Mister Magic is the fourth album by jazz saxophonist Grover Washington Jr., released in February 1975. The album topped both the soul and jazz albums chart and peaked at number ten on the pop chart.
Let It Come Down is the fourth studio album by the rock band Spiritualized, released in 2001. It was recorded and produced at Abbey Road and AIR Studios. It took Jason Pierce, Spiritualized's lead singer, guitarist and sole constant member, four years to write, perform, produce and release. The album utilises 115 session musicians, including orchestra and London Community Gospel Choir. The wall of sound technique is evident on this album, especially on such tracks as "Do It All Over Again", "Stop Your Crying", "The Straight and the Narrow" and "Out of Sight".
Jukebox Ella: The Complete Verve Singles, Vol. 1 is a 2003 compilation album by the American jazz singer Ella Fitzgerald. The album contains all the singles Fitzgerald recorded for Verve Records label between 1956 and 1965.
The Dana Owens Album is the fifth studio album by American hip hop artist Queen Latifah. The album was released on September 28, 2004, through A&M Records. The album marks a departure from her previous hip-hop releases, and is composed of jazz, soul, and R&B covers of songs by artists such as Al Green, Bill Withers, and Screamin' Jay Hawkins, among others. The album reached No. 16 on the Billboard 200 and No. 11 on the Top R&B/Hip-Hop Albums chart.
Touchdown is the sixth album by Bob James, released in 1978 on his Tappan Zee label thru Columbia.
ClassiKhan is the tenth studio album by American singer Chaka Khan, featuring the London Symphony Orchestra. It was released by independent label Sanctuary Records on October 5, 2004 in United Kingdom, with international releases overseen by different record companies. Produced and arranged by Eve Nelson, ClassiKhan was mainly recorded at London's legendary Abbey Road Studios and features guest appearances by pianist Joe Sample and percussionist Sheila E., among others.
The Other Side of Abbey Road is a 1970 studio album by American guitarist George Benson of songs from the Beatles' 1969 album Abbey Road. It was his last album for A&M Records. The front cover is a photograph of Benson by Eric Meola in E 53rd Street, Midtown East, New York City.
Road Song is an album by the jazz guitarist Wes Montgomery, released in 1968. It reached number one on the Billboard Jazz album chart and number 39 on the R&B chart. It also reached number 94 on the Billboard 200. It was his final recording before his death of a heart attack on June 15, 1968.
Three is the third album by jazz musician Bob James.
Heads is the fifth album by the jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed by Columbia Records. All of his Tappan Zee albums are distributed by E1 Music. The album reached number one on the Billboard Jazz Albums chart.
Soul Box is the third studio album by American saxophonist Grover Washington Jr. The project was originally divided in two LPs, both released in 1973 on Kudu Records with quite identical covers as Soul Box Vol. 1 (KU-12) and Soul Box Vol. 2 (KU-13), then issued as a 2-LP set as KUX-1213. Both albums were recorded during March 1973 with the same personnel. With the rising of CD's Soul Box Vol. 1 & Soul Box Vol. 2 were reissued on CD by Motown in the early 1990s. Unfortunately Vol. 2 was mastered incorrectly with a totally wrong track separation. Original tracks #1 + #2 were combined into 1 single track of 17 minutes, track #3 was cut as track #2 and track #4 was cut as track #3. Subsequently a totally wrong printing on the CD and the back cover of the CD was performed: The CD contained & listed only 3 tracks. The printed titles were not matching the corresponding tracks and were stated with wrong durations, not matching the original songs of the LP. It took until 2008, when the two volumes were released on one CD by Verve/GRP Records to get the tracks right again with their track separations and title durations back to the original recordings from the Kudu LP's.
All the King's Horses is the second album by American saxophonist Grover Washington Jr. It was recorded in 1972 and released on Kudu Records the same year. In 2008, it was reissued on CD by Verve/GRP Records.
Giant Box is a double album by American arranger/conductor and composer Don Sebesky recorded in 1973 and released on the CTI label.
Good King Bad is the thirteenth studio album by American guitarist George Benson featuring performances recorded in 1975 and released by CTI Records in 1976.
Dear Diz (Every Day I Think of You) is an album by Cuban jazz trumpeter Arturo Sandoval that won the Grammy Award for Best Large Jazz Ensemble Album in 2013. The album is Sandoval's tribute to his friend, Dizzy Gillespie. Musicians on the album include Gary Burton, Eddie Daniels, Joey DeFrancesco, and Bob Mintzer.
Shaken Not Stirred is an album by American pianist David Benoit released in 1994, recorded for the GRP label. The album reached #14 on Billboard's Jazz chart.
Impact is an album by American jazz trumpeter Charles Tolliver's Music Inc. and Orchestra recorded in 1975 and first released on the Strata-East label.
The Man with the Sad Face is an album by jazz saxophonist Stanley Turrentine recorded for the Fantasy label in 1976 and featuring performances by Turrentine with an orchestra arranged and conducted by David Van De Pitte. The album consists of Turrentine's versions of many current pop and disco hits.
Stan Getz Plays Music from the Soundtrack of Mickey One is a 1965 studio album by Stan Getz arranged by Eddie Sauter of their music for the soundtrack of the 1965 film Mickey One. The two men had previously collaborated on Getz's album Focus (1961).
Stars is the sixth studio album by American singer-songwriter Janis Ian, and the first of her seven for Columbia Records. Ian had previously had a three-year hiatus from the music industry since her 1971 album Present Company. In two years away from the music business, Ian wrote over 100 songs after moving to Los Angeles. She returned to play at the Philadelphia Folk Festival on August 17, 1973, and was signed by Columbia Records after several other companies rejected the songs she had written.
