Blue Train is a studio album by John Coltrane which was released in January 1958 by Blue Note Records. Recorded at the Van Gelder Studio in Hackensack, New Jersey, it is the only Blue Note recording by Coltrane as session leader. It has been certified a gold record by the RIAA.
Out to Lunch! is a 1964 album by jazz multi-instrumentalist Eric Dolphy. His only recording on Blue Note as a leader, it was issued as BLP 4163 and BST 84163. Featuring Dolphy in a quintet with trumpeter Freddie Hubbard, vibraphonist Bobby Hutcherson, bassist Richard Davis and drummer Tony Williams, it was generally considered by critics as one of the finest albums issued on Blue Note, and widely viewed as one of the high points of 1960s avant-garde jazz. The album cover designed by Reid Miles features a photo of a "Will Be Back" sign displayed in a shop window showing a seven handed clock.
A Monastic Trio is the first solo album by Alice Coltrane. It was recorded in 1968 at the John Coltrane Home in Dix Hills, New York, and was released later that year by Impulse! Records. On the album, Coltrane appears on piano and harp, and is joined by saxophonist Pharoah Sanders, bassist Jimmy Garrison, and drummer Rashied Ali, all of whom were members of John Coltrane's last quintet. Drummer Ben Riley also appears on one track. The album was reissued on CD in 1998 with three additional tracks, one of which is a piano solo recorded in 1967.
Olé Coltrane is an album by jazz musician John Coltrane released in November 1961 on Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
Africa/Brass is the eighth studio album by jazz musician John Coltrane, released on September 1, 1961 on Impulse! Records. The sixth release for the fledgling label and Coltrane's first for Impulse!, it features Coltrane's working quartet augmented by a larger ensemble to bring the total number of participating musicians to 21. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases."
Soultrane is the fourth studio album by jazz musician John Coltrane, released in 1958 on Prestige Records, catalogue 7142. It was recorded at the studio of Rudy Van Gelder in Hackensack, New Jersey, three days after a Columbia Records session for Miles Davis and the Milestones album.
Coltrane is an album by jazz musician John Coltrane which was released in October 1957 by Prestige Records. The recordings took place at the studio of Rudy Van Gelder in Hackensack, New Jersey, and document Coltrane's first session as a leader. It has been reissued at times under the title of The First Trane!.
The Believer is a jazz album by John Coltrane released in 1964 on Prestige Records, catalogue 7292. It was recorded by Rudy Van Gelder in Hackensack, New Jersey in 1957 and 1958.
Black Pearls is a studio album by American jazz musician John Coltrane, released in 1964 on Prestige Records. It was recorded at a single recording session on May 23, 1958, at the studio of Rudy Van Gelder in Hackensack, New Jersey.
Bahia is an album by jazz musician John Coltrane, released in 1965 on Prestige Records, catalogue 7353. It was recorded at two sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958. Prestige drew on a stockpile of Coltrane material for several years after his contract had ended without the saxophonist's input.
Stardust is an album by jazz musician John Coltrane which was released in July 1963 by Prestige Records. It was assembled from two separate sessions at the studio of Rudy Van Gelder in Hackensack, New Jersey in 1958.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor that were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965 and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as Meditations two months later with an expanded group. Along with Sun Ship, recorded a week earlier, First Meditations represents the final recordings of Coltrane's classic quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
Stereo Drive is an album by jazz musician Cecil Taylor featuring John Coltrane. It was released in 1959 on United Artists Records, catalogue UAS 5014. The mono edition was issued as UAL 4014 with the title Hard Driving Jazz credited to The Cecil Taylor Quintet, and later reissued under Coltrane's name in 1962 as Coltrane Time. Compact disc reissues appeared on the Blue Note Records label credited to Coltrane. It is the only known recording featuring both Coltrane and Taylor.
Mainstream 1958: The East Coast Jazz Scene is a 1958 album by jazz musicians Wilbur Harden and John Coltrane. It is the first of three collaborative albums with Harden and Coltrane as leaders, the other two being Jazz Way Out and Tanganyika Strut. The session produced several alternate takes; all of them can be found on the compilations featuring the complete Savoy recordings made by Harden and Coltrane together, The Complete Mainstream 1958 Sessions (2009) and The Complete Savoy Sessions (1999).
Tenor Madness is an album by jazz musician Sonny Rollins released in October 1956 by Prestige Records. It is most notable for its title track, the only known recording featuring both Rollins and John Coltrane.
Coltrane for Lovers is a compilation album of recordings by American jazz saxophonist-composer John Coltrane, released posthumously on January 23, 2001, by Impulse! and Verve Records. The 11 tracks compiled for the album are all romantic ballads from Coltrane's early years with Impulse!, being recorded during December 1961 to April 1963 at engineer Rudy Van Gelder's recording studio in Englewood Cliffs, New Jersey. Dominated by Coltrane's classic quartet, the sessions also included collaborations with vocalist Johnny Hartman and pianist Duke Ellington.
Sonny's Crib is an album by jazz pianist Sonny Clark, released on the Blue Note label in March 1958. It features trumpeter Donald Byrd, trombonist Curtis Fuller, tenor saxophonist John Coltrane, bassist Paul Chambers and drummer Art Taylor. The first half of the album comprises three standards, the second half contains two Clark originals. Critic Reid Thompson compared the album favorably to Coltrane's Blue Train, seeing them as the epitome of the Blue Note sound in the late 1950s.
Prayer Meetin' is an album by the American jazz organist Jimmy Smith, recorded in 1963 and released on the Blue Note label. The album was rereleased on CD with two bonus tracks from the same session.
Pharoah's First is the debut album by American free jazz saxophonist Pharoah Sanders, recorded in New York City at the loft of audio engineer Jerry Newman on September 10, 1964, and first released in 1965 on the ESP-Disk label. The album was originally issued with the title Pharaoh and was later re-released with the titles Pharoah,Pharaoh Sanders Quintet, Pharoah Sanders Quintet, and Pharaoh's First, and was also included in its entirety in the 2012 4-CD compilation In The Beginning 1963-1964.
