| Plenty, Plenty Soul | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1957 | |||
| Recorded | January 5 & 7, 1957 | |||
| Genre | Jazz | |||
| Length | 41:27 | |||
| Label | Atlantic | |||
| Producer | Nesuhi Ertegun | |||
| Milt Jackson chronology | ||||
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Plenty, Plenty Soul is an album by American jazz vibraphonist Milt Jackson featuring performances recorded in 1957 and released on the Atlantic label. [1]
The Allmusic review by Scott Yanow stated that "these all-star dates still sound fresh and enthusiastic decades later". [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
Bohemia After Dark is an album by jazz drummer Kenny Clarke, featuring the earliest recordings with Cannonball Adderley and Nat Adderley. It was released by Savoy Records in September 1955.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
Sophisticated Swing is the fifth album by jazz saxophonist Cannonball Adderley, and his fourth released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones and Jimmy Cobb. The front cover photograph was by Chuck Stewart taken at the Ulysses S. Grant Monument, Chicago, Illinois.
Cannonball Enroute is an album by the jazz saxophonist Cannonball Adderley, released on the Mercury label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb. The album was recorded in 1957 but would only be released in 1961.
Cannonball's Sharpshooters is the seventh album by jazz saxophonist Cannonball Adderley, and his second released on the EmArcy label, featuring performances with Nat Adderley, Junior Mance, Sam Jones, and Jimmy Cobb.
Jazz Workshop Revisited is a live album by the jazz saxophonist Cannonball Adderley released on the Riverside label. Alongside Adderley, it features performances by Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. It was recorded at the Jazz Workshop in San Francisco on September 22 & 23, 1962
The Japanese Concerts is a live album by jazz saxophonist Cannonball Adderley recorded at the Kōsei Nenkin Kaikan and Sankei Hall in Tokyo during his 1963 Japanese tour and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes. The album was released on the Milestone label in 1975 and combines material previously released on Adderley's Nippon Soul (1963) with an additional disc of unreleased performances from a concert recorded a week earlier.
Cannonball Adderley's Fiddler on the Roof is an album by jazz saxophonist Cannonball Adderley released on the Capitol label featuring performances of material from the Broadway musical Fiddler on the Roof by Adderley with Nat Adderley, Charles Lloyd, Joe Zawinul, Sam Jones and Louis Hayes.
In Person is a "live" in-studio album by jazz saxophonist Cannonball Adderley recorded in Hollywood, California in 1968 featuring performances by Adderley with Nat Adderley, Joe Zawinul, Victor Gaskin and Roy McCurdy with guest vocalists Lou Rawls and Nancy Wilson contributing on one song apiece. "The Scavenger" is the product of observation, being written by Zawinul during the previous year's garbage collection strike in New York City. "Sweet Emma" is Nat's tribute to the New Orleans pianist Sweet Emma Barrett.
African Waltz is an album by jazz saxophonist Cannonball Adderley, released on the Riverside label and performed by Adderley with an orchestra conducted by Ernie Wilkins. The title track had been a UK hit single for Johnny Dankworth.
Phenix is an album by jazz saxophonist Cannonball Adderley recorded in 1975 at the Fantasy Studios in Berkeley, California, featuring performances by Adderley's Quintet with Nat Adderley, keyboardist Michael Wolff, bassist Walter Booker and drummer Roy McCurdy with guest percussionist Airto Moreira and past Quintet members keyboardist George Duke, bassist Sam Jones, and drummer Louis Hayes guesting on select tracks. The program essentially consists of energetic new arrangements of the Quintet's best known pieces from the late 1950s to the early 1970s, including Nat Adderley's “Work Song”.
To the Ivy League from Nat is an album by jazz cornetist Nat Adderley released on the EmArcy label featuring performances by Adderley with his brother Cannonball Adderley, Junior Mance, Sam Jones/Al McKibbon, and Charles "Specs" Wright with arrangements by Ernie Wilkins. The album was later released as part of the Cannonball Adderley compilation Sophisticated Swing: The EmArcy Small Group Sessions in 1995.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
Big Bags is an album by vibraphonist Milt Jackson featuring big band performances arranged by Tadd Dameron and Ernie Wilkins recorded in 1962 and released on the Riverside label.
The Soul Society is the debut album by bassist and cellist Sam Jones featuring performances recorded in early 1960 and originally released on the Riverside label.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Quincy – Here We Come is an album led by trumpeter Benny Bailey, trombonist Åke Persson and drummer Joe Harris featuring performances recorded in Sweden in 1959 and originally released on the Swedish Metronome label. The album was released in the US in 1960 as The Music of Quincy Jones on Argo Records. The album is one of the earliest devoted solely to the compositions of Quincy Jones and emerged from his work in Europe in the late 1950s.
Quincy Plays for Pussycats is an album by Quincy Jones featuring sessions recorded between 1959 and 1965 which was released on the Mercury label.
The Sextet is a live album by the jazz saxophonist Cannonball Adderley recorded in 1962-63 but not released by the Milestone label until 1982 and featuring performances by Adderley with Nat Adderley, Yusef Lateef, Joe Zawinul, Sam Jones and Louis Hayes recorded in San Francisco and Japan. The album features previously unreleased performances from the Jazz Workshop residency that produced Jazz Workshop Revisited and from the Japanese concerts that produced Nippon Soul.
