Blue Note Records is an American jazz record label owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue notes of jazz and the blues. Originally dedicated to recording traditional jazz and small group swing, the label began to switch its attention to modern jazz around 1947. From there, Blue Note grew to become one of the most prolific, influential and respected jazz labels of the mid-20th century, noted for its role in facilitating the development of hard bop, post-bop and avant-garde jazz, as well as for its iconic modernist art direction.
Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others.
Andrew Hill was an American jazz pianist and composer.
Harold Floyd "Tina" Brooks was an American jazz tenor saxophonist and composer best remembered for his work in the hard bop style.
Mosaic Records is an American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. It produces limited-edition box sets.
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Alphonso Son "Dizzy" Reece is a Jamaican-born hard bop jazz trumpeter. Reece is among a group of jazz musicians born in Jamaica which includes Bertie King, Joe Harriott, Roland Alphonso, Wilton Gaynair, Sonny Bradshaw, saxophonists Winston Whyte and Tommy McCook, trombonist Don Drummond, pianists Wynton Kelly, Monty Alexander, bassist Coleridge Goode, guitarist Ernest Ranglin and percussionists Count Ossie and Lloyd Knibb.
A Night at Birdland, Vols. 1–3 are three separate but related 10" LPs by the Art Blakey Quintet recorded live at the Birdland jazz club on February 21, 1954 and released on Blue Note Records in July, October and November of that year respectively. The quintet featured Clifford Brown, Lou Donaldson, Horace Silver and Curly Russell. They are considered some of the earliest hard bop recordings.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related 12" live albums by jazz drummer Art Blakey, released by Blue Note in August and December 1956 respectively. The two volume recompile Blakey's performance with his quintet at the Birdland on February 21, 1954, which was originally spread out over three 10" LPs as A Night at Birdland, Vols. 1–3.
At the Cafe Bohemia, Vol. 1 is a live album by the Jazz Messengers for Blue Note Records. It featured the original incarnation of the Jazz Messengers, Art Blakey's career-spanning band, and is the first of two volumes recorded on November 23, 1955, at Café Bohemia, a famous night club in Greenwich Village in New York.
At the Cafe Bohemia, Vol. 2 is a 1956 live album release by the Jazz Messengers. It was first released by Blue Note Records. This record featured the original incarnation of The Jazz Messengers, one of Art Blakey's most endearing bands, and was the second of two volumes recorded at Café Bohemia, a famous night club in Greenwich Village in New York, New York on November 23, 1955.
Michael Cuscuna is an American jazz record producer and writer. He is the co-founder of Mosaic Records and a discographer of Blue Note Records.
In Person Friday and Saturday Nights at the Blackhawk, Complete, also called The Complete Blackhawk, is a 2003 four-disc collection of the 1961 live performances of the Miles Davis Quintet at the Black Hawk nightclub in San Francisco. These sets, performed with recording in mind, forged new ground for jazz musician Miles Davis, who had never previously been recorded live in a club with his combo. Material from the four sets was first released simultaneously by Columbia Records on two albums in September 1961, titled In Person Friday Night at the Blackhawk, San Francisco, Volume 1 and In Person Saturday Night at the Blackhawk, San Francisco, Volume 2. Although those albums were subsequently rereleased several times, the complete sets were not commercially available until Sony Records released a digital mastering of this collection. Simultaneous to this release, the material was made available as two separate double-albums, entitled Friday Night: In Person at the Blackhawk in San Francisco, Complete and Saturday Night: In Person at the Blackhawk in San Francisco, Complete. In conjunction with Sony, Mosaic Records released the 6 LP set.
The Rajah is an album by jazz trumpeter Lee Morgan released on the Blue Note label. It was recorded on November 29, 1966 but not released until 1985, and features performances by Morgan, Hank Mobley, Cedar Walton, Paul Chambers and Billy Higgins. The recording was found in the Blue Note vaults by Michael Cuscuna in 1984.
This is the discography for American jazz musician Hank Mobley.
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
At the Jazz Corner of the World is a critically-acclaimed two-volume live album by American jazz drummer Art Blakey and The Jazz Messengers, released in 1959 on the Blue Note label. The album was originally issued on 12-inch LPs in two volumes and later re-released as a two-CD double album.
"The Blue Note Sessions" and variants thereof usually refer to material recorded by Blue Note Records. Releases of this material include:
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
This is the discography of Mosaic Records the American jazz record company and label established in 1982 by Michael Cuscuna and Charlie Lourie. Over three decades the jazz press and general publications have recognized Mosaic, with The New York Times naming it "the most distinctive reissue label in jazz", All About Jazz calling the company "arguably the premiere reissue label in jazz", and Esquire suggesting it is "America's most obsessive jazz label".
