|Studio album by Gene Harris|
|Gene Harris chronology|
Tone Tantrum is an album by American jazz pianist Gene Harris recorded in 1977 and released on the Blue Note label.
Gene Harris was an American jazz pianist known for his warm sound and blues and gospel infused style that is known as soul jazz.
Blue Note Records is an American jazz record label that is owned by Universal Music Group and operated with Decca Records. Established in 1939 by Alfred Lion and Max Margulis, it derives its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, from 1947 the label began to switch its attention to modern jazz. Although the original company did not record many of the pioneers of bebop, significant exceptions are Thelonious Monk, Fats Navarro and Bud Powell.
The Allmusic review by Jason Ankeny awarded the album 3½ stars stating "Gene Harris never veered closer to mainstream jazz-funk than Tone Tantrum -- a slick, propulsive record... Still, while the sound is radio-friendly, the quality and complexity of the performances serve as a potent reminder that Tone Tantrum is first and foremost a jazz record, and a solid (if unconventional) one at that, purists be damned.
The piano is an acoustic, stringed musical instrument invented in Italy by Bartolomeo Cristofori around the year 1700, in which the strings are struck by hammers. It is played using a keyboard, which is a row of keys that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings.
An electric piano is an electric musical instrument which produces sounds when a performer presses the keys of the piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone. The earliest electric pianos were invented in the late 1920s; the 1929 Neo-Bechstein electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few other noteworthy producers of electric pianos include Baldwin Piano and Organ Company and the Wurlitzer Company.
A synthesizer or synthesiser is an electronic musical instrument that generates audio signals that may be converted to sound. Synthesizers may imitate traditional musical instruments such as piano, flute, vocals, or natural sounds such as ocean waves; or generate novel electronic timbres. They are often played with a musical keyboard, but they can be controlled via a variety of other devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via USB, MIDI or CV/gate using a controller device, often a MIDI keyboard or other controller.
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
Black Byrd is a 1973 album by Donald Byrd and the first of his Blue Note albums to be produced by Larry Mizell, assisted by his brother, former Motown producer Fonce. In the jazz funk idiom, it is among Blue Note Records' best selling album releases. The title of the album inspired the name of Byrd's apprentice group, The Blackbyrds.
Stepping Into Tomorrow is a 1974 album by jazz trumpeter Donald Byrd.
Astral Signal is a soul/funk influenced jazz album recorded in 1975 by the jazz keyboard player Gene Harris.
Peregrinations is an album by American jazz drummer Chico Hamilton featuring performances recorded in 1975 and originally released on the Blue Note label.
Fancy Free is an album by American jazz trumpeter Donald Byrd, recorded and released on Blue Note Records in 1970.
Street Lady is an album by American trumpeter Donald Byrd released on the Blue Note label in July 1973, with Larry Mizell returning as producer, following the success of its predecessor.
How Insensitive is the fourteenth album by American pianist and arranger Duke Pearson featuring performances by Pearson's band augmented by a choir, recorded over three sessions in 1969 and released on the Blue Note label.
Linger Lane is an album by American jazz vibraphonist Bobby Hutcherson recorded in 1975 and released on the Blue Note label.
Blacks and Blues is the third studio album by American jazz flutist Bobbi Humphrey recorded in 1973 and released on the Blue Note label.
Satin Doll is the fourth studio album by American jazz flautist Bobbi Humphrey recorded in 1974 and released on the Blue Note label.
Fancy Dancer is the fifth studio album by American jazz flautist Bobbi Humphrey, recorded in 1975 and released on the Blue Note label.
Nexus is an album by American jazz pianist Gene Harris recorded in 1975 and released on the Blue Note label.
For the 1983 DeBarge album, see In a Special Way
Who Is This Bitch, Anyway? is an album by American vocalist Marlena Shaw recorded in 1974 and released on the Blue Note label.
Summer Soft is an album by American trumpeter Blue Mitchell recorded in 1977 and released on the Impulse! label in 1978.
Romantic Journey is an album released in 1977 by Philadelphia, Pennsylvania jazz drummer Norman Connors. The album charted at number ten on the jazz albums chart.
Gears is an album by jazz keyboardist Johnny Hammond. It was released in 1975 and produced by Larry and Fonce Mizell.
Journey is the second album released by record producer Arif Mardin as leader. Released on the Atlantic label in 1974, it features "a veritable who's who of funk and jazz greats", many of them regular session and studio musicians who appear on Mardin-produced albums for other artists.
Thank You...For F.U.M.L. is an album by trumpeter Donald Byrd featuring compositions by The Blackbyrds which was released on the Elektra label in 1978. The album marked a distinct movement away from jazz toward more rhythm and blues and disco influences.