Miles Davis, Vol. 2 is the fifth 10-inch LP by trumpeter Miles Davis, recorded on April 20, 1953 and released on Blue Note in October that same year as BLP 5022, his second session and first record for the label.
Miles Davis, Volumes 1 & 2 are a pair of separate but related compilation albums by Miles Davis released in January and February of 1956 on Blue Note as Miles Davis, Volume 1 and Miles Davis, Volume 2, compiling the recordings Miles made for the label over three sessions in 1952, 1953 and 1954 and originally distributed over three 10" records as Young Man with a Horn (1953), also sometimes called Miles Davis, Vol. 1, and the separate Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), as well as a couple singles.
Conception is a compilation album issued by Prestige Records in 1956 as PRLP 7013, featuring Miles Davis on a number of tracks. The album, compiled from earlier 10 inch LPs, or as 78rpm singles, also features musicians such as Lee Konitz, Sonny Rollins, Stan Getz, Gerry Mulligan, and Zoot Sims. The cover was designed by Bob Parent. In particular, the entirety of the 10"LP Lee Konitz: The New Sounds makes up all of side 1.
Blue Period is the third studio album by jazz musician Miles Davis. It was released in 1953 as a 10" LP, his second released by Prestige Records, recorded over the course of two 1951 recording sessions at New York's Apex Studio.
Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios. First released in the 12-inch LP format in 1956, The original album was later released as Diggin' with the catalogue number PR 7281 and a different cover. Dig was reissued as a compact disc with additional tracks.
Feel the Wind is an album by trumpeter Freddie Hubbard and drummer Art Blakey recorded in November 1988 and released on the Timeless label. It features performances by Hubbard, Blakey, Benny Green, Mulgrew Miller, Leon Lee Dorsey, Lonnie Plaxico and Javon Jackson. The album was also released in Japan as 70 Years Anniversary: Special Edition Vol. 1.
Africaine is a collection of 1959 recordings by jazz artist Art Blakey and The Jazz Messengers. The collection was not released until over 20 years after it was recorded. The album features tenor-saxophonist Wayne Shorter in his first recording with The Jazz Messengers, trumpeter Lee Morgan, pianist Walter Davis, Jr. and bassist Jymie Merritt.
Meet You at the Jazz Corner of the World is a two-volume Blue Note live album featuring the Jazz Messengers with the leader/drummer Art Blakey, trumpeter Lee Morgan, tenor saxophonist Wayne Shorter, pianist Bobby Timmons and bassist Jymie Merritt. The album was recorded on September 14, 1960 at Birdland, a jazz club in New York City. Volume 1 was first released in July 1961, with Volume 2 following in May 1962. In 2002, the two LPs were reissued as a double-CD set.
Sonny Rollins with the Modern Jazz Quartet is a 1956 compilation album by jazz saxophonist Sonny Rollins, featuring his earliest recordings for the Prestige label under his leadership, including four tracks performed by Rollins with the Modern Jazz Quartet, eight tracks where Kenny Drew and Art Blakey replace Lewis, Jackson, and Clarke, and one track with Miles Davis on piano.
Super Hits is a greatest hits album from Miles Davis. Released in 2001, it reached #22 on Billboard's Jazz Albums chart.
At the Jazz Corner of the World is a critically-acclaimed two-volume live album by American jazz drummer Art Blakey and The Jazz Messengers, released in 1959 on the Blue Note label. The album was originally issued on 12-inch LPs in two volumes and later re-released as a two-CD double album.
Directions is a compilation album by American jazz musician Miles Davis, released in 1981 by Columbia Records. It collects previously unreleased outtakes that Davis recorded between 1960 and 1970. Directions was the last of a series of compilation albums—mostly consisting of, at that time, previously unreleased music—that Columbia released to bridge Davis' recording hiatus that ended with the Man with the Horn in July 1981.
Drum Suite is an album by drummer Art Blakey and the Jazz Messengers and the Art Blakey Percussion Ensemble, recorded in late 1956 and early 1957 and originally released on Columbia in April 1957. It was the first of several albums recorded by Blakey in the 1950s and 1960s that explored percussion-oriented jazz. It was followed by Orgy in Rhythm, Holiday for Skins, and The African Beat.
In My Prime Vol. 2 is an album by drummer Art Blakey and the Jazz Messengers recorded in 1977 and released on the Dutch Timeless label.
Blakey is an album by drummer Art Blakey recorded in 1954 and originally released on the EmArcy label as a 10-inch LP. The album was rereleased on CD in 1999 with bonus tracks originally released on the album Introducing Joe Gordon. The album has also been released as "The Complete Art Blakey on EmArcy", including four songs from a March 24 recording session.
The Art of Jazz: Live in Leverkusen is a live album by Art Blakey's Jazz Messengers at the Leverkusen Jazz Festival in Germany on October 9, 1989. To commemorate Blakey's 70th birthday, the concert featured many special guests—most of whom were former Messengers. Singer Michelle Hendricks sang a song -- "Mr. Blakey"—composed for the occasion by founding Messenger Horace Silver.
New Sounds was originally a 10" LP compiling previously released 78 rpm records on the Blue Note label. A CD reissue with the same name and cover appeared in 1991, but while using many of the same personnel, had only two tracks in common with the original LP. It instead compiled a distinct James Moody 10" LP with the Art Blakey tracks and included several tracks previously unreleased on LP or any format. Conversely, the tracks omitted from the CD, which were on the Moody LP, have not been reissued on CD.
The Brothers is a studio compilation album by American saxophonists Stan Getz and Zoot Sims released in 1956 via Prestige label.
Disorder at the Border is a live album by saxophonist Coleman Hawkins compiling tracks which were originally broadcast in 1952 and first released on LP in 1973 on the UK Spotlite label.
