Frederick Dewayne Hubbard was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.
Ronald Mathews was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey's Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University's International Center for the Arts on September 15, 2008.
Red Clay is a soul/funk-influenced hard bop album recorded in 1970 by jazz trumpeter Freddie Hubbard. It was his first album on Creed Taylor's CTI label and marked a shift toward the soul-jazz fusion sounds that would dominate his recordings in the later part of the decade. It is Hubbard's seventeenth album.
V.S.O.P : Live Under the Sky is a 1979 live album by the V.S.O.P. Quintet, a record of a performance at the 1979 Live Under the Sky Festival as it was performed live in Japan over two days. The first day, which took place during a furious rainstorm, was broadcast live on national television. The original release featured the first day, while the 2004 re-master/re-release also featured the second concert. This, the fourth VSOP release, once again featured Herbie Hancock, Wayne Shorter, Tony Williams, Ron Carter, and Freddie Hubbard.
Liquid Love is a soul/funk influenced hard bop album recorded in 1975 by American jazz trumpeter Freddie Hubbard. The album was released in July 1975 by Columbia label.
V.S.O.P. is a 1977 double live album by pianist and keyboard player Herbie Hancock, featuring acoustic jazz performances by the V.S.O.P. Quintet, and jazz fusion and jazz-funk performances by the Mwandishi band and The Headhunters. The concert was advertised as a "Herbie Hancock Retrospective," and Miles Davis, who was several months into his temporary retirement, was advertised as playing with the Shorter-Carter-Williams band, thereby reconstituting the Davis "Second Quintet" for the first time since 1969. However, on the night of the show, a handwritten sign was posted on the door to the lobby, announcing that Davis would not be playing, but that Freddie Hubbard would be appearing in his place. [Source: Russ Gershon, concert attendee]
The Night of the Cookers is a live album by trumpeter Freddie Hubbard recorded at Club La Marchal in April 1965 and released on the Blue Note label, originally as two volumes on LP. It features performances by Hubbard, Lee Morgan, James Spaulding, Harold Mabern, Jr., Larry Ridley, Pete LaRoca and Big Black. It has been called "one of the most compelling documents of a live band in full flight".
A Soul Experiment is a studio album by American jazz trumpeter Freddie Hubbard recorded between 1968/1969 and released in 1969. It was his third release on the Atlantic label and features performances by Hubbard, Carlos Garnett, Kenny Barron, Gary Illingworth, Billy Butler, Eric Gale, Jerry Jemmott, and Grady Tate.
First Light is an album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group"
Skagly is a 1979 album by jazz musician Freddie Hubbard released on the Columbia label which features performances by Hubbard, Hadley Caliman, Billy Childs, Phil Ranelin on all tracks except "A Summer Knows" with Paulinho da Costa guesting on two tracks and George Duke and Jeff "Skunk" Baxter guesting on one track.
Rollin' is a live album by jazz musician Freddie Hubbard recorded at the Theater Am Ring, Villingen Jazz Festival in Germany's Black Forest and released in 1982 on the MPS label. The album features performances by Hubbard with Dave Schnitter, William Childs, Larry Klein and Carl Burnett.
Born to Be Blue is an album by jazz musician Freddie Hubbard recorded in December 1981 and released on the Pablo Today label in 1982.
Keystone Bop: Sunday Night is a live album by jazz musicians Freddie Hubbard, Joe Henderson and Bobby Hutcherson recorded in November 1981 and released on the Prestige label in 1982. The Allmusic review by Scott Yanow states "Hubbard fans can be assured that this set finds him in excellent form on a good night".
Keystone Bop Vol. 2: Friday & Saturday is a live album by jazz musicians Freddie Hubbard, Joe Henderson & Bobby Hutcherson recorded in November 1981 and released on the Prestige label in 1996. The Allmusic review by Rick Anderson states "if you're expecting tight, hard-driving conventional bop, you'll be disappointed. These renditions average out to over 17 minutes each, with all the discursive extravagance that treatment implies. But that's not all bad, by any means... But it's hard not to think that offering more, briefer tunes wouldn't have made these performances a bit more interesting and fun overall. Still, fans won't be disappointed".
Palcoscenico Records was a short-lived Italian jazz record label.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Reflections in Blue is an album by drummer Art Blakey and the Jazz Messengers recorded in 1978 in the Netherlands and released on the Dutch Timeless label.
Live at Montreux and Northsea is an album by drummer Art Blakey and The Jazz Messengers Big Band recorded in 1980 at the Montreux Jazz Festival in Switzerland and released on the Dutch Timeless label.
Generation is an album by saxophonist Dexter Gordon which was recorded in 1972 and released on the Prestige label.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
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