Someday My Prince Will Come | ||||
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Studio album by | ||||
Released | December 11, 1961 [1] | |||
Recorded | March 7, 20, 21, 1961 | |||
Studio | Columbia 30th Street (New York City) | |||
Genre | Jazz | |||
Length | 41:45 | |||
Label | Columbia CS-8456 | |||
Producer | Teo Macero | |||
Miles Davis chronology | ||||
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Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
In 1959, Cannonball Adderley left to form his own group with his brother, reducing the sextet to a quintet. [2] Drummer Jimmy Cobb and pianist Wynton Kelly had been hired in 1958. John Coltrane stayed in the group for a spring tour of Europe, but left to form his own quartet in the summer of 1960. [3] In 1960, Davis went through saxophonists Jimmy Heath and Sonny Stitt before settling on Hank Mobley in December, the band re-stabilizing for the next two years. [4]
Unlike Kind of Blue, which featured nothing but group originals, this album paired equal numbers of Miles Davis tunes and pop standards, including the title song resurrected from the 1937 Disney film Snow White and the Seven Dwarfs . The titles of all three Davis originals refer to specific individuals: "Pfrancing" to his wife Frances, featured on the album cover; "Teo" to his producer Teo Macero; and "Drad Dog" (Goddard reversed) to Columbia Records president Goddard Lieberson. [5] While the cover credits the Miles Davis Sextet, only the title track featured six players, Coltrane making two cameo appearances on the album, taking solos on the title track and "Teo", playing instead of Mobley on the latter. [6] On March 21, ex-Davis drummer Philly Joe Jones made his final contribution to a Davis session, replacing Cobb for the original "Blues No. 2", which was not used on the album.
On June 8, 1999, Legacy Records reissued the album for compact disc with two bonus tracks including the unused "Blues No. 2" and an alternative take of "Someday My Prince Will Come".
Review scores | |
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Source | Rating |
AllMusic | [7] |
Down Beat (1962) | [8] |
Down Beat (1990) | [9] |
Encyclopedia of Popular Music | [10] |
MusicHound Jazz | 4/5 [11] |
The Penguin Guide to Jazz | [12] |
The Rolling Stone Album Guide | [13] |
Tom Hull | B [14] |
In a contemporary review for Down Beat , Ira Gitler praised Coltrane's solo on the title track while finding Kelly equally exceptional as both a soloist and comping musician. "His single-lines are simultaneously hard and soft. Cobb and Chambers groove perfectly together and with Kelly", Gitler wrote. "The rhythm section, individually and as a whole, is very well-recorded." [9] The magazine's Howard Mandel later viewed Someday My Prince Will Come as "a commercial realization rather than an artistic exploration" but nonetheless "lovely", highlighted by each musician's careful attention to notes and dynamics, and among Davis's most "romantic, bluesy and intentionally seductive programs". [9]
The album is ranked number 994 in All-Time Top 1000 Albums (3rd edition, 2000). [15]
No. | Title | Writer(s) | Length |
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1. | "Someday My Prince Will Come" | Frank Churchill, Larry Morey | 9:02 |
2. | "Old Folks" | Willard Robison, Dedette Lee Hill | 5:14 |
3. | "Pfrancing" (also known as "No Blues") | Miles Davis | 8:30 |
No. | Title | Writer(s) | Length |
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1. | "Drad-Dog" | Miles Davis | 4:49 |
2. | "Teo" | Miles Davis | 9:33 |
3. | "I Thought About You" | Jimmy Van Heusen, Johnny Mercer | 4:52 |
No. | Title | Writer(s) | Length |
---|---|---|---|
7. | "Blues No. 2" | Miles Davis | 7:05 |
8. | "Someday My Prince Will Come" (alternate take) | Frank Churchill, Larry Morey | 5:34 |
Kind of Blue is a studio album by the American jazz trumpeter and composer Miles Davis. It was released on August 17, 1959 through Columbia Records. For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul Chambers, and drummer Jimmy Cobb, with new band pianist Wynton Kelly appearing on one track—"Freddie Freeloader"—instead of Evans. The album was recorded in two sessions on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City.
Henry Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Attilio Joseph "Teo" Macero was an American jazz record producer, saxophonist, and composer. He was a producer at Columbia Records for twenty years. Macero produced Miles Davis' Bitches Brew and Dave Brubeck's Time Out, two of the best-selling and most influential jazz albums of all time. Macero was known for his innovative use of editing and tape manipulation unprecedented in jazz and proving influential on subsequent fusion, experimental rock, electronica, post-punk, no wave, and acid jazz.
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the Sextet's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Wynton Charles Kelly was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
Seven Steps to Heaven is a studio album by the jazz musician Miles Davis. It was released through Columbia Records on July 15, 1963. The recording took place at Columbia Studios in Los Angeles in April 1963, and at Columbia's 30th Street Studios in Manhattan in May 1963. It presents the Miles Davis Quintet in transition, with the New York session introducing the rhythm section of Herbie Hancock, Ron Carter and Tony Williams, who would become Davis' regular sidemen for the next five years. Upon release, the album was Davis' most successful on the Billboard pop LPs chart up to that point, peaking at number 62.
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Wynton Kelly! is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961. Additional performances from these sessions were released as Someday My Prince Will Come.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
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