| Uptown Conversation | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | 1970 | |||
| Recorded | October 6 & 7, 1969 | |||
| Studio | A&R Recording Studio, New York City | |||
| Genre | Jazz | |||
| Length | 57:02CD reissue with bonus tracks | |||
| Label | Embryo SD 521 | |||
| Producer | Herbie Mann | |||
| Ron Carter chronology | ||||
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| Reissue Cover | ||||
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Uptown Conversation is the second album led by the jazz double bass player Ron Carter, recorded in 1969 and first released on the Embryo label. [1]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| The Rolling Stone Jazz Record Guide |  [3] |
| The Penguin Guide to Jazz Recordings | [4] |
The Allmusic review by Michael G. Nastos said, "Ron Carter's Uptown Conversation may very well be the most intriguing, challenging, and resonant statement of many he has made over the years as a leader ...Considering the music Ron Carter played preceding and following this effort, you'd be hard-pressed to find a more diverse, intellectually stimulating, enlivened, and especially unrestricted musical statement in his long and enduring career." [2]
Sorcerer is an album recorded in May 1967 by the Miles Davis quintet. It is the third of six albums that this quintet recorded. It also includes one track from a 1962 session with vocalist Bob Dorough, which was the first time Wayne Shorter recorded with Davis. Davis does not play on the second track, "Pee Wee". The album's cover is a profile photo of actress Cicely Tyson, who at the time was Davis's girlfriend.
The Freedom Rider is an album by jazz drummer Art Blakey and his group the Jazz Messengers. Continuing Blakey's distinct brand of hard bop, this album features contributions from Wayne Shorter, Lee Morgan, Blakey himself, and Kenny Dorham, a former Jazz Messenger. This was the final album by this particular edition of the Jazz Messengers, who had been together for 18 months, as Lee Morgan left after this album and was replaced by a Freddie Hubbard. The compositions themselves are varied, with Blakey contributing an energetic drum solo on "The Freedom Rider"; at least three of the compositions on the album are blues pieces. "El Toro" features a solo by Shorter incorporating the sheets of sound technique pioneered by John Coltrane. The CD version contains three bonus tracks originally released on the album Pisces.
You Must Believe in Spring is the seventieth studio album by American jazz pianist Bill Evans, recorded by Evans, bassist Eddie Gómez, and drummer Eliot Zigmund in August 1977, and released after Evans' death in September 1980.
Roots & Herbs is a jazz album by Art Blakey & the Jazz Messengers, recorded in 1961 at the same sessions which produced The Freedom Rider, but not released on the Blue Note label until 1970. The CD reissue features three alternate takes, two of which originally released in 1979 on Pisces.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. It would be the last Blue Note album to feature Henderson as a leader in the classic era. However, the live albums The State of the Tenor, Vols. 1 & 2 followed nearly 20 years later.
The Sixth Sense is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1970. The album features performances by Morgan, Jackie McLean, Frank Mitchell, Cedar Walton, Victor Sproles and Billy Higgins. The CD reissue added three tracks featuring Harold Mabern and Mickey Bass.
Sonic Boom is an album by jazz trumpeter Lee Morgan, recorded on April 14 and 28, 1967 but not released on the Blue Note label until 1979. The 2003 CD reissue added seven tracks recorded on September 12 & October 10, 1969 which were first released on the original double LP edition of The Procrastinator. Therefore, the CD edition includes performances by Morgan with two line-ups: the first one with tenor saxophonist David “Fathead” Newman, pianist Cedar Walton, bassist Ron Carter, and drummer Billy Higgins, whilst the second features trombonist Julian Priester, tenor saxophonist George Coleman, pianist Harold Mabern, bassist Walter Booker, and drummer Mickey Roker.
Breaking Point! is an album by trumpeter Freddie Hubbard, recorded on May 7, 1964, and released on the Blue Note label. Although it features performances by Hubbard's recent collaborators Ronnie Mathews and Eddie Khan, it was a departure in style from his work with Mathews and the Jazz Messengers.
Sky Dive is the twentieth album by jazz trumpeter Freddie Hubbard, recorded in 1972. It was his fourth album released on Creed Taylor's CTI label and features performances by Hubbard, Keith Jarrett, George Benson, Ron Carter, Billy Cobham, Airto Moreira and Ray Barretto.
Fly with the Wind is a 1976 album by jazz pianist McCoy Tyner, his ninth to be released on the Milestone label. It was recorded in January 1976 and features performances by Tyner with band and string section.
Stan Getz and the Oscar Peterson Trio is a 1958 studio album by Stan Getz, accompanied by the Oscar Peterson Trio.
Sugar is an album by jazz saxophonist Stanley Turrentine, his first recorded for the CTI Records label following his long association with Blue Note, featuring performances by Turrentine with Freddie Hubbard, George Benson, Ron Carter, and Billy Kaye with Lonnie Liston Smith added on the title track and Butch Cornell and Richard "Pablo" Landrum on the other two tracks on the original release. The CD rerelease added a live version of the title track recorded at the Hollywood Palladium in 1971.
Fuchsia Swing Song is the debut album by American saxophonist Sam Rivers recorded in 1964 and released on the Blue Note label. The album was reissued on CD in 1995, and again in 2003 as part of the "Connoisseur Series" including four alternate takes as bonus tracks.
Contours is the second album by American saxophonist Sam Rivers recorded in 1965 and released on the Blue Note label. The CD reissue contains an alternate take as a bonus track.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums - mostly consisting of, at that time, previously unreleased music - that Columbia released to bridge Davis' recording hiatus that ended with The Man with the Horn in July 1981.
Bad Benson is a 1974 studio album by American guitarist George Benson, released on CTI Records.
Shock Treatment is an album by trumpeter Don Ellis recorded in 1968 and released on the Columbia label.
Consciousness is an album by guitarist Pat Martino which was recorded in 1974 and first released on the Muse label.
The Gil Evans Orchestra Plays the Music of Jimi Hendrix is an album of Jimi Hendrix's compositions by jazz composer, conductor and pianist Gil Evans. The music was arranged by Evans and members of his orchestra. The album was recorded in 1974 and performed by Evans with an orchestra featuring David Sanborn, Howard Johnson, Billy Harper, and John Abercrombie. The album was re-released with additional tracks on CD in 1988.
All Music, is an album by saxophonist Warne Marsh recorded in 1976 and released on the Nessa label.