Red Clay is an album recorded in 1970 by jazz trumpeter Freddie Hubbard. It was his first album on Creed Taylor's CTI label and marked a shift toward the soul-jazz fusion sounds that would dominate his recordings in the later part of the decade. It entered at number 20 on Billboard’s Top 20 Best Selling Jazz LPs, on June 20, 1970.
Electric Byrd is a jazz fusion album by Donald Byrd released by the Blue Note label in 1970.
White Rabbit is an album by George Benson. The title track is a cover of the famous Great Society/Jefferson Airplane song by Grace Slick.This album was George Benson's second CTI Records project produced by Creed Taylor and was recorded nine months after Beyond the Blue Horizon.
First Light is an album by jazz trumpeter Freddie Hubbard. Recorded in 1971, it features string arrangements by Don Sebesky. It was his third album released on Creed Taylor's CTI label and features performances by Hubbard, Herbie Hancock, Eric Gale, George Benson, Ron Carter, Jack DeJohnette, Airto Moreira and Richard Wyands. The album is part of a loose trilogy including his two previous records at the time, Red Clay and Straight Life. First Light won a 1972 Grammy Award for "Best Jazz Performance by a Group".
Polar AC is a compilation album by jazz trumpeter Freddie Hubbard. It was his final album released on Creed Taylor's CTI label and features performances by Hubbard, Hubert Laws, George Benson, Junior Cook, and Ron Carter. It was put together by CTI after Hubbard left the label to go to Columbia, and the tracks were recorded at different sessions, between 1971 and 1973. The album featured pieces: "People Make the World Go Round" and "Betcha, By Golly Wow", recorded both on April 12, 1972, and "Son of Sky Dive" recorded around 1973. "Polar AC" came from First Light sessions, whilst "Naturally" was recorded during Sky Dive sessions, and both can be found on CD reissues of their respective albums.
13th House is a 1981 album by jazz pianist McCoy Tyner released on the Milestone label. It was recorded in October 1980 and features performances by Tyner with a big band that includes alto saxophonist Joe Ford, flautist Hubert Laws, tenor saxophonist Ricky Ford, trombonist Slide Hampton, bassist Ron Carter and trumpeters Oscar Brashear and Charles Sullivan.
The Other Side of Abbey Road is a 1970 studio album by American guitarist George Benson of songs from the Beatles' 1969 album Abbey Road. It was his last album for A&M Records. The front cover is a photograph of Benson by Eric Meola in E 53rd Street, Midtown East, New York City.
Prelude is the eighth studio album by Brazilian keyboardist Eumir Deodato, released in 1973. With the signature track "Also Sprach Zarathustra (2001)", Prelude also features one of the most heavily sampled drum breaks in the early hip hop cannon. The opening bars of September 13 features a legendary break beat used in many classic hip hop songs. The album can be categorised as classical-jazz fusion, thought by some as elevator music with a twist. Prelude would become the most successful recording for Deodato and CTI Records.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
Soul Box is the third studio album by American saxophonist Grover Washington Jr. The project was originally divided in two LPs, both released in 1973 on Kudu Records with quite identical covers as Soul Box Vol. 1 (KU-12) and Soul Box Vol. 2 (KU-13), then issued as a 2-LP set as KUX-1213. Both albums were recorded during March 1973 with the same personnel. With the rising of CD's Soul Box Vol. 1 & Soul Box Vol. 2 were reissued on CD by Motown in the early 1990's. Unfortunately Vol. 2 was mastered incorrectly with a totally wrong track separation. Original tracks #1 + #2 were combined into 1 single track of 17 minutes, track #3 was cut as track #2 and track #4 was cut as track #3. Subsequently a totally wrong printing on the CD and the back cover of the CD was performed: The CD contained & listed only 3 tracks. The printed titles were not matching the corresponding tracks and were stated with wrong durations, not matching the original songs of the LP. It took until 2008, when the two volumes were released on one CD by Verve/GRP Records to get the tracks right again with their track separations and title durations back to the original recordings from the Kudu LP's.
Sunflower is an album by vibraphonist Milt Jackson recorded in 1972 and released on the CTI label. Assisting Jackson are trumpeter Freddie Hubbard, a star-studded rhythm section composed chiefly of Miles Davis alumni, and, on the first track, string and woodwind accompaniment, courtesy of Don Sebesky.
God Bless the Child is an album by American jazz guitarist Kenny Burrell featuring performances recorded in 1971 and released on the CTI label.
Blue Moses is an album by American jazz pianist and composer Randy Weston featuring performances recorded in 1972 and released on the CTI label.
Time & Love is an album by American vocalists Jackie Cain and Roy Kral featuring performances recorded in 1972 and released on the CTI label.
Mizrab is an album by Hungarian guitarist Gábor Szabó featuring performances recorded in 1972 and released on the CTI label.
Free is an album by Brazilian jazz drummer and percussionist Airto Moreira with performances recorded in 1972. The album was released by CTI Records and reached No. 30 on the jazz album chart at Billboard magazine.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Wild Horses Rock Steady is an album by jazz organist Johnny Hammond recorded for the Kudu label in 1971.
The Prophet is an album by jazz organist Johnny Hammond recorded for the Kudu label in 1972.
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