Amandla | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 18, 1989 | |||
Recorded | December 1988 – early 1989 | |||
Genre | Pop jazz, funk, jazz fusion | |||
Length | 43:16 | |||
Label | Warner Bros. | |||
Producer | Tommy LiPuma, Marcus Miller, George Duke | |||
Miles Davis chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [1] |
DownBeat | [2] |
Encyclopedia of Popular Music | [3] |
Hi-Fi News & Record Review | A*:2 [4] |
Los Angeles Times | [5] |
MusicHound Jazz | 2/5 [6] |
The Rolling Stone Album Guide | [7] |
The Penguin Guide to Jazz Recordings | [8] |
Tom Hull – on the Web | B+ [9] |
Amandla is an album by jazz musician Miles Davis, released in 1989. The word Amandla holds significance in various Nguni languages, including Zulu and Xhosa, where it translates to "power." It is the third collaboration between Miles Davis and producer/bassist Marcus Miller, following their previous works Tutu (1986) and Music from Siesta (1987), and it serves as their final album together.
The album mixes elements of the genres go-go, zouk, funk and jazz, combining electronic instruments with live musicians. The composition "Mr. Pastorius", featuring drummer Al Foster, is a tribute to late jazz bassist Jaco Pastorius. [10] "Catémbe" is a Mozambican and Angolan cocktail of red wine and cola.
In a contemporary review, DownBeat said Amandla possessed "a precise and consistent sound that flows through the shifting instrumental combinations and lingers after the music has stopped". [2] In The Rolling Stone Album Guide (2004), J. D. Considine felt the record sounded "vaguely African" and somewhat conservative because of its reliance on session musicians. [7]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Catémbe" | Marcus Miller | 5:35 |
2. | "Cobra" | George Duke | 5:15 |
3. | "Big Time" | Marcus Miller | 5:40 |
4. | "Hannibal" | Marcus Miller | 5:49 |
5. | "Jo-Jo" | Marcus Miller | 4:51 |
6. | "Amandla" | Marcus Miller | 5:20 |
7. | "Jilli" | John Bigham | 5:41 |
8. | "Mr. Pastorius" | Marcus Miller | 5:41 |
Studios
The Sun Don't Lie is an album by Marcus Miller, released in 1993 on PRA Records. The album rose to No. 10 on the Billboard Jazz Albums chart. The album "is dedicated to the memory of Miles Davis."
Tutu is an album by jazz trumpeter Miles Davis, released in 1986 by Warner Bros. Records. It was recorded primarily at Capitol Studios in Los Angeles and Clinton Recording in New York, except the song "Backyard Ritual", which was recorded at Le Gonks in West Hollywood. Davis received the 1986 Best Jazz Instrumental Performance, Soloist Grammy Award for his performance on the album.
Other Roads is the tenth studio album by Boz Scaggs released in 1988. After an eight-year hiatus from recording, Scaggs returned in 1988 with this album, a record aimed primarily at the adult contemporary market.
High Life is an album by jazz saxophonist Wayne Shorter that was released on Verve Records in 1995. This album won the Grammy Award in 1996 for Best Contemporary Jazz Performance. Some of the musicians include keyboardist Rachel Z, guitarist David Gilmore, bassist Marcus Miller, percussionists Lenny Castro and Airto and drummer Will Calhoun of Living Colour.
Brasil was The Manhattan Transfer's tenth studio album. It was released in 1987 on Atlantic Records.
Black Diamond is the tenth album by American Jazz group The Rippingtons. Released in 1997, it was their first project for the Windham Hill label after the transfer of Peak Records from GRP earlier that year. The album reached number one on Billboard's contemporary jazz chart.
Oasis is Roberta Flack's first solo album of newly recorded songs since 1982's I'm the One. Released 1 November 1988, Oasis features the number-one U.S. singles, "Oasis" (R&B), and "Uh-uh Ooh-ooh Look Out ".
Live Around the World is a live album by American jazz musician Miles Davis. The single CD contains live recordings from 1988 to 1991. The album peaked at No. 4 on the Billboard Top Jazz Albums chart.
Out of the Loop is an album by the Brecker Brothers that was released by GRP Records in 1994. In 1995 the album won the brothers two Grammy Awards for Best Contemporary Jazz Performance and Best Instrumental Composition.
Sweet Thing is the fifth album by jazz saxophonist Boney James, released in 1997. "I Still Dream" features Al Jarreau.
Boney's Funky Christmas is the first Christmas album and fourth studio album by jazz saxophonist Boney James, released in 1996.
Body Language is the sixth album by jazz saxophonist Boney James, released in 1999.
Ride is the eighth studio album by jazz saxophonist Boney James, released on October 23, 2001 by Warner Bros. Records. The album spawned the smooth jazz radio singles "RPM" and "See What I'm Sayin'?" and the Urban AC radio singles "Something Inside" with R&B singer Dave Hollister and "Ride" with R&B singer Jaheim.
Pure is the ninth album by jazz saxophonist Boney James, released in 2004.
Send One Your Love is the twelfth studio album by jazz saxophonist Boney James, released in 2009.
Everlasting is the eleventh studio album by American singer Natalie Cole, released on June 14, 1987 by Manhattan Records. The album peaked at number 8 on Billboards Top R&B Albums chart and number 42 on the Billboard 200 chart.
Lucky Man is the second studio album by saxophonist Dave Koz. It was released by Capitol Records on June 29, 1993 in NYC, followed by a nationwide release in November 1993 and international release in May 1994. The album peaked at number 2 on Billboard Top Contemporary Jazz Albums chart. The album has sold over 500,000 copies in the United States and has thus been certified gold by the RIAA.
Saxophonic is the seventh studio album by saxophone player Dave Koz. It was released by Capitol Records on October 7, 2003. The album peaked at number 2 on Billboard Jazz Albums chart.
At the Movies is the eighth studio album by saxophone player Dave Koz. It was released by Capitol Records on January 30, 2007. The album peaked at number 2 on Billboard Jazz Albums chart.
Stephanie Mills is the tenth studio album by the American R&B singer Stephanie Mills, released in 1985 on MCA Records. Following her last release I've Got the Cure on Casablanca Records, Mills self-titled new album was the first release upon signing a new recording contract with MCA Records.
{{cite journal}}
: CS1 maint: untitled periodical (link)