunny Side is an album by American jazz tenor saxophonist Paul Quinichette featuring tracks recorded in May 1957 and released on the Prestige label.
Collaboration West is an album by jazz vibraphonist and pianist Teddy Charles recorded in 1953 for the Prestige label. Four tracks from an earlier session were added to the 1993 CD release.
Reunion with Chet Baker is an album recorded in 1957 by saxophonist Gerry Mulligan's Quartet with trumpeter Chet Baker which was released by World Pacific. It was Baker's first recording after moving to New York City.
The Highest Mountain is an album by saxophonist Clifford Jordan which was recorded in West Germany in 1975 and first released on the SteepleChase label. The album should not be confused with the CD reissue of the Muse album Night of the Mark VII which also used the same title.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
Conflict is an album by alto saxophonist Jimmy Woods' Sextet featuring Elvin Jones, which was recorded in 1963 and released on the Contemporary label.
Black Forrest is an album by the American jazz saxophonist Jimmy Forrest recorded in 1959 but not released by the Delmark label until 1972. The album features alternate takes and five other songs recorded at the sessions that produced All the Gin Is Gone.