Anthony Jackson | |
---|---|
Background information | |
Birth name | Anthony Claiborne Jackson |
Born | New York City, USA | June 23, 1952
Genres | Jazz, jazz fusion, R&B, funk |
Occupation | Musician |
Instrument | electric bass |
Years active | 1970–present |
Anthony Jackson (born June 23, 1952) is an American bassist. Described as "one of the masters of the instrument", [1] he has performed as a session musician and live artist. He is also credited with the development of the modern six-string bass, which he refers to as a contrabass electric bass.
Jackson played piano before starting guitar in his teens. [2] When he turned to bass, he was inspired by James Jamerson and Jack Casady. [2] [3] Jackson worked as a session musician, in the Billy Paul band, and with Philadelphia International Records. [2] Paul’s 1972 hit "Me and Mrs. Jones" was Jackson’s first No. 1 record. His performance on "For the Love of Money" by The O'Jays helped move the song to No. 9 on the pop chart and No. 3 on the R&B chart in 1974. [2]
Jackson is a student of Jerry Fisher, Lawrence Lucie, and Pat Martino. He has performed live in more than 30 countries and has recorded in more than 3000 sessions on more than 500 albums. [4]
In 2016 Jackson had to miss some performances with Hiromi, due to ill health. [5]
Danelectro (1956), Fender (1961) and other manufacturers had produced six-string basses tuned one octave below a guitar (EADGBE), and Jackson had briefly played a Fender five-string bass tuned EADGC. Jackson first approached various luthiers in 1974 about the construction of his idea for a “contrabass guitar” tuned in fourths BEADGC, and Carl Thompson built the first six-string for Jackson in 1975. [6] He first performed on the Thompson-built bass in 1975, recording with Carlos Garnett and touring with Roberta Flack. [7] He later approached luthier Ken Smith to build him a six string bass before finally playing instruments made by New York-based bass makers, Fodera.
Jackson said that the idea for adding more strings to the bass guitar came from his frustration with its limited range. When asked what he thought of criticism of the six-string bass, Jackson replied,
Why is four [strings] the standard and not six? As the lowest-pitched member of the guitar family, the instrument should have had six strings from the beginning. The only reason it had four was because Leo Fender was thinking in application terms of an upright bass, but he built it along guitar lines because that was his training. The logical conception for the bass guitar encompasses six strings. [8]
From 1982 onwards Jackson has almost exclusively played a contrabass guitar. Prior to 1982 his main instruments included a 1973 Fender Precision Bass, a 1973 Fender Jazz bass fitted with a 1975 Precision neck, and a Gibson EB-2D bass. In 1984 Fodera introduced their first Anthony Jackson Signature Model contrabass, followed in 1989 with a single cutaway model, the “Anthony Jackson Presentation Contrabass Guitar”. [9]
With Patti Austin
With Alex Bugnon
With Michel Camilo
With Jorge Dalto
With Mandoki Soulmates
With Al Di Meola
With Will Downing
With Roberta Flack
With Carlos Franzetti
With Jun Fukamachi
With Eric Gale
With Terumasa Hino
With Garland Jeffreys
With Chaka Khan
With Steve Khan
With Tania Maria
With Harvey Mason
With Michel Petrucciani
With Buddy Rich
With Lee Ritenour
With Mike Stern
With Hiromi Uehara
With others
Jon Faddis is an American jazz trumpet player, conductor, composer, and educator, renowned for both his playing and for his expertise in the field of music education. Upon his first appearance on the scene, he became known for his ability to closely mirror the sound of trumpet icon Dizzy Gillespie, who was his mentor along with pianist Stan Kenton and trumpeter Bill Catalano.
Fred Wesley is an American trombonist who worked with James Brown in the 1960s and 1970s, and Parliament-Funkadelic in the second half of the 1970s.
Larry Eugene Carlton is an American guitarist who built his career as a studio musician in the 1970s and 1980s for acts such as Steely Dan and Joni Mitchell. One of the most sought after guitarists of his era, Carlton has participated in thousands of recording sessions, recorded on hundreds of albums in many genres, including more than 100 gold records, as well as for television and movies. He has been a member of the jazz fusion group the Crusaders and the smooth jazz band Fourplay, and has maintained a long solo career.
Charles Walter Rainey III is an American bass guitarist who has performed and recorded with many well-known acts, including Aretha Franklin, Steely Dan, and Quincy Jones. Rainey is credited for playing bass on more than 1,000 albums, and is one of the most recorded bass players in the history of recorded music.
Lee Mack Ritenour is an American jazz guitarist who has been active since the late 1960s.
Harvey William Mason is an American jazz drummer, record producer, and member of the band Fourplay. He was the original drummer for Herbie Hancock’s band The Headhunters.
Paul Milton Jackson Jr. is an American fusion/urban jazz composer, arranger, producer and guitarist.
Will Lee is an American bassist known for his work on the Late Show with David Letterman as part of the CBS Orchestra, and The World's Most Dangerous Band during Letterman’s tenure as host of NBC’s Late Night.
Ralph Anthony MacDonald was an American percussionist, steelpan virtuoso, songwriter, musical arranger, and record producer.
Eric Gale was an American jazz and jazz fusion guitarist.
Jerry Hey is an American trumpeter, flugelhornist, horn arranger, string arranger, orchestrator and session musician who has played on hundreds of commercial recordings, including Michael Jackson's Thriller, Rock with You, "Don’t Stop ‘Til You Get Enough", "Workin’ Day and Night" and the flugelhorn solo on Dan Fogelberg's hit "Longer". Additionally, he has performed with artists such as George Benson, Nik Kershaw, Al Jarreau, Barbra Streisand, Donna Summer, Earth, Wind & Fire, Whitney Houston, Frank Sinatra, George Duke, Lionel Richie, Rufus and Chaka Khan, Natalie Cole, Aretha Franklin, Patti Austin, Toshiki Kadomatsu, Yumi Matsutoya, among many others.
Hiram Law Bullock was an American guitarist known mainly for playing in jazz funk and jazz fusion, but he also worked as a session musician in a variety of genres.
Bill Summers is an American, New Orleans–based Afro-Cuban jazz/Latin jazz percussionist, a multi-instrumentalist who plays primarily on conga drums.
Charles Louis Domanico was an American jazz bassist who played double bass and bass guitar on the West Coast jazz scene.
Marvin Louis Stamm is an American jazz trumpeter.
Wayne Andre was an American jazz trombonist, best known for his work as a session musician.
This article lists the complete discography of Steve Lukather.
James Edward Gadson is an American drummer and session musician. Beginning his career in the late 1960s, Gadson has since become one of the most-recorded drummers in the history of R&B. He is also a singer and songwriter.
Discography of Michael Brecker.
This is the discography for the American Drummer/Musician Steve Gadd. This discography contains over 700 original studio and live album releases. It does not include singles, EPs, unofficial releases, greatest hits/best of compilations or video only releases.