John Coltrane and Johnny Hartman | ||||
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Studio album by | ||||
Released | July or August 1963 [1] [2] | |||
Recorded | March 7, 1963 | |||
Studio | Van Gelder (Englewood Cliffs) | |||
Genre | Jazz | |||
Length | 31:11 | |||
Label | Impulse! A-40 | |||
Producer | Bob Thiele | |||
John Coltrane chronology | ||||
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Johnny Hartman chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [3] |
The Baltimore Sun | (favourable) [4] |
The Encyclopedia of Popular Music | [5] |
The Penguin Guide to Jazz | [6] |
The Rolling Stone Jazz Record Guide | [7] |
John Coltrane and Johnny Hartman is a studio album by John Coltrane and Johnny Hartman which was released by Impulse! Records in July or August 1963. [1] [2] It was inducted into the Grammy Hall of Fame in 2013. [8]
Although it is often reported that Coltrane and Hartman had known each other since their days playing with Dizzy Gillespie's band in the late 1940s, their time in the band never overlapped. Coltrane might have heard Hartman sing at a 1950 Apollo Theater performance at which they shared the stage. [9] Hartman is the only vocalist with whom the saxophonist would record as a leader. Initially when producer Bob Thiele approached Hartman with Coltrane's request that the two record together, Hartman was hesitant as he did not consider himself a jazz singer and did not think he and Coltrane would complement one another musically. [10] However, Thiele encouraged Hartman to go see Coltrane perform at Birdland in New York City to see if they could work something out. Hartman did and after the club closed, he, Coltrane and Coltrane's pianist, McCoy Tyner, went over some songs together. On March 7, 1963, Coltrane and Hartman had decided on 10 songs for the record album, but en route to the studio they heard Nat King Cole on the radio performing "Lush Life", and Hartman immediately decided that song had to be included in their album. [11]
They recorded on March 7, 1963, at the Van Gelder Studio in Englewood Cliffs, New Jersey. Hartman later said that each song was done in only one take, except for "You Are Too Beautiful", which required two takes because Elvin Jones dropped one of his drumsticks during the first take. [10]
Jazz writer Michael Cuscuna explains the speculation of two different versions of the album: "At a later date, Coltrane decided to overdub some additional obbligato saxophone phrases behind Hartman's vocals on 'My One and Only Love', 'Lush Life' and 'You Are Too Beautiful'. A new master was made by Rudy Van Gelder, who added some additional echo to the three tracks. Although the first release of the album used the original master without Coltrane's additional obbligatos, it was later substituted with the new master." [12]
In 2005, the raw tapes were reviewed by jazz archivist Barry Kernfeld, who documented there were actually complete alternate takes for all six songs that he considered "absolutely riveting." [13] Until clear ownership of these tapes is established between the Coltrane family and Universal Music, there are no plans for their release.
The album was announced on July 6, 1963, in Billboard. [14] Bob Thiele produced it and Impulse! released it toward the end of the month. It has become a classic ballad jazz album, and the renditions of "Lush Life", "My One and Only Love", and "They Say It's Wonderful" are considered definitive.
[15] [16] [17] Scott Yanow's five-star review for AllMusic describes the album as "essential for all jazz collections". [3]
Kurt Elling recorded an album in 2009 Dedicated to You: Kurt Elling Sings the Music of Coltrane and Hartman in tribute to John Coltrane and Johnny Hartman.
No. | Title | Length |
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1. | "They Say It's Wonderful" (Irving Berlin) | 5:20 |
2. | "Dedicated to You" (Sammy Cahn, Saul Chaplin, Hy Zaret) | 5:32 |
3. | "My One and Only Love" (Guy Wood, Robert Mellin) | 4:55 |
No. | Title | Length |
---|---|---|
4. | "Lush Life" (Billy Strayhorn) | 5:29 |
5. | "You Are Too Beautiful" (Richard Rodgers, Lorenz Hart) | 5:36 |
6. | "Autumn Serenade" (Peter DeRose, Sammy Gallop) | 4:19 |
Chart (2022) | Peak position |
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German Albums (Offizielle Top 100) [18] | 57 |
Alfred McCoy Tyner was an American jazz pianist and composer known for his work with the John Coltrane Quartet from 1960 - 1965, and his long solo career afterwards. He was an NEA Jazz Master and five-time Grammy Award winner. Tyner has been widely imitated, and is one of the most recognizable and influential jazz pianists of all time.
James Emory Garrison was an American jazz double bassist. He is best remembered for his association with John Coltrane from 1961 to 1967.
Impressions is an album of live and studio recordings by the jazz musician and composer John Coltrane. It was released through Impulse! Records in July 1963.
Crescent is a studio album by the jazz musician and composer John Coltrane. It was released in July 1964 through the label Impulse!. Alongside Coltrane on tenor saxophone, the album features McCoy Tyner (piano), Jimmy Garrison and Elvin Jones (drums) playing original Coltrane compositions.
Olé Coltrane is a studio album by the jazz musician and composer John Coltrane. It was released in November 1961 through Atlantic Records. The album was recorded at A&R Studios in New York, and was the last of Coltrane's Atlantic albums to be made under his own supervision.
John Maurice Hartman was an American jazz singer, known for his rich baritone voice and recordings of ballads. He sang and recorded with Earl Hines' and Dizzy Gillespie's big bands and with Erroll Garner. Hartman is best remembered for his collaboration in 1963 with saxophonist John Coltrane, John Coltrane and Johnny Hartman, a landmark album for both him and Coltrane.
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948.
Africa/Brass is a studio album by the jazz saxophonist and composer John Coltrane. It was released on September 1, 1961 through Impulse! Records. Coltrane's working quartet is augmented by a larger ensemble that brings the total to twenty-one musicians. Its big band sound, with the unusual instrumentation of French horns and euphonium, presented music very different from anything that had been associated with Coltrane to date. While critics originally gave it poor ratings, more recent jazz commentators have described it as "amazing" and as a "key work in understanding the path that John Coltrane's music took in its final phases." It is Coltrane's first release for Impulse!.
Ballads is a jazz album by John Coltrane released in January 1963 by Impulse! Records. It was recorded in December 1961 and 1962, and released with catalogue number A-32 (mono) and AS-32 (stereo). Critic Gene Lees stated that the quartet had never played the tunes before. "They arrived with music-store sheet music of the songs" and just before the recordings, they "would discuss each tune, write out copies of the changes they'd use, semi-rehearse for a half hour and then do it". Each piece was recorded in one take, except for "All or Nothing at All". In 2008, the album was a recipient of the Grammy Hall of Fame award.
Coltrane "Live" at the Village Vanguard is a live album by the jazz musician and composer John Coltrane. It was released in February 1962 through Impulse Records. It is the first album to feature the members of the classic quartet of Coltrane with McCoy Tyner, Jimmy Garrison, and Elvin Jones, as well as the first Coltrane live album to be issued. In contrast to his previous album for Impulse!, this one generated much turmoil among both critics and audience alike with its challenging music.
Live at Birdland is an album by the jazz saxophonist and composer John Coltrane. It was released on January 9, 1964 through Impulse! Records. Three of its tracks were recorded live at the Birdland club and two are studio recordings. Among them is "Alabama", a tribute to four black children killed in the 16th Street Baptist Church bombing, a white supremacist terrorist attack in Birmingham, Alabama.
The Classic Quartet – Complete Impulse! Studio Recordings is a 1998 box set by jazz musician John Coltrane with recordings from his classic quartet, including pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.
The Complete 1961 Village Vanguard Recordings is a box set of recordings by jazz musician John Coltrane, issued posthumously in 1997 by Impulse! Records, catalogue IMPD4-232. It collects all existing recordings from performances by the John Coltrane Quintet at the Village Vanguard in early November, 1961. Five selections had been issued during Coltrane's lifetime on the albums Live! at the Village Vanguard and Impressions. Additional tracks had been issued posthumously on the albums The Other Village Vanguard Tapes, Trane's Modes and From the Original Master Tapes.
Inner Urge is an album by the jazz saxophonist Joe Henderson, released in 1966 via Blue Note Records, his fourth recorded as a leader. It was recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey, on November 30, 1964. Featuring Henderson along with pianist McCoy Tyner and drummer Elvin Jones, and bassist Bob Cranshaw.
Coltrane for Lovers is a compilation album of recordings by American jazz saxophonist-composer John Coltrane, released posthumously on January 23, 2001, by Impulse! and Verve Records. The 11 tracks compiled for the album are all romantic ballads from Coltrane's early years with Impulse!, being recorded during December 1961 to April 1963 at engineer Rudy Van Gelder's recording studio in Englewood Cliffs, New Jersey. Dominated by Coltrane's classic quartet, the sessions also included collaborations with vocalist Johnny Hartman and pianist Duke Ellington.
McCoy Tyner Plays Ellington is the sixth album by American jazz pianist McCoy Tyner. It was recorded in December 1964 and released on the Impulse! label in 1965. It features performances by Tyner with his John Coltrane bandmates: bassist Jimmy Garrison and drummer Elvin Jones. Percussionists Willie Rodriguez and Johnny Pacheco appear on four of the tracks. It would be Tyner's last effort for the label, before signing with Blue Note.
Extensions is the eleventh album by jazz pianist McCoy Tyner released on the Blue Note label. It was recorded on February 9, 1970, but not released until January 1973. It has performances by Tyner with alto saxophonist Gary Bartz, tenor saxophonist Wayne Shorter, bassist Ron Carter, drummer Elvin Jones, and features Alice Coltrane playing harp on three of the four tracks.
The Africa/Brass Sessions, Vol. 2 is a posthumous compilation album by American jazz saxophonist and composer John Coltrane, released in 1974 by Impulse Records. It compiles outtakes from the same 1961 sessions that produced his Africa/Brass album. "Song of the Underground Railroad" and "Greensleeves" were recorded on May 23, while "Africa" was recorded on June 4. On October 10, 1995, Impulse incorporated the tracks issued here into a two-disc set entitled The Complete Africa/Brass Sessions.
Both Directions at Once: The Lost Album is a studio album recorded by saxophonist John Coltrane for Impulse! Records that was first released in 2018. The recordings were made in 1963 during Coltrane's Classic Quartet period and lost for decades.
Dear Old Stockholm is a compilation album by jazz musician John Coltrane released by GRP and Impulse! in 1993. The music, which was recorded on April 29, 1963 and May 26, 1965 at Van Gelder Studio in Englewood Cliffs, NJ, features Coltrane's quartet with Roy Haynes substituting for Elvin Jones on drums.