Eddie Daniels | |
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Background information | |
Born | New York City | October 19, 1941
Genres | Jazz, classical |
Occupation | Musician |
Instrument(s) | Clarinet, Tenor Saxophone, Flute |
Years active | 1950s–present |
Labels | Prestige, Columbia, Candid, Muse, GRP, Chesky, Shanachie |
Website | www |
Eddie Daniels (born October 19, 1941) is an American musician and composer. Although he is best known as a jazz clarinetist, he has also played saxophone and flute as well as classical music on clarinet.
Daniels was born in New York City to a Jewish family. His mother emigrated from Romania. [1] He was raised in the Manhattan Beach neighborhood of Brooklyn in New York City.
He became interested in jazz as a teenager when he was impressed by the musicians accompanying singers, such as Frank Sinatra, on recordings. Daniels' first instrument was the alto saxophone. At the age of 13 he was also playing clarinet, and by the age of 15 he had played at the Newport Jazz Festival youth competition. [2]
Daniels has toured and recorded with a variety of bands, small groups and orchestras, and appeared on television many times. He has played with Bucky Pizzarelli, Freddie Hubbard, Billy Joel, [3] Don Patterson, and Richard Davis. DownBeat gave Daniels the New Star on Clarinet Award in 1968. [3]
He was a member for six years of The Thad Jones/Mel Lewis Orchestra, playing tenor saxophone, clarinet and flute. [2] On the album "Presenting Joe Williams and the Thad Jones/Mel Lewis Jazz Orchestra", his solo on "Evil Man Blues" was mistakenly credited to his colleague Joe Farrell.
Since the 1980s, he has focused mainly on the clarinet. In 1989, he won a Grammy Award for his contribution to the Roger Kellaway arrangement of "Memos from Paradise".
He worked with Gordon Goodwin's Big Phat Band, on the album Swingin' for the Fences , the first album by the band. He was featured in Goodwin's arrangement of Mozart's 40th symphony in G minor on XXL and on the Big Phat Band's album The Phat Pack .
In 2009, Swiss composer and saxophonist Daniel Schnyder composed MATRIX 21, a Concerto for Clarinet and Orchestra, for Daniels and dedicated it to him. [3] It was commissioned by the Orchestre de Chambre de Lausanne (Switzerland) and world-premiered in Lausanne under its artistic director Christian Zacharias in January 2010. The American premiere took place at the Crested Butte Music Festival on July 18, 2010, under the direction of music director Jens Georg Bachmann.
With The Thad Jones/Mel Lewis Orchestra
With Bob James
With Freddie Hubbard
With Eric Gale
With Jimmy McGriff
With Billy Joel
With Dave Grusin
With Don Sebesky
With Arturo Sandoval
With others
Park Frederick "Pepper" Adams III was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.
The Thad Jones/Mel Lewis Jazz Orchestra was a jazz big band formed by trumpeter Thad Jones and drummer Mel Lewis in New York in 1965. The band performed for twelve years in its original incarnation, including a 1972 tour of the Soviet Union during the height of the Cold War. The collaboration ended in 1978 with Jones suddenly moving to Copenhagen, Denmark, after which the band became the Mel Lewis Jazz Orchestra. Since the death of Lewis in 1990 it has been known as the Vanguard Jazz Orchestra. They have maintained a Monday-night residency at the Village Vanguard jazz club in New York for five decades. The band won Grammy Awards for the album Live in Munich in 1978 and for the album Monday Night Live at the Village Vanguard in 2009.
Thaddeus Joseph Jones was an American jazz trumpeter, composer and bandleader who has been called "one of the all-time greatest jazz trumpet soloists".
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Live at the Village Vanguard is a 1967 big band jazz album recorded by the Thad Jones/Mel Lewis Jazz Orchestra and released on the Solid State Records label. The album was nominated for a 1967 Grammy award in the "Best Instrumental Jazz Performance - Large Group..." category. All tracks are also included on Mosaic's limited edition boxed set, The Complete Solid State Recordings of the Thad Jones/Mel Lewis Orchestra and seven tracks were also re-issued in the 1990s on CD as Volume 3 of LRC Ltd.'s series Village Vanguard Live Sessions.
Opening Night is a big band jazz recording of the Thad Jones/Mel Lewis Jazz Orchestra playing at the Village Vanguard club in New York City in February 1966. This was the first performance of the group at this club although the recording was not released until 2000. A 50-year tradition for Monday nights at the Village Vanguard began from this first evening for the Thad Jones/Mel Lewis Jazz Orchestra which later became the Mel Lewis Jazz Orchestra and eventually the Vanguard Jazz Orchestra. Resonance Records released what they term an "official release", approved by the Jones and Lewis estates, in 2016.
Dennis Mackrel is an American jazz drummer, composer, and arranger who was a member of the Count Basie Orchestra and the Vanguard Jazz Orchestra.
William Richard Berry was an American jazz trumpeter, best known for playing with the Duke Ellington Orchestra in the early-1960s, and for leading his own big band.
All My Yesterdays is a big band jazz recording of the Thad Jones/Mel Lewis Jazz Orchestra playing at the Village Vanguard club in New York City in February and March 1966. The February 7 tracks are the first recordings of the group at this club although the recording was not released until 2016. A 50-year tradition for Monday nights at the Village Vanguard began from this first evening for the Thad Jones/Mel Lewis Jazz Orchestra which later became the Mel Lewis Jazz Orchestra and eventually the Vanguard Jazz Orchestra.