Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Andrew Hill was an American jazz pianist and composer.
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Alphonso Son "Dizzy" Reece is a Jamaican-born jazz trumpeter. Reece emerged within London's burgeoning bebop jazz scene during the 1950s and went on to become a leading proponent of hard bop jazz in New York City.
Soul Station is an album by American jazz saxophonist Hank Mobley recorded on February 7, 1960 and released on Blue Note later that year. Mobley's quartet features rhythm section Wynton Kelly, Paul Chambers and Art Blakey.
"There Will Never Be Another You" is a popular song with music by Harry Warren and lyrics by Mack Gordon that was written for the Twentieth Century Fox musical Iceland (1942) starring Sonja Henie and John Payne. The songs in the film featured Joan Merrill accompanied by Sammy Kaye and His Orchestra. The song was published in 1942 and is considered a jazz standard. The most popular version, a 1966 Chris Montez recording, went to #4 on the Easy Listening chart and #33 on the Hot 100.
Dippin' is an album by jazz saxophonist Hank Mobley released on the Blue Note label in 1966. It is the second of nine Blue Note sessions to feature Mobley alongside Lee Morgan during the trumpeter's second stint with the label. It is also the second of nine consecutive Hank Mobley recording sessions to feature Billy Higgins.
Another Workout is an album by jazz tenor saxophonist Hank Mobley recorded during two sessions in 1961. Most of the album was recorded during a session on December 5, 1961, while the final track, "Three Coins in a Fountain," was recorded on March 26, 1961. The album was first released on the Blue Note label in 1985. The musicians on Another Workout are the same as those on Workout, with the exception of guitarist Grant Green, who does not appear on Another Workout. The musicians are: Mobley, pianist Wynton Kelly, bassist Paul Chambers, and drummer Philly Joe Jones.
John Jenkins was an American jazz saxophonist.
Hank Mobley Quartet is the debut ten-inch LP by American jazz saxophonist Hank Mobley, recorded on March 27, 1955 and released on Blue Note later that year. The quartet features rhythm section Horace Silver, Doug Watkins and Art Blakey.
This is a discography of American jazz musician Hank Mobley.
No Room for Squares is an album by jazz tenor saxophonist Hank Mobley recorded on March 7 & October 2, 1963 and released on the Blue Note label. It features performances by Mobley, trumpeters Lee Morgan and Donald Byrd, pianists Andrew Hill and Herbie Hancock, bassists John Ore and Butch Warren, and drummer Philly Joe Jones. Material recorded at the March 7 session was also included on The Turnaround! with the entire session collected for the first time on the 1989 CD edition of Straight No Filter. The 1989 CD issue of No Room for Squares collects the entire October 7 session save an alternate take of "Carolyn" that was first issued in 2019 as part of The Complete Hank Mobley Blue Note Sessions 1963-70.
The Flip is an album by the jazz saxophonist Hank Mobley recorded on July 12, 1969 in Paris, France, and released on the Blue Note label. It features performances by Mobley with four European-based musicians: trumpeter Dizzy Reece, trombonist Slide Hampton, pianist Vince Benedetti, bassist Alby Cullaz, and drummer Philly Joe Jones.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
At the Jazz Corner of the World, Vols. 1 & 2 are a pair of separate but related live albums by Art Blakey and the Jazz Messengers, recorded at the Birdland jazz club in New York City on April 15, 1959 and released on Blue Note later that year in September and October respectively. The quintet features horn section Lee Morgan and Hank Mobley and rhythm section Bobby Timmons, Jymie Merritt and Art Blakey.
Byrd's Eye View is an album by trumpeter Donald Byrd recorded in 1955 and originally released on Tom Wilson's Transition label. The album was later re-released as part of the compilation CD set The Transition Sessions on the Blue Note label.
"The Blue Note Sessions" and variants thereof usually refer to material recorded by Blue Note Records. Releases of this material include:
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
This is the discography of Mosaic Records the American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. Over three decades the jazz press and general publications have recognized Mosaic, with The New York Times naming it "the most distinctive reissue label in jazz", All About Jazz calling the company "arguably the premiere reissue label in jazz", and Esquire suggesting it is "America's most obsessive jazz label".
