Mustang! | ||||
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Studio album by Donald Byrd | ||||
Released | October 1967 [1] | |||
Recorded | June 24, 1966 November 18, 1964 (Bonus tracks) | |||
Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
Genre | Jazz | |||
Length | 39:59original LP 56:17 CD reissue | |||
Label | Blue Note BLP 4238 BST 84238 | |||
Producer | Alfred Lion | |||
Donald Byrd chronology | ||||
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Mustang! is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, McCoy Tyner, Walter Booker, and Freddie Waits recorded in 1966 and released on the Blue Note label in 1967 as BLP 4238. [2] The CD reissue included two bonus tracks recorded in 1964.
Donaldson Toussaint L'Ouverture Byrd II was an American jazz and rhythm & blues trumpeter. A sideman for many other jazz musicians of his generation, Byrd was known as one of the rare bebop jazz musicians who successfully pioneered the funk and soul genres while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock.
Sonny Red was an American jazz alto saxophonist and composer associated with the hard bop idiom among other styles.
Henry "Hank" Mobley was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Stan Getz, and his style that was laid-back, subtle and melodic, especially in contrast with players like Sonny Rollins and Coltrane. The critic Stacia Proefrock claimed he is "one of the most underrated musicians of the bop era."
The Allmusic review by Scott Yanow awarded the album 3 stars and stated "Byrd performs high-quality straight-ahead jazz that fits the modern mainstream of the era". [3]
Scott Yanow is an American jazz reviewer, historian, and author.
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Review scores | |
Source | Rating |
Allmusic |
Recorded on November 18, 1964 (tracks 7-8) and June 24, 1966 (tracks 1-6).
Tracks 1-6
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
The alto saxophone, also referred to as the alto sax, is a member of the saxophone family of woodwind instruments invented by Belgian instrument designer Adolphe Sax in the 1840s, and patented in 1846. It is pitched in E♭, and is smaller than the tenor, but larger than the soprano. The alto sax is the most common saxophone and is commonly used in concert bands, chamber music, solo repertoire, military bands, marching bands, and jazz. The fingerings of the different saxophones are all the same so a saxophone player can play any type of saxophone.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Tracks 7-8
James Edward Heath, nicknamed Little Bird, is an American jazz saxophonist, composer, arranger and big band leader. He is the brother of bassist Percy Heath and drummer Albert Heath.
Joe Chambers in Chester, Pennsylvania is an American jazz drummer, pianist, vibraphonist and composer. He attended the Philadelphia Conservatory for one year. In the 1960s and 1970s Chambers gigged with many high-profile artists such as Eric Dolphy, Charles Mingus, Wayne Shorter, and Chick Corea. During this period, his compositions appeared on some of the albums in which he made guest appearances, such as those with Freddie Hubbard and Bobby Hutcherson. He has released eight albums as a bandleader and been a member of several incarnations of Max Roach's M'Boom percussion ensemble.
Byrd in Flight is an album by American trumpeter Donald Byrd recorded in 1960 and released on the Blue Note label as BLP 4048 and BST 84048 featuring Byrd with Jackie McLean or Hank Mobley, Duke Pearson, Doug Watkins or Reggie Workman and Lex Humphries.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956 and but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Hank Mobley with Donald Byrd and Lee Morgan is an album by jazz saxophonist Hank Mobley released on the Blue Note label in 1957 as BLP 1540. It was recorded on November 25, 1956 and features Mobley, Donald Byrd, Lee Morgan, Horace Silver, Paul Chambers and Charlie Persip.
Straight No Filter is an album by jazz saxophonist Hank Mobley, recorded mostly in 1963 but not released on the Blue Note label until 1985. The albums compiles performances recorded at four different sessions from 1963 to 1966.
The Turnaround! is an album by jazz tenor saxophonist Hank Mobley recorded on March 7, 1963 and on February 5, 1965. It was released in 1965 by Blue Note Records. It features performances by Mobley with Donald Byrd, Herbie Hancock, Butch Warren and Philly Joe Jones from the earlier session and Freddie Hubbard, Barry Harris, Paul Chambers and Billy Higgins from the latter.
A Caddy for Daddy is an album by jazz saxophonist Hank Mobley recorded on December 18, 1965, and released on the Blue Note label in 1967. It features performances by Mobley with Lee Morgan, Curtis Fuller, McCoy Tyner, Bob Cranshaw and Billy Higgins.
A Slice of the Top is an album by jazz saxophonist Hank Mobley recorded on March 18, 1966, but not released on the Blue Note label until 1979. It features performances by Mobley with Lee Morgan, Kiane Zawadi, Howard Johnson, James Spaulding, McCoy Tyner, Bob Cranshaw and Billy Higgins with arrangements by Duke Pearson. On the original LP, Reggie Workman was mistakenly identified as the bassist.
Far Away Lands is an album by jazz saxophonist Hank Mobley recorded on May 26, 1967, and released on the Blue Note label. It features performances by Mobley with Donald Byrd, Cedar Walton, Ron Carter, and Billy Higgins.
Goin' Up is an album by trumpeter Freddie Hubbard released on the Blue Note label in 1961. It features performances by Hubbard, Hank Mobley, McCoy Tyner, Paul Chambers and Philly Joe Jones.
Blue Spirits is an album by trumpeter Freddie Hubbard released on the Blue Note label. It would be his last studio album for Blue Note, recorded in the 1960s. It features performances by Hubbard, James Spaulding, Joe Henderson, Harold Mabern, Jr., Larry Ridley, Clifford Jarvis, Big Black, Kiane Zawadi, Hank Mobley, McCoy Tyner, Bob Cranshaw, Pete LaRoca. The CD release added tracks from a 1966 session featuring Hosea Taylor, Herbie Hancock, Reggie Workman, and Elvin Jones.
Expansions is the tenth album by jazz pianist McCoy Tyner and his fourth released on the Blue Note label. It was recorded in August 1968 and features performances by Tyner with Woody Shaw, Gary Bartz, Wayne Shorter, Ron Carter, Herbie Lewis, and Freddie Waits.
6 Pieces of Silver is a studio album by jazz pianist Horace Silver released on the Blue Note label in 1957 featuring performances by Silver with Donald Byrd, Hank Mobley, Doug Watkins and Louis Hayes. The Allmusic review by Scott Yanow awarded the album 4½ stars and states "The early Silver quintet was essentially The Jazz Messengers of the year before but already the band was starting to develop a sound of its own. "Señor Blues" officially put Horace Silver on the map".
My Conception is an album by jazz pianist Sonny Clark, recorded for the Blue Note label and performed by Clark with Donald Byrd, Hank Mobley, Paul Chambers, and Art Blakey. It was originally released in 1979 in Japan, as GXF 3056, featuring six tracks recorded in 1959 including an alternate take of "Royal Flush", appeared on Cool Struttin'. The 2000 limited CD reissue also comprised the three additional tracks originally recorded for Sonny Clark Quintets, an album which never saw the light of the day until being released later only in Japan.
Blackjack is an album by American trumpeter Donald Byrd featuring performances by Byrd with Sonny Red, Hank Mobley, Cedar Walton, Walter Booker, and Billy Higgins recorded in 1967 and released on the Blue Note label as BLP 4259. The CD reissue included one bonus track recorded in 1963.
A Date with Jimmy Smith Volume One is an album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and released on the Blue Note label.
A Date with Jimmy Smith Volume Two is an album by American jazz organist Jimmy Smith featuring performances recorded in 1957 and released on the Blue Note label.
In a New Setting is an album by vibraphonist Milt Jackson featuring McCoy Tyner recorded in 1964 and released on the Limelight label.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
The Max Roach Quartet featuring Hank Mobley was the debut album by American jazz drummer Max Roach featuring tracks recorded in 1953 and first released on the Debut label as a 10-inch LP.