The Thumper | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1960 | |||
Recorded | September 1959 New York City | |||
Genre | Jazz | |||
Length | 39:50 | |||
Label | Riverside RLP 314 | |||
Jimmy Heath chronology | ||||
|
The Thumper is the debut album by saxophonist Jimmy Heath featuring performances recorded in 1959 originally released on the Riverside label. [1]
Review scores | |
---|---|
Source | Rating |
Allmusic | [2] |
The Penguin Guide to Jazz Recordings | [3] |
Scott Yanow of Allmusic says, "The excellent session of late '50s straightahead jazz is uplifted above the normal level by Heath's writing". [2]
All compositions by Jimmy Heath except as indicated
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Full View is an album by jazz pianist Wynton Kelly, recorded in 1966 and released on the Milestone label, featuring performances by Kelly with Ron McClure and Jimmy Cobb.
Blue Soul is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
Blue's Moods is an album by American trumpeter Blue Mitchell recorded in 1960 and released on the Riverside label.
Smooth as the Wind is an album by American trumpeter Blue Mitchell with strings and brass recorded in late 1960 and early 1961 and released on the Riverside label.
A Sure Thing is an album by American trumpeter Blue Mitchell with orchestra recorded in 1962 and released on the Riverside label.
The Modern Touch is the second album by saxophonist Benny Golson featuring performances recorded in late 1957 and originally released on the Riverside label.
Seven Standards and a Blues is the second album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1957 for the Riverside label.
Last Chorus is a posthumous album by American jazz saxophonist Ernie Henry featuring tracks recorded in 1956 and 1957 for the Riverside label.
That's Him! is the second album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1957 for the Riverside label.
It's Magic is the third album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1958 for the Riverside label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
The Sound of the Wide Open Spaces!!!! is the debut album by saxophonist/flautist James Clay and the second album by David "Fathead" Newman featuring performances recorded in 1960 and originally released on the Riverside label.
Really Big! is the second album by saxophonist Jimmy Heath featuring big band performances recorded in 1960 and originally released on the Riverside label.
Triple Threat is the fourth album by saxophonist Jimmy Heath featuring performances recorded in 1962 originally released on the Riverside label.
Swamp Seed is the fifth album by saxophonist Jimmy Heath featuring performances recorded in 1963 originally released on the Riverside label.
On the Trail is the sixth album by saxophonist Jimmy Heath featuring performances recorded in 1964 originally released on the Riverside label.
The Pepper-Knepper Quintet is an album led by baritone saxophonist Pepper Adams and trombonist Jimmy Knepper which was recorded in 1958 and originally released on the MetroJazz label.