Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
At the Cafe Bohemia, Vols. 1 & 2 are a pair of separate but related live albums by the Jazz Messengers recorded at the Café Bohemia jazz club in Greenwich Village on November 23, 1955 and released on Blue Note in April 1956.
Byrd in Flight is an album by American trumpeter Donald Byrd recorded in 1960 and released on the Blue Note label as BLP 4048 and BST 84048 featuring Byrd with Jackie McLean or Hank Mobley, Duke Pearson, Doug Watkins or Reggie Workman, and Lex Humphries.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records with Coltrane as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor. These recordings were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
The Jazz Messengers is the first studio album by the Jazz Messengers, released in 1956 by Columbia Records. It was their fourth overall album, and also their last recording to feature the group's co-founder, Horace Silver, on piano.
Originally is an album by drummer Art Blakey and The Jazz Messengers recorded in 1956, but not released on the Columbia label until 1982. The album features unreleased tracks from the sessions that produced The Jazz Messengers and Hard Bop which have since been released as bonus tracks on those albums and Drum Suite.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
Hank Mobley Quintet, also known as Hank Mobley with Farmer, Silver, Watkins, Blakey, is an album by American jazz saxophonist Hank Mobley recorded on March 8, 1957 and released on Blue Note later that year. The quintet features trumpeter Art Farmer and rhythm section Horace Silver, Doug Watkins and Art Blakey.
Introducing Lee Morgan is an album by jazz trumpeter Lee Morgan with Hank Mobley's quintet released on the Savoy label. It was recorded on November 5 and 7, 1956, and features performances by Morgan with Hank Mobley, Hank Jones, Doug Watkins and Art Taylor.
Hank Mobley and His All Stars is an album by American jazz saxophonist Hank Mobley, recorded on January 13, 1957 and released on Blue Note later that year. The quintet features vibraphonist Milt Jackson and Jazz Messengers rhythm section Horace Silver, Doug Watkins and Art Blakey.
Jazz Message #2 is an album by jazz saxophonist Hank Mobley released on the Savoy label in 1957. It was recorded on July 23 & November 7, 1956 and features performances by Mobley, Donald Byrd, Lee Morgan, Hank Jones, Doug Watkins Barry Harris, Kenny Clarke and Art Taylor. Lee Morgan was very young in this recording.
The Jazz Message of Hank Mobley is an album by jazz saxophonist Hank Mobley released on the Savoy label in 1956. It was recorded on February 8, 1956, and features performances by Mobley, Donald Byrd, Ronnie Ball, Horace Silver, Doug Watkins, Wendell Marshall, John LaPorta and Kenny Clarke. It was not issued as a Hank Mobley leader album until the CD era.
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
The Stylings of Silver is an album by the Horace Silver Quintet recorded on May 8, 1957 and released on Blue Note later that year. The quintet features horn section Art Farmer and Hank Mobley and rhythm section Teddy Kotick and Louis Hayes.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
Live at Newport '58 is a live album by jazz pianist Horace Silver. The album was recorded on July 6, 1958 at the Newport Jazz Festival. Blue Note Records released the album in 2008. It is one of the few officially released live albums with Silver as bandleader.
Byrd's Eye View is an album by trumpeter Donald Byrd recorded in 1955 and originally released on Tom Wilson's Transition label. The album was later re-released as part of the compilation CD set The Transition Sessions on the Blue Note label.
All Night Long is an album by the Prestige All Stars, later credited to guitarist Kenny Burrell, recorded in 1956 and released on the Prestige label.
"Doodlin'" is a composition by Horace Silver. The original version, by Silver's quintet, was recorded on November 13, 1954. It was soon covered by other musicians, including with lyrics added by Jon Hendricks. It has become a jazz standard.
"Señor Blues" is a composition by Horace Silver. The original version, an instrumental by Silver's quintet, was recorded on November 10, 1956. It has become a jazz standard. Silver later wrote lyrics, which were first recorded by Silver's band with Bill Henderson singing in 1958.
